Estetika Tari Sipatmo sebagai Pengembangan Modul Projek Penguatan Profil Pelajar Pancasila pada Kurikulum Merdeka dalam Pembelajaran Seni Tari

Nabillah Maharani (Universitas Negeri Jakarta)
Deden Haerudin (State Jakarta University)
Ida Bagus Ketut Sudiasa (State Jakarta University)

Jurnal Pendidikan Tari
Vol 4 No 2 (2024): Pendidikan Tari untuk Mengembangkan Keterampilan Abad 21

The changes in movement and function that were once dances for welcoming ceremonies have become ballroom dances are imbued with the aesthetics of Sipato Modernism. this research focuses on: how Sipatomo uses her dance aesthetics as a teaching module for Pencasilla students to study the art of dance. the theory used in this study is teaching material theory, which is considered to be related to aesthetic theory. this study uses a descriptive qualitative approach. data collection strategies were conducted through interviews, observations and literature review and were processed according to research objectives. "9” the semantic aesthetics of the dance movement called doorway and the supporting elements such as make-up, clothing, accompaniment, venue, etc. the functions and semantic shifts of Sipato Modernism are unique curricula to realize local wisdom in Betawi culture. It is used as a teaching module in a project to empower Pancasila's students. based on the analysis results on Sipato modern aesthetics, the moral and social values that must be maintained and further developed by making it a teaching module there.