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All Journal PRODUCTUM : Jurnal Desain Produk (Pengetahuan dan Perancangan Produk) Ittishal Educational Research Journal
Gege Noby Priohananto
Universitas Tiga Serangkai
Religion Arts Humanities Languange, Linguistic, Communication & Media Other

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Transformasi desain sarana duduk pada panel Karmawibhangga Borobudur melalui transformasi bergaya kontemporer Gege Noby Priohananto; Rahmanu Widayat; Pandu Purwandaru
Productum: Jurnal Desain Produk (Pengetahuan dan Perancangan Produk) Vol 9, No 2 (2026)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/productum.v9i2.19764

Abstract

Rapid technological advancement has created new opportunities for developing artistic products that integrate classical cultural heritage with contemporary design while maintaining their functional relevance to society. This study aims to transform traditional artistic forms into contemporary furniture design by reinterpreting the visual elements of the Karmawibhangga panels at Borobudur Temple. Specifically, the Arimbi relief, which depicts a seating form from the Mataram Kingdom period, was selected as the primary source of design inspiration. The traditional form was redesigned by incorporating contemporary minimalist principles while preserving its distinctive visual identity and cultural significance. This research uses a qualitative research method with the process of creating artworks. The work realisation stage is supported by the creative approach from Sullivan which consists of 1) Research as a search for data sources/inspiration through observation, interview, and literature review techniques, 2) Analysis of the required data, 3) Design from the research results, 4) Product Creation. This research found that the Karmawibhangga Panel on the reliefs of Borobudur Temple depicting traditional chair objects can be used as a source of inspiration for the creation of contemporary style chair furniture. The transformation of visual changes from traditional objects to more modern ones is made without eliminating the original characteristics. Thus, the goal of introducing cultural products that have been inherited by the ancestors can be realised through the transformation strategy of changing the form based on the period (trend). Publised Date: 2026-08-26
PRAXIS-BASED LEARNING: FURNITURE PRODUCT PACKAGING DESIGN THROUGH A PARTICIPATORY ACTION RESEARCH APPROACH Gege Noby Priohananto
Ittishal Educational Research Journal Vol. 7 No. 1 (2026): Ittishal Educational Research Journal
Publisher : International Islamic Schools Alliance

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Abstract

Packaging design for furniture products involves greater complexity than packaging for small-sized products because it must not only protect the product but also address shipping efficiency, component organization, ease of assembly, visual communication, user experience, and material sustainability. In contemporary design practice, packaging is no longer understood merely as a container or protective layer, but also as an integral part of the user experience and a means of communication between products and consumers. This study aims to analyze the learning process of furniture packaging design through a Participatory Action Research (PAR) approach. The learning materials covered protective functions, component organization, visual guidance, shipping efficiency, material selection, compartmentalization systems, graphic design, sustainable packaging, QR-code tutorials, flat-pack efficiency, and brand storytelling. The study employed a PAR approach that positioned students as active participants in problem identification, action planning, implementation, observation, and reflection. The learning process was designed to enable students to understand the relationship between packaging design decisions and user experience while also considering environmental aspects. This approach enabled design learning to be participatory, reflective, and iterative.
Co-Authors Pandu Purwandaru Rahmanu Widayat