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All Journal Rekam : Jurnal, Fotografi, Televisi Animasi
Yudha Delonix Renzina
Program Studi Desain Komunikasi Visual, Fakultas Teknik dan Desain Universitas Hayam Wuruk Perbanas
Arts Humanities Education Languange, Linguistic, Communication & Media

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Perancangan Film Pendek Gelebah melalui Teknik One-Shot dalam Membangun Representasi Hyperreality (Pendekatan Estetika Film) Haekal Ridho Afandi; Yudha Delonix Renzina
Rekam Vol 22, No 1 (2026): April 2026
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v22i1.13741

Abstract

Design of the Short Film “Gelebah” Using the One-Shot Technique to Construct a Representation of Hyperreality (A Film Aesthetics Approach). The design of the film Gelebah, featuring one-shot visuals, is a cinematic work that responds to a middle-aged man's profound longing for his mother's love, which subsequently triggers hallucinations. The researcher creates a cinematic impression representing human life that persists despite deep sorrow. The film is produced using one-shot and long-take techniques from start to finish to convey a seamless reality of life. This design results in a precise one-take shot production process for Gelebah and demonstrates the practical implementation of cinematography techniques, ensuring they move beyond mere theoretical concepts. The use of one-take shot in this film successfully creates a hyperreality phenomenon that blurs the distinction between the audience's reality and imagination. Visually, Gelebah utilizes camera movements such as following objects, eye-level angles, and a variety of shots ranging from wide shots to close-ups. The one-shot technique effectively directs the audience's emotions in alignment with the directorial vision and serves as a valid technical reference for studies on long-take and one-shot cinematography.
Co-Authors Afandi, Haekal Ridho