Article Per Year (5 Year)
p-Index From 2021 - 2026
0.408
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This Author published in this journals
All Journal Journal of Green Complex Engineering
Citra Amalia Amal Amal
Universitas Muhammadiyah Makassar
Civil Engineering, Building, Construction & Architecture Computer Science & IT Electrical & Electronics Engineering Energy Engineering

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Ecological Architecture for an Integrated Coffee Production and Tourism Center in Sinjai Fitri Aulia; Andi Yusri Yusri; Citra Amalia Amal Amal; Rohana Abdullah; Muh. Syarif Muh. Syarif; A. Syahriyunita Syahruddin A. Syahriyunita Syahruddin
Journal of Green Complex Engineering Vol. 4 No. 1 (2026): August
Publisher : Gio Architect

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59810/greenplexresearch.v4i1.279

Abstract

Coffee-producing regions often retain limited added value because cultivation, processing, education, product development, and tourism occur in separate locations. This study develops an ecological architecture framework for an integrated Coffee Production and Tourism Center in Sinjai Regency, South Sulawesi. The design-research method combined site observation, comparison of two location alternatives, climate and access analysis, user–activity mapping, spatial programming, precedent review, architectural synthesis, and qualitative evaluation. The result is a 2.5-ha campus comprising a visitor and education building, production building, greenhouse, cafe and restaurant, prayer facility, productive landscape, and connected open spaces. The documented net program totals 2,121 m²: the main visitor building accounts for 51.2%, while production, hospitality, and greenhouse functions represent 19.6%, 19.8%, and 9.4%, respectively. A coffee journey links nursery, cultivation, processing observation, workshops, tasting, and retail, while a separate service route protects hygiene and safety. Ecological strategies include climate-responsive orientation, natural ventilation and daylight, shading, contour-sensitive massing, local materials, rainwater management, wastewater separation, and coffee-residue utilization. The proposal demonstrates a spatial method for connecting agroindustry, visitor learning, community enterprise, and environmental systems. Its operational performance remains subject to simulation, engineering validation, stakeholder testing, and post-occupancy evaluation.
Living Craft Infrastructure: A Neo-Vernacular Tri-Ethnic Gallery Framework for Makassar Krisdayanti; Ashari Abdullah Abdullah; Citra Amalia Amal Amal; Rohana Abdullah; Nurhikmah Paddiyatu Paddiyatu; Muh. Syarif Syarif
Journal of Green Complex Engineering Vol. 4 No. 1 (2026): August
Publisher : Gio Architect

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59810/greenplexresearch.v4i1.281

Abstract

Bugis, Makassar, and Toraja crafts embody material knowledge, social memory, and economic value, yet their exhibition, production, education, promotion, and conservation remain spatially dispersed. This study develops a design framework for an integrated South Sulawesi Handicraft Gallery that represents the three traditions equitably through a neo-vernacular architecture responsive to Makassar’s coastal climate. A research-through-design method combined document and literature review, cultural-object mapping, site observation, visitor projection, user and activity analysis, room-program reconciliation, precedent synthesis, and iterative translation of cultural and environmental principles. The internally consistent visitor series rose from 3.50 million in 2022 to 6.29 million in 2025. A linear model projects 15.89 million citywide visitors in 2035; a two-percent attraction capture corresponds to about 317,800 annual or 871 daily visits, supporting an initial peak capacity of approximately 1,000 visitors per day. The reconciled program assigns 14,429.2 m² within a 16,721 m² gross envelope. The design combines a communal plaza, three parallel cultural zones, visible workshops, learning spaces, collection-care rooms, separate logistics, woven shading screens, cross-ventilation, vegetation, and targeted environmental control. The framework positions the gallery as living cultural infrastructure connecting heritage stewardship, experiential learning, artisan visibility, and the creative economy.
Co-Authors A. Syahriyunita Syahruddin A. Syahriyunita Syahruddin Andi Yusri Yusri Ashari Abdullah Abdullah Fitri Aulia Krisdayanti Muh. Syarif Muh. Syarif Muh. Syarif Syarif Nurhikmah Paddiyatu Paddiyatu Rohana Abdullah