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All Journal GOVERNANCE: Jurnal Ilmiah Kajian Politik Lokal dan Pembangunan
Binti Chairinnisa
Universitas Merdeka Madiun
Humanities Education Environmental Science Law, Crime, Criminology & Criminal Justice Social Sciences

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PERSEPSI GENERASI Z PADA EKSISTENSI KESENIAN DONGKREK SEBAGAI IDENTITAS BUDAYA KABUPATEN MADIUN Binti Chairinnisa; Bambang Martin Baru; Endang Murti
GOVERNANCE: Jurnal Ilmiah Kajian Politik Lokal dan Pembangunan Vol. 13 No. 8 (2026): 2026 Agustus
Publisher : Lembaga Kajian Ilmu Sosial dan Politik (LKISPOL)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56015/gjikplp.v13i8.1145

Abstract

This study aims to describe Generation Z's perception of the existence of Dongkrek art as a cultural identity of Madiun Regency and identify its supporting and inhibiting factors. The study used a descriptive qualitative method with a focus on cognitive, affective, and conative aspects. Data were collected through interviews, observations, and documentation with informants consisting of representatives of the Madiun Regency Tourism, Youth and Sports Office, the Head of Mejayan District, the Head of Mejayan Village, the Chairperson of the Dongkrek Arts Association Krido Sakti, and Generation Z in Madiun Regency. The results showed that Generation Z generally knew and understood Dongkrek as a traditional art typical of Madiun Regency that has cultural and historical value. From the affective aspect, Generation Z showed a positive attitude and pride in Dongkrek as a regional cultural identity. However, from the conative aspect, their involvement in preserving Dongkrek is still low. Most of the younger generation has not actively participated in arts activities or cultural preservation efforts. Factors supporting perception include cultural experiences from family and school, the use of social media, and support from the government, community, and arts associations. Inhibiting factors include low interest from the younger generation, the influence of modern culture and digital entertainment, and the weak regeneration of artists. Overall, Dongkrek is still seen as a cultural identity of Madiun Regency, but requires more adaptive preservation strategies to remain relevant in the digital age.
Co-Authors Bambang Martin Baru Murti, Endang