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All Journal Jurnal Penelitian Humaniora
Ibnu Choirudin
Universitas Negeri Surabaya
Humanities Social Sciences

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CODE-MIXING AND CODE-SWITCHING IN INDONESIAN POP MUSIC: AN ANALYSIS OF THE LYRICS OF THE SONG “MAMA” BY COBOY JUNIOR Laylatul Mukharohmah; Imelda Cristina Candra; Ibnu Choirudin; Dyah Ayu Sholeha
Jurnal Penelitian Humaniora Vol. 27 No. 2 (2026): Vol 27, No 2: August 2026
Publisher : Universitas Muhammadiyah Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23917/humaniora.v27i2.17616

Abstract

This study aims to analyze the forms and functions of code-mixing and code-switching in the lyrics of the song “Mama” by Coboy Junior. The method used is qualitative descriptive, with data collection techniques in the form of listening and note-taking. The results of the study indicate that the code-mixing found includes outer code mixing in the form of English words, phrases, and clauses inserted into Indonesian. The code-switching that occurs takes the form of inter-sentential switching that appears systematically during the transition from the verse to the chorus. The use of code-mixing and code-switching in this song serves primarily as an emotional expression, a means of reinforcing meaning, and an artistic strategy to highlight specific parts of the song. Additionally, this phenomenon reflects the social identity of adolescents as a bilingual group. These findings indicate that language use in music is not merely linguistic but also plays a crucial role in shaping the song’s meaning, emotion, and appeal.
Co-Authors Dyah Ayu Sholeha Imelda Cristina Candra Laylatul Mukharohmah