Ema Yunita Titisari
University of Brawijaya

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Publicness as an indicator of sustainable built environment on Prawirotaman Street in Yogyakarta Monica Sheira; Ema Yunita Titisari; Damayanti Asikin
ARTEKS : Jurnal Teknik Arsitektur Vol 11 No 2 (2026): ARTEKS : Jurnal Teknik Arsitektur | April 2026 ~ June 2026
Publisher : Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30822/arteks.v11i2.5076

Abstract

This research examines the transformation of Prawirotaman Street, Yogyakarta, into a tourism-oriented mixed-use corridor and assesses publicness as an operative indicator of a sustainable built environment. Publicness is evaluated through three principal variables: social (interaction, inclusivity, participation), economic (commercial dominance, ownership patterns, livelihood transitions), and environmental (accessibility, vegetation, drainage, spatial comfort), across spatial units comprising a 500 m corridor, 481 m pedestrian pathways, building interfaces, and 21 designated observation points. A qualitative socio-spatial methodology was employed, integrating the theory of publicness (Carmona, 2015) with the production of space framework (Lefebvre, 1991). Data collection involved 19 structured field observations (spanning morning–evening cycles), in-depth interviews, and field surveys, reinforced by a synthesis of recent scholarly literature. The analytical process utilized thematic and comparative socio-spatial techniques. The findings indicate that 65% of buildings have transitioned to tourism-related functions, while only 26% of pedestrian space remains effectively functional, reflecting diminished accessibility and escalating privatization. Although economic activities have intensified, this growth is not accompanied by proportional improvements in social inclusivity or environmental quality. Publicness endures primarily at a micro-spatial scale through temporary, consumption-driven interactions. This study conceptualizes publicness as a comprehensive sustainability metric and underscores the necessity for pedestrian-oriented design strategies, ecological enhancements, and collaborative governance frameworks to re-establish socio-spatial equilibrium within tourism corridors.
Architectural symbolism and semiotics: Signs and meanings analysis in Neo-Gothic architecture of Kayutangan Church Citra Margareth Manalu; Antariksa Sudikno; Ema Yunita Titisari
ARTEKS : Jurnal Teknik Arsitektur Vol 11 No 2 (2026): ARTEKS : Jurnal Teknik Arsitektur | April 2026 ~ June 2026
Publisher : Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30822/arteks.v11i2.5084

Abstract

Within the ongoing initiatives to reinforce the identity of the Kayutangan heritage district in Malang, comprehension of architectural symbolism remains relatively constrained and is frequently limited to visual and formal dimensions. The Sacred Heart of Jesus Church (Kayutangan Church), as the sole manifestation of Neo-Gothic architecture within the area, encapsulates a complex symbolic system that has yet to be thoroughly and systematically investigated. This research seeks to classify the types of signs and to interpret the symbolic meanings embedded within Neo-Gothic architectural elements, while also formulating conservation implications grounded in meaning-based approaches. A Peircean semiotic framework was employed through the examination of 13 observational units, conducted in two sequential stages: the identification of Neo-Gothic architectural components and the subsequent analysis of sign–meaning relationships. Data collection was undertaken through a comprehensive literature review and field-based triangulation methods, including direct observation, in-depth interviews, and systematic documentation. The analytical process was structured around sign typologies, icon, index, and symbol, as well as architectural interpretations encompassing verticality, permeability, and religious symbolism. The findings indicate that nine architectural elements strongly articulate a Neo-Gothic identity, with symbolic signs emerging as the predominant category, primarily representing religious values rooted in ecclesiastical literature and Christian ideological frameworks. This study offers a significant contribution by elucidating the semiotic configuration of Neo-Gothic architectural elements and by proposing a conservation hierarchy informed by sign typologies and layers of meaning. It underscores the importance of safeguarding both symbolic form and interpretive meaning as fundamental components of architectural authenticity.