Antariksa Sudikno
University of Brawijaya

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Navigating the interface: exploring public-private building and street dynamics of Chinatown in Pasar Besar street, Malang City Syaffin Humaira Hasibah; Antariksa Sudikno; Yusfan Adeputera Yusran
ARTEKS : Jurnal Teknik Arsitektur Vol 10 No 3 (2025): ARTEKS : Jurnal Teknik Arsitektur | September 2025 ~ December 2025
Publisher : Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30822/arteks.v10i3.3375

Abstract

The Chinatown area, recognized as the hub of commerce and residence for the Chinese community, spans across nearly all Indonesian cities, including Malang City. Pasar Besar Street is a main access route for visitors exploring Chinatown in Malang City. During the British colonial era, the implementation of the five-foot way policy, which mandated the construction of sidewalks along roadsides, significantly influenced this area's physical and social landscape. This concept connects public and private spaces, facilitating social interactions and economic activities, known as the public-private interface. This research employs a qualitative-descriptive approach to examine the characteristics of the public-private interface, focusing on building frontages and street spaces. The findings unveil a variety of public-private interface typologies, including impermeable, direct, and setback types, which can adapt to other typologies to accommodate user behavior and the surrounding environment. This study holds the potential to offer insights into how the public-private interface shapes the identity and sustainability of urban areas.
Architectural symbolism and semiotics: Signs and meanings analysis in Neo-Gothic architecture of Kayutangan Church Citra Margareth Manalu; Antariksa Sudikno; Ema Yunita Titisari
ARTEKS : Jurnal Teknik Arsitektur Vol 11 No 2 (2026): ARTEKS : Jurnal Teknik Arsitektur | April 2026 ~ June 2026
Publisher : Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30822/arteks.v11i2.5084

Abstract

Within the ongoing initiatives to reinforce the identity of the Kayutangan heritage district in Malang, comprehension of architectural symbolism remains relatively constrained and is frequently limited to visual and formal dimensions. The Sacred Heart of Jesus Church (Kayutangan Church), as the sole manifestation of Neo-Gothic architecture within the area, encapsulates a complex symbolic system that has yet to be thoroughly and systematically investigated. This research seeks to classify the types of signs and to interpret the symbolic meanings embedded within Neo-Gothic architectural elements, while also formulating conservation implications grounded in meaning-based approaches. A Peircean semiotic framework was employed through the examination of 13 observational units, conducted in two sequential stages: the identification of Neo-Gothic architectural components and the subsequent analysis of sign–meaning relationships. Data collection was undertaken through a comprehensive literature review and field-based triangulation methods, including direct observation, in-depth interviews, and systematic documentation. The analytical process was structured around sign typologies, icon, index, and symbol, as well as architectural interpretations encompassing verticality, permeability, and religious symbolism. The findings indicate that nine architectural elements strongly articulate a Neo-Gothic identity, with symbolic signs emerging as the predominant category, primarily representing religious values rooted in ecclesiastical literature and Christian ideological frameworks. This study offers a significant contribution by elucidating the semiotic configuration of Neo-Gothic architectural elements and by proposing a conservation hierarchy informed by sign typologies and layers of meaning. It underscores the importance of safeguarding both symbolic form and interpretive meaning as fundamental components of architectural authenticity.