Wahyu Maulana Alhafizi
Universitas HAmzanwadi

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Analisis Ritme Perkusi Pada Lagu Asqi Wahdi Karya Wafiq Azizah Versi Orkes Keroncong Bawaq Paok Lombok Timur Wahyu Maulana Alhafizi; Hary Murcahyanto
TAMUMATRA Vol 5 No 1 (2022)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v5i1.36908

Abstract

The purpose of this research is to describe the form of the Asqi Wahdi song by the Bawaq Paok keroncong orchestra and to describe the percussion rhythm of the Asqi Wahdi song by the Bawaq Paok keroncong orchestra. This type of research uses a qualitative descriptive method with a grounded theory approach. The data collection technique was carried out using source triangulation technique while the data analysis used consisted of four stages, namely data collection, data reduction, data display, and conclusion drawing/verification. From the results of the research conducted, it can be concluded that the structure of the Asqi Wahdi song version of the Bawaq Paok keroncong orchestra can be categorized into a one-part song form with the AA period. The scale used in this song is a minor diatonic scale with a moderate tempo, namely 120 bpm which means medium tempo. The percussion rhythm of the Asqi Wahdi song, the version of the Bawaq Paok keroncong orchestra, varies greatly in each chart of the song. The rhythm variations are grouped into four parts, namely the first rhythm character, the second rhythm character, the third rhythm character, and the fourth rhythm character. The first rhythm character uses single stroke and double stroke techniques, then the second rhythm character uses the roll technique, and the third and fourth rhythm characters use the triplet technique.