Article Per Year (5 Year)
p-Index From 2021 - 2026
0.817
P-Index
This Author published in this journals
All Journal Rekam : Jurnal, Fotografi, Televisi Animasi Capture : Jurnal Seni Media Rekam Jurnal IMAJI
Nugroho, Agustinus Dwi
Unknown Affiliation
Arts Humanities Education Languange, Linguistic, Communication & Media

Published : 4 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 4 Documents
Search

 1 
Time Loop Plot Structure Pattern in the Films Edge of Tomorrow (2014), Happy Death Day (2017) and Palm Springs (2020) Nugroho, Agustinus Dwi; Ridwan, M. Alif Wijaya
Capture : Jurnal Seni Media Rekam Vol. 15 No. 1 (2024)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v15i1.5645

Abstract

Exploration of plot development patterns in narrative structure can be seen from the Time Loop Plot which is used in several films in a very unique way. This plot pattern emphasizes a character trapped in space and time that repeats itself continuously. This qualitative research uses an observational approach that focuses on observing Time Loop Plot patterns and connecting them with three different genre variants, namely Edge of Tomorrow (action-science fiction), Happy Death Day (thriller-horror), and Palm Spring (roman-comedy). This research aims to obtain an overview of the narrative structure pattern "Time Loop Plot" which can be applied in various genres through a visual element approach, as well as looking for a storytelling motif in the application of this plot development pattern in each different genre, using the approach of narrative theory and aesthetics. The results of this research reveal a pattern which shows that the time loop plot pattern is character-driven by the main character. The relationship with genre shows a pattern that differences in genre in the application of time loop plots will result in differences in the development of tone and mood in the film. ​Keywords: narrative, plot, time loop, genre
Time Loop Plot Structure Pattern in the Films Edge of Tomorrow (2014), Happy Death Day (2017) and Palm Springs (2020) Nugroho, Agustinus Dwi; Ridwan, M. Alif Wijaya
Capture : Jurnal Seni Media Rekam Vol. 15 No. 1 (2024)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v15i1.5645

Abstract

Exploration of plot development patterns in narrative structure can be seen from the Time Loop Plot which is used in several films in a very unique way. This plot pattern emphasizes a character trapped in space and time that repeats itself continuously. This qualitative research uses an observational approach that focuses on observing Time Loop Plot patterns and connecting them with three different genre variants, namely Edge of Tomorrow (action-science fiction), Happy Death Day (thriller-horror), and Palm Spring (roman-comedy). This research aims to obtain an overview of the narrative structure pattern "Time Loop Plot" which can be applied in various genres through a visual element approach, as well as looking for a storytelling motif in the application of this plot development pattern in each different genre, using the approach of narrative theory and aesthetics. The results of this research reveal a pattern which shows that the time loop plot pattern is character-driven by the main character. The relationship with genre shows a pattern that differences in genre in the application of time loop plots will result in differences in the development of tone and mood in the film. ​Keywords: narrative, plot, time loop, genre
Special Effect Di Awal Sinema Indonesia: Studi Kasus Tie Pat Kai Kawin (1935) dan Tengkorak Hidoup (1941) Nugroho, Agustinus Dwi
IMAJI Vol. 13 No. 2 (2022): Wawancara dan Kedalaman Penelitian Media Audio Visual
Publisher : Fakultas Film dan Televisi - Institut Kesenian Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52290/i.v13i2.76

Abstract

Efek khusus telah digunakan dalam produksi film sebelum kemerdekaan Indonesia, tepatnya pada masa Hindia Belanda tahun 1935, di film Tie Pat Kai Kawin (1935) dan Tengkorak Hidoep (1941). Keduanya adalah film klasik Indonesia yang masih menggunakan warna hitam putih. Kedua film tersebut disutradarai oleh The Teng Chun (Tie Pat Kai Kawin) dan Tan Tjoei Hock (Tengkorak Hidoep). Pada masa itu para sineasnya memang banyak melakukan adaptasi, khususnya adaptasi cerita-cerita tentang siluman seperti yang terlihat pada film Tie Pat Kai Kawin. Hal inilah yang menjadi motivasi penggunaan efek khusus pada film tersebut. Sementara dalam film Tengkorak Hidoep, efek khusus dipakai untuk visualisasi teknik horornya. Metode yang digunakan dalam penelitian ini adalah pengamatan pada efek khusus yang ditampilkan dalam adegan pada kedua film tersebut. Pengamatan akan lebih fokus pada adegan-adegan yang menggunakan teknik-teknik manual untuk menghasilkan efek khusus seperti goresan pada seluloid, stop motion, transisi editing, dan properti asli. Penelitian ini mengungkapkan bahwa teknologi film pada masa itu mampu memvisualisasikan eksplorasi sinematik dalam mengemas cerita di masa sejarah awal film Indonesia.    
Gaya Penyutradaraan Naratif Bong Joon-Ho: Studi Kasus Film Memories of Murder (2003), The Host (2006), dan Parasite (2019) Nugroho, Agustinus Dwi; Haryono, Antonius Janu
Rekam Vol 22, No 1 (2026): April 2026
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v22i1.4887

Abstract

Bong Joon-Ho’s Narrative Directing Style: A Case Study of the Films Memories of Murder (2003), The Host (2006), and Parasite (2019). Bong Joon Ho has gained significant international recognition after winning the Best Picture category at the 2020 Academy Awards and bringing home trophies for Best International Feature Film, Best Screenplay, and Best Director for his film Parasite (2019). This achievement marked a historical milestone  because it is the first time in history that an Asian film has won the Best Picture category. This certainly brings a breath of fresh air to Asian cinema, including Indonesia. Departing from this phenomenon, this study analyzes the film form of several works directed by Bong Joon Ho, by dissecting the narrative structure and narrative as a form of his directing style. The researcher selected three film samples for analysis, namely, Memories of Murder (2003), The Host (2006), and Parasite (2019), all three of which were chosen to represent different genres and narrative forms, namely, crime-thriller science fiction, and comedy-drama. The data collection technique used is the observation method, regarding the aspects and narrative structures used, as well as the forms of the narrative. The relationship between narrative structure and narration will be examined in more depth. Its significance for film scholarship lies in expanding the body of knowledge of film forms produced by South Korean films, with their distinctive narrative forms. Bong-Joon-Ho's narrative directing style shares a common narrative, utilizing both limited and unlimited storytelling in a combined manner.
Co-Authors Antonius Janu Haryono Ridwan, M. Alif Wijaya