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All Journal Pacific Performing Arts Review
Septina Rosalina Layan
Institut Seni Budaya Indonesia Tanah Papua

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Peran Instrumen Tifa dan Kendang dalam Kolaborasi Musikal pada Sanggar Seni Reog Karya Budaya dan Sanggar Yongkua Kabupaten Keerom Achmad Rendi Wianto; Markus Rumbino; Septina Rosalina Layan; Siswanto
Pacific Performing Arts Review Vol. 1 No. 1 (2025)
Publisher : Institut Seni Budaya Indonesia Tanah Papua

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Abstract

This research aimed to examine the fundamental principles underlying the artists'response to sound stimuli as perceived by the community, specifically focusing on therole of Kendang and Tifa instruments in musical collaboration between Sanggar SeniReog Karya Budaya and Sanggar Yongkua in Keerom Regency. The collaborationbetween these two art studios represented an effort to foster brotherhood and preventsocial and cultural tensions during the transmigration era. This study employed aqualitative research method with a social and cultural context approach to the Skantocommunity. The findings revealed that the kendang produced rhythmic patterns thatwere unfamiliar to the local community. However, this phenomenon presented asignificant area of investigation, as it did not represent contemporary music art butrather demonstrated the critical thinking process of the Skanto community incollaborating both instruments. Through this collaboration, harmonious sound stimuliwere produced that, despite originating from different cultural backgrounds, could beappreciated by the community. The research concluded that improvisation had evolvedinto invention or new discovery, creating a unique musical fusion that bridged culturaldifferences.
Analisis Aspek Musikal Lantunan Helaehili dalam Perspektif Masyarakat Sentani pada Ritual Kematian Teresia Alista Sedik; Septina Rosalina Layan; Markus Rumbino
Pacific Performing Arts Review Vol. 1 No. 1 (2025)
Publisher : Institut Seni Budaya Indonesia Tanah Papua

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The purpose of this research is to gain knowledge based on the traditions and behavior of the local community, regarding the musical aspects of the helaehili chanting in the death of the Sentani people. This research was conducted because of the opinion that helaehili itself is different from the view of western music. The chanting of helaehili itself is closely related to the death rituals of the Sentani people. The approach used in this study is qualitative in nature by focusing on musical aspects and the socio-cultural context of the Sentani people, within the community itself. It is this identity that describes the musical meaning to shape a society's behavior, in the death of the Sentani people. this behavior will be seen through the singer's vocals, thus creating a deep affection about sadness. Death in the Sentani community itself is identified with the chanting of helaehili which, in this chant, tells the kindness and respect for someone who has died.
Interpretasi Cerita Rakyat Saromani Masyarakat Biak Papua dalam Karya Komposisi Musik Feby Marina Inggamer; Septina Rosalina Layan; Markus Rumbino; Marti Fauziah Ariastuti
Pacific Performing Arts Review Vol. 2 No. 1 (2026):
Publisher : Institut Seni Budaya Indonesia Tanah Papua

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This study aimed to interpret the Saromani folklore of the Biak community into a musical composition as a form of transforming local cultural values into the medium of sound art. The Saromani folklore represents one of the oral tradition heritages of the Biak community, containing moral, social, and cultural values that remain relevant in contemporary society. This research employed a qualitative research method with a practice-based research approach, encompassing the stages of exploration, interpretation, experimentation, and artistic realization. Data were obtained through literature review, observation, and narrative analysis of the Saromani folklore structure. The findings revealed that narrative elements in the story, such as characters, plot, conflict, atmosphere, and cultural values, could be transformed into musical elements including melody, rhythm, harmony, dynamics, tempo, and timbre. This interpretative process resulted in a musical composition that represented the Saromani narrative journey musically while serving as a medium for artistic expression  and local cultural preservation. Through this artistic creation, the Saromani folklore was not only maintained as an oral tradition heritage but also re-presented in a more contextual and communicative form for contemporary society. This study demonstrated that musical interpretation could serve as a creative approach in cultural revitalization efforts and the development of music works based on local wisdom. 
Co-Authors Achmad Rendi Wianto Ariastuti, Marti Fauziah Feby Marina Inggamer Markus Rumbino Siswanto Teresia Alista Sedik