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All Journal Jurnal Imajinasi CandraRupa: Journal of Art, Design, and Media
Ardiyansyah Mega Sejati
Universitas Tiga Serangkai
Arts Humanities

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DESIGNING COASTAL-STYLE BATIK FROM LASEM: THROUGH STYLIZATION BASED ON TREND FORECASTING Ardiyansyah Mega Sejati; Achmad Nur Kholis
JURNAL IMAJINASI Vol 10, No 1 (2026): Januari-Juni
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/i.v10i1.85559

Abstract

Trend development is part of the industrial world, especially in fashion and textile production. Every period has changes in public interest regarding patterns, colours and styles in fashion. These changes must also be followed by the traditional textile industry such as the batik business. The utilisation of trend forecasting can be applied to artisans in various regions, such as in Lasem, which is known for its unique pesisiran-style motifs. The purpose of this research is to increase the diversification of Batik Lasem products using trend forecasting. The method used is art-based research, where the process of creating batik as an art product is supported by the data collection process. Some of the data collection techniques used are interviews, observations, and literature review. The result of the research found that the main characteristic of Lasem Batik is the coastal style that emphasises the typical visuals of coastal areas which are also influenced by Chinese culture. The natural and cultural potential is transformed into a motif with the Deep Blue Sea team that is attached to the Lasem regional identity. The process of transforming the source of ideas into visuals is made on the basis of trend forecasting, with the aim of increasing potential market interest.
REVITALISASI DESAIN MOTIF BATIK SRAGEN BERBASIS KEARIFAN LOKAL Ardiyansyah Mega Sejati; M Rudianto; Apika Nurani Sulistyati
CandraRupa : Journal of Art, Design, and Media Vol. 5 No. 2 (2026): Vol.5 No.2, October (2026)
Publisher : Universitas Dinamika

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37802/candrarupa.v5i2.1505

Abstract

Sragen batik is a cultural product with great potential to support the regional creative industry. However, the development of the batik industry in Sragen Regency has not been accompanied by the formation of a strong visual identity, so most of the motifs developed still adopt batik standards from other regions or follow generic market trends, contributing to a crisis of cultural identity and low product differentiation. This study revitalizes Sragen Batik motif designs based on local wisdom as a strategy to strengthen visual identity while preserving regional culture, using the Research and Development (R&D) method adapted from the Borg and Gall model across twelve stages, from identifying local cultural potential and collecting data through literature studies, observations, and interviews, to developing motif designs, expert validation, design revision, and prototype production. The revitalization transforms elements of Sragen's local culture, particularly the iconography of the Sangiran Archaeological Site, the Bengawan Solo river, and Sukowati history, into contemporary batik motif compositions without eliminating their philosophical values. The process yielded three fully realized motifs, Sangiran Purba, Bengawan Solo, and Balontang Kasmaran, which were validated by ten expert judges comprising academics, government officials, Dekranasda representatives, and batik artisans. Expert validation across five aspects, originality, cultural suitability, visual composition, aesthetics, and production feasibility, produced an overall feasibility score of 4.07 (81.3%), categorized as Highly Feasible, with cultural suitability scoring highest (88%) and visual composition and production feasibility identified as areas for further technical refinement. In addition to producing validated batik prototypes and securing Intellectual Property Rights (IPR), this research strengthens Sragen Batik's visual identity, increases the competitiveness of the regional batik industry, and serves as a replicable model for the development of sustainable cultural products based on local wisdom.
Co-Authors Achmad Nur Kholis Apika Nurani Sulistyati M Rudianto