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Resiliensi Ekologis Perempuan Penyintas KDRT dalam Konteks Pendampingan Pokja PPA Kabupaten Demak Tabita Karen Debora; Arianti Ina Restiani Hunga; Antik Tri Susanti
PERSEPTIF: Jurnal Ilmu Sosial dan Humaniora Vol. 4 No. 3 (2026): PERSEPTIF: Jurnal Ilmu Sosial dan Humaniora
Publisher : Lembaga Penelitian dan Pendidikan (LPP) Kalibra

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.70716/perseptif.v4i3.815

Abstract

Domestic violence not only affects women's lives but also requires a process of recovery and rebuilding after experiencing violence. This study aims to understand the experiences of women survivors of domestic violence in developing resilience and to identify the supporting and inhibiting factors within the context of assistance services provided by the PPA Working Group in Demak Regency. The study employed a qualitative approach with a descriptive method. Data were collected through in-depth interviews, observations, and document analysis, and were analyzed using Michael Ungar's Ecological Resilience Theory. The findings show that resilience develops through awareness of gender injustice, the courage to leave abusive relationships, and the development of psychological and economic independence. Family support and assistance services provided by the PPA Working Group serve as important resources in the recovery process, while patriarchal culture and social stigma act as barriers. The findings emphasize that resilience among women survivors of domestic violence is not solely an individual capacity but is shaped through the interaction between individual capacities and available resources within social and institutional environments.
Merbabu Art Fest sebagai Ruang Konstruksi Sosial: Kesenjangan Internalisasi Nilai Satrio Katon Prayogi; Antik Tri Susanti; Arianti Ina Restiani Hunga
PERSEPTIF: Jurnal Ilmu Sosial dan Humaniora Vol. 4 No. 3 (2026): PERSEPTIF: Jurnal Ilmu Sosial dan Humaniora
Publisher : Lembaga Penelitian dan Pendidikan (LPP) Kalibra

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.70716/perseptif.v4i3.818

Abstract

Purwogondo hamlet in Boyolali Regency has long been associated with a negative social stigma involving alcohol consumption, brawls, and gambling among its youth. Merbabu Art Fest (MAF) was established in 2018 as a collective community response to transform this image through arts and culture. This study analyses the social construction of MAF as a space for the social construction of the Purwogondo community, drawing on Peter L Berger and Thomas Luckmann’s theory of social construction of reality. A qualitative case-study approach was employed through in-depth interviews, participant observation, and document analysis involving the festival’s founders, foundation managers, government officials, cultural partners, and neutral residents. The findings show that MAF was formed through three interrelated dialectical moments: the externalization of collective anxiety over the negative stigma, the objectivation of MAF into a culturally and politically recognized institution marked by an interfaith prayer tradition, and the internalization of awareness and collective pride as ‘wong ndeso’ (villagers) among both youth and older residents. Nevertheless, this internalization remains uneven among audiences outside the core organizing structure, as reflected in persistent problems of alcohol consumption and post-event waste. These findings affirm that the success of cultural transformation through community festivals strongly depends on an actor’s structural proximity to the institution’s center of meaning production.