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All Journal Capture : Jurnal Seni Media Rekam Jurnal IMAJI
Nugroho, Agustinus Dwi
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Arts Humanities

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Time Loop Plot Structure Pattern in the Films Edge of Tomorrow (2014), Happy Death Day (2017) and Palm Springs (2020) Nugroho, Agustinus Dwi; Ridwan, M. Alif Wijaya
Capture : Jurnal Seni Media Rekam Vol. 15 No. 1 (2024)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v15i1.5645

Abstract

Exploration of plot development patterns in narrative structure can be seen from the Time Loop Plot which is used in several films in a very unique way. This plot pattern emphasizes a character trapped in space and time that repeats itself continuously. This qualitative research uses an observational approach that focuses on observing Time Loop Plot patterns and connecting them with three different genre variants, namely Edge of Tomorrow (action-science fiction), Happy Death Day (thriller-horror), and Palm Spring (roman-comedy). This research aims to obtain an overview of the narrative structure pattern "Time Loop Plot" which can be applied in various genres through a visual element approach, as well as looking for a storytelling motif in the application of this plot development pattern in each different genre, using the approach of narrative theory and aesthetics. The results of this research reveal a pattern which shows that the time loop plot pattern is character-driven by the main character. The relationship with genre shows a pattern that differences in genre in the application of time loop plots will result in differences in the development of tone and mood in the film. ​Keywords: narrative, plot, time loop, genre
Time Loop Plot Structure Pattern in the Films Edge of Tomorrow (2014), Happy Death Day (2017) and Palm Springs (2020) Nugroho, Agustinus Dwi; Ridwan, M. Alif Wijaya
Capture : Jurnal Seni Media Rekam Vol. 15 No. 1 (2024)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v15i1.5645

Abstract

Exploration of plot development patterns in narrative structure can be seen from the Time Loop Plot which is used in several films in a very unique way. This plot pattern emphasizes a character trapped in space and time that repeats itself continuously. This qualitative research uses an observational approach that focuses on observing Time Loop Plot patterns and connecting them with three different genre variants, namely Edge of Tomorrow (action-science fiction), Happy Death Day (thriller-horror), and Palm Spring (roman-comedy). This research aims to obtain an overview of the narrative structure pattern "Time Loop Plot" which can be applied in various genres through a visual element approach, as well as looking for a storytelling motif in the application of this plot development pattern in each different genre, using the approach of narrative theory and aesthetics. The results of this research reveal a pattern which shows that the time loop plot pattern is character-driven by the main character. The relationship with genre shows a pattern that differences in genre in the application of time loop plots will result in differences in the development of tone and mood in the film. ​Keywords: narrative, plot, time loop, genre
Special Effect Di Awal Sinema Indonesia: Studi Kasus Tie Pat Kai Kawin (1935) dan Tengkorak Hidoup (1941) Nugroho, Agustinus Dwi
IMAJI Vol. 13 No. 2 (2022): Wawancara dan Kedalaman Penelitian Media Audio Visual
Publisher : Fakultas Film dan Televisi - Institut Kesenian Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52290/i.v13i2.76

Abstract

Efek khusus telah digunakan dalam produksi film sebelum kemerdekaan Indonesia, tepatnya pada masa Hindia Belanda tahun 1935, di film Tie Pat Kai Kawin (1935) dan Tengkorak Hidoep (1941). Keduanya adalah film klasik Indonesia yang masih menggunakan warna hitam putih. Kedua film tersebut disutradarai oleh The Teng Chun (Tie Pat Kai Kawin) dan Tan Tjoei Hock (Tengkorak Hidoep). Pada masa itu para sineasnya memang banyak melakukan adaptasi, khususnya adaptasi cerita-cerita tentang siluman seperti yang terlihat pada film Tie Pat Kai Kawin. Hal inilah yang menjadi motivasi penggunaan efek khusus pada film tersebut. Sementara dalam film Tengkorak Hidoep, efek khusus dipakai untuk visualisasi teknik horornya. Metode yang digunakan dalam penelitian ini adalah pengamatan pada efek khusus yang ditampilkan dalam adegan pada kedua film tersebut. Pengamatan akan lebih fokus pada adegan-adegan yang menggunakan teknik-teknik manual untuk menghasilkan efek khusus seperti goresan pada seluloid, stop motion, transisi editing, dan properti asli. Penelitian ini mengungkapkan bahwa teknologi film pada masa itu mampu memvisualisasikan eksplorasi sinematik dalam mengemas cerita di masa sejarah awal film Indonesia.    
Co-Authors Ridwan, M. Alif Wijaya