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All Journal Gesture: Jurnal Seni Tari
Marfi Netri Elyadi
Institut Seni Indonesia Surakarta
Arts Humanities Education

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Perubahan Penyajian Tari Kretek: Kajian Adaptasi Bentuk dalam Perkembangan Tari Kreasi di Kabupaten Kudus Firda Nadila; Marfi Netri Elyadi; Katarina Indah Sulastuti; Hadawiyah Endah Utami
Gesture: Jurnal Seni Tari Vol. 15 No. 2 (2026): Gesture: Jurnal Seni Tari (October)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gjst.v15i2.74467

Abstract

This study aims to describe and analyze the changes in the form of Kretek Dance in Kudus Regency. Kretek Dance is a creative dance that has developed in Kudus Regency and has undergone changes in its presentation as a result of changing times. This research focuses on two main issues: (1) the form of Kretek Dance in Kudus Regency and (2) the changes that occur in the form of Kretek Dance. This study applies a descriptive qualitative method with data collection techniques including observation, interviews, literature studies, and documentation. The results indicate that the changes in Kretek Dance are a form of adaptation to maintain its existence and increase its appeal as a contemporary performance while preserving local cultural values and its original meaning. These changes are influenced by both internal factors originating from within the dance itself and external factors from the surrounding environment. The most significant changes are found in several elements of the dance presentation, including the number of dancers, floor patterns, movements, costumes, and properties.
Bentuk Tari dan Penyajian Karakter Tari Topeng Tunggal Betawi di Sanggar Setia Warga Jakarta Timur Sekar Gading Auriel Dwivanti; Marfi Netri Elyadi; Eko Supendi; Katarina Indah Sulastuti
Gesture: Jurnal Seni Tari Vol. 15 No. 2 (2026): Gesture: Jurnal Seni Tari (October)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gjst.v15i2.74525

Abstract

This research which aims to describe the dance form and character presentation of Betawi Single Mask Dance at Sanggar Seta Warga, East Jakarta. This research employed qualitative approach with descriptive data analysis. The research was conducted on Jalan Dukuh, Kramat Jati, East Jakarta, from December 4, 2022, to November 10, 2024. Data were collected throught observation, interviews, and documentation, then analyzed using the interactive model developed by Miles, Huberman, and Saldaña. The informants consisted of Sabar Bokir as a primary source, Kartini Kisam as a dancer, Sofwan as a suportng source. The findings indicate that the form of Betawi Single Mask Dance comprises several elements, including movements, dancers, makeup, props, floor patterns, and performance venue, which together form a unified performance. Character presentation reveals differences in movement quality among the three mask: the Panji Mask is characterized by smooth, gentle, and graceful movements; the Samba Mask by agile lively, and cheerful movements; and the Jingga Mask by bold, strong, and caurageous movements. These character differences are expressed throught the elements of movement material, energy, time and space. Thus, character in Betawi Single Mask Dance is convyed not only throught the physical appearance of the masks but also throught the dancers movement qualities
Co-Authors Eko Supendi Firda Nadila Hadawiyah Endah Utami Katarina Indah Sulastuti Sekar Gading Auriel Dwivanti