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Ida Bagus Ketut Sudiasa
State Jakarta University
Arts Humanities Education

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Estetika Tari Sipatmo sebagai Pengembangan Modul Projek Penguatan Profil Pelajar Pancasila pada Kurikulum Merdeka dalam Pembelajaran Seni Tari Nabillah Maharani; Deden Haerudin; Ida Bagus Ketut Sudiasa
Jurnal Pendidikan Tari Vol 4 No 2 (2024): Pendidikan Tari untuk Mengembangkan Keterampilan Abad 21
Publisher : LPPM UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JPT.421

Abstract

The changes in movement and function that were once dances for welcoming ceremonies have become ballroom dances are imbued with the aesthetics of Sipato Modernism. this research focuses on: how Sipatomo uses her dance aesthetics as a teaching module for Pencasilla students to study the art of dance. the theory used in this study is teaching material theory, which is considered to be related to aesthetic theory. this study uses a descriptive qualitative approach. data collection strategies were conducted through interviews, observations and literature review and were processed according to research objectives. "9” the semantic aesthetics of the dance movement called doorway and the supporting elements such as make-up, clothing, accompaniment, venue, etc. the functions and semantic shifts of Sipato Modernism are unique curricula to realize local wisdom in Betawi culture. It is used as a teaching module in a project to empower Pancasila's students. based on the analysis results on Sipato modern aesthetics, the moral and social values that must be maintained and further developed by making it a teaching module there.
Teknik dan Ekspresi sebagi Upaya Penguasaan Kualitas Gerak Tari Topeng Tunggal Betawi Menurut Perspektif Margaret N.H'Doubler Monik Alvianisa; Nursilah; Ida Bagus Ketut Sudiasa
Jurnal Pendidikan Tari Vol 4 No 1 (2023): Pendidikan Tari dalam Membangun Character Bangsa
Publisher : LPPM UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JPT.415

Abstract

This study examines the problem of mastering the movement quality of the Single Mask Dance because this dance has a fairly high level of complexity. The purpose of this study was to determine the form of presentation, movement techniques, and movement quality of the Single Mask Dance through Technique and Expression according to Margaret N H'Doubler's perspective. This research can be used as an opportunity for further study regarding the mastery of movement quality in other types of dance using Technique and Expression theory. The research method used is descriptive qualitative analysis and data collection techniques through interviews, observations, literature studies, and document studies. The data obtained includes: 1) the form of presentation of the Single Mask Dance which can be seen through the analysis of the structure of the movement, 2) the movement technique which includes three aspects, namely the regulation of breath, energy, and rhythm, 3) the expression presented through the movement of the mask and body movements. The results of the analysis and interpretation of the data explain that the Single Mask Dance fulfills all sub-chapters in Technique and Expression. Thus, it can be concluded that Technique and Expression can be used as an effort to master the Single Mask Dance.
Co-Authors Deden Haerudin Monik Alvianisa Nabillah Maharani Nursilah