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Analisis Makna Simbolik Tari Domba Garut Pada Sanggar Galura Kencana Syifa Julianti; Ummu Salamah; Hadiati
Jurnal Komunikasi Nusantara Vol 7 No 2 (2025)
Publisher : Unitri Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33366/jkn.v7i2.2527

Abstract

This research is motivated by concerns about the fading of the meaning of local culture due to the development of popular culture that tends to ignore traditional values. The Domba Garut Dance by Sanggar Galura Kencana was chosen as the object of study because it is believed to hold cultural symbols that represent the identity of the Garut people. By using a qualitative method and ethnographic approach, and based on the theory of symbolic interactionism, this research aims to reveal the symbolic meaning contained in dance movements, makeup, costumes, music, and dancers' roles. Data was obtained through observation and in-depth interviews with choreographers and dancers. The results showed that dance movements represent Garut sheep in the art of agility known as dashing, make-up and costumes symbolize strength, simplicity, and courage, while music and poetry strengthen the nuances of fighting. This dance can be performed by men and women as long as they are able to internalize the symbolic value in question. In conclusion, Domba Garut Dance is not just a performing art, but a symbolic communication medium that represents cultural identity and a means of local education that needs to be preserved. Abstrak Penelitian ini dilatar belakangi oleh kekhawatiran terhadap lunturnya makna budaya lokal akibat perkembangan budaya populer yang cenderung mengabaikan nilai Tradisional. Tari Domba Garut karya Sanggar Galura Kencana dipilih sebagai objek kajian karena diyakini menyimpan simbol-simbol budaya yang merepresentasikan identitas masyarakat Garut. Dengan menggunakan metode kualitatif dan pendekatan etnografi, serta berlandaskan teori interaksionisme simbolik, penelitian ini bertujuan mengungkap makna simbolik yang terkandung dalam gerak tari, tata rias, kostum, musik, dan peran penari. Data diperoleh melalui observasi dan wawancara mendalam dengan koreografer dan penari. Hasil penelitian menunjukkan bahwa gerak tari merepresentasikan Domba Garut dalam seni ketangkasan yang dikenal dengan gagah. Make up atau tata rias dan kostum menjadi simbol kekuatan, kesederhanaan, dan keberanian, sedangkan musik dan syair memperkuat nuansa pertarungan. Tari ini dapat dibawakan oleh laki-laki maupun perempuan selama mampu menginternalisasi nilai simbolik yang dimaksud. Kesimpulannya, Tari Domba Garut bukan sekadar seni pertunjukan, melainkan media komunikasi simbolik yang merepresentasikan identitas budaya dan sarana edukasi lokal yang perlu dilestarikan.
Analisis Makna Simbolik Tari Domba Garut Pada Sanggar Galura Kencana Syifa Julianti; Ummu Salamah; Hadiati
Jurnal Komunikasi Nusantara Vol 7 No 2 (2025)
Publisher : Unitri Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33366/jkn.v7i2.2527

Abstract

This research is motivated by concerns about the fading of the meaning of local culture due to the development of popular culture that tends to ignore traditional values. The Domba Garut Dance by Sanggar Galura Kencana was chosen as the object of study because it is believed to hold cultural symbols that represent the identity of the Garut people. By using a qualitative method and ethnographic approach, and based on the theory of symbolic interactionism, this research aims to reveal the symbolic meaning contained in dance movements, makeup, costumes, music, and dancers' roles. Data was obtained through observation and in-depth interviews with choreographers and dancers. The results showed that dance movements represent Garut sheep in the art of agility known as dashing, make-up and costumes symbolize strength, simplicity, and courage, while music and poetry strengthen the nuances of fighting. This dance can be performed by men and women as long as they are able to internalize the symbolic value in question. In conclusion, Domba Garut Dance is not just a performing art, but a symbolic communication medium that represents cultural identity and a means of local education that needs to be preserved. Abstrak Penelitian ini dilatar belakangi oleh kekhawatiran terhadap lunturnya makna budaya lokal akibat perkembangan budaya populer yang cenderung mengabaikan nilai Tradisional. Tari Domba Garut karya Sanggar Galura Kencana dipilih sebagai objek kajian karena diyakini menyimpan simbol-simbol budaya yang merepresentasikan identitas masyarakat Garut. Dengan menggunakan metode kualitatif dan pendekatan etnografi, serta berlandaskan teori interaksionisme simbolik, penelitian ini bertujuan mengungkap makna simbolik yang terkandung dalam gerak tari, tata rias, kostum, musik, dan peran penari. Data diperoleh melalui observasi dan wawancara mendalam dengan koreografer dan penari. Hasil penelitian menunjukkan bahwa gerak tari merepresentasikan Domba Garut dalam seni ketangkasan yang dikenal dengan gagah. Make up atau tata rias dan kostum menjadi simbol kekuatan, kesederhanaan, dan keberanian, sedangkan musik dan syair memperkuat nuansa pertarungan. Tari ini dapat dibawakan oleh laki-laki maupun perempuan selama mampu menginternalisasi nilai simbolik yang dimaksud. Kesimpulannya, Tari Domba Garut bukan sekadar seni pertunjukan, melainkan media komunikasi simbolik yang merepresentasikan identitas budaya dan sarana edukasi lokal yang perlu dilestarikan.
Pendekatan Komunikasi Interpersonal Pasangan dalam Mengatasi Baby Blues Syndrome Norma Putri Sejati; Ummu Salamah; Hadiati
NIVEDANA : Jurnal Komunikasi dan Bahasa Vol. 7 No. 3 (2026): NIVEDANA : Jurnal Komunikasi dan Bahasa
Publisher : Sekolah Tinggi Agama Buddha Negeri Raden Wijaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53565/nivedana.v7i3.2881

Abstract

Baby blues syndrome is an emotional disturbance commonly experienced by mothers during the early postpartum period and may hinder psychological adjustment if left untreated. This study aims to analyze husbands’ interpersonal communication approaches in helping wives cope with baby blues syndrome. The research employed a qualitative approach with a multiple case study design involving five married couples in Garut Regency, West Java. Data were collected through semi-structured in-depth interviews and analyzed using Miles and Huberman’s interactive model through the perspective of Social Penetration Theory. The findings show that husbands’ communication plays an important role through two dimensions: communication breadth and communication depth. Breadth was reflected in discussions about mothers’ physical needs, infant care, and role changes, while depth appeared in wives’ emotional openness, empathy, validation, and psychological safety. Empathic, supportive, and responsive communication helped reduce wives’ emotional distress. In contrast, communication focused solely on technical matters tended to hinder emotional disclosure.
Co-Authors Norma Putri Sejati Syifa Julianti Ummu Salamah