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All Journal IKAT : The Indonesian Journal of Southeast Asian Studies Jurnal Ilmu Komunikasi AKRAB
Andri Prasetyo Yuwono
Department Of Communication Science, University Of Technology Yogyakarta
Economics, Econometrics & Finance Languange, Linguistic, Communication & Media Social Sciences Other

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REPRESENTASI VISUAL RAJA YOGYAKARTA DALAM SEKAT POLITIK IDENTITAS (ANALISIS SEMIOTIKA GAMBAR RAJA MATARAM) Yuwono, Andri Prasetyo
Jurnal Ilmu Komunikasi AKRAB Vol 3, No 2 (2018): Jurnal Ilmu Komunikasi AKRAB
Publisher : Jurnal Ilmu Komunikasi AKRAB

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (534.697 KB)

Abstract

AbstractVisual works are not only autonomous objects, stand alone and interpreted without involving other elements who have an association with them. Images as visual works can be interpreted as a sign, more broadly, the sign is part of a sign system where its existence becomes part of a wider sign system. Representation is the embodiment of the express or implied meaning of each attribute inherent in the visual appearance of an image. The meaning that gives rise to a representation is absolutely necessary for other texts that are interwoven and able to be a benchmark in constructing a representation. These visual texts are the main guideline in the semiotic analysis process that leads to the construction of representation. Sultan Hamengku Buwono for Javanese people is not only seen as a ruler over a region, but more than that. Referring to the visual display that was officially released by the Yogyakarta Palace, the King of Mataram was presented as a role model and power to lead his people towards a balance of body and soul. The king of Mataram, as an entity, was visually raised to the with attributes that were considered capable of representing his function as ruler.Broadly speaking, the discussion in the construction of Sultan Hamengku Buwono's representation will be discussed through three focus discussions. The focus of the discussion is; The Dynamics of Visualization of Sultan Hamengku Buwono, Pose and Power Construction in the Political Identity Session, Clothing as Identity Politics.Keywords: visual representation, semiotics, Hamengku Buwono, Yogyakarta
The Commodification of Female Sensuality in Indonesian Film Industry: Case Study of Warkop DKI Debby Dwi Elsha; Andri Prasetyo Yuwono
IKAT: The Indonesian Journal of Southeast Asian Studies Vol 4, No 1 (2020): July
Publisher : Center for Southeast Asian Social Studies (CESASS)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/ikat.v4i1.53188

Abstract

This paper is an analysis of the process of commodification of female sensuality in an Indonesian- based film industry. Taking the case of Warkop DKI, a franchise film which continues commodifying comedy, social political criticism, and sexy women in generating profits since 1979. The commodification of female sensuality is displayed through stories, scenes, and shots which highlight parts of the female body as well as interactions between male and female characters that indicate sexual activities. However, in Warkop DKI Reborn: Jangkrik Boss! Part 1 and Part 2 which were released in 2017, the female sensuality was decreased. Applying qualitative method comprising from interviews, film observations and literature studies this paper found out that the presence of female producers does not play a great role in decreasing the use of female sensuality in those industry.
Co-Authors Debby Dwi Elsha