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Malang Mask Puppet in Era of Globalization: Social and Cultural Impact Wibowo, Arining
Harmonia: Journal of Arts Research and Education Vol 19, No 1 (2019): June 2019
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v19i1.16101

Abstract

This article discusses socio and cultural impact as an effect of the commercialization of Malang mask puppet in the era of globalization. Padepokan Seni Asmoro Bangun located at Kedungmonggo Hamlet Malang Regency modifies the art of Malang mask puppet in order to turn the function of traditional art from ritual to the commodity. This research method is qualitative by using observation, interviews, and documentary studies for data collection. The result shows that modification creates three impacts, social and cultural impacts, also the occurrence of new senses in terms of Malang mask puppet includes creativity, prosperity, education, aesthetic, conservation, and identity sense. 
ENGLISH TRAINING PROGRAM THROUGH DEBATE METHOD FOR TEACHERS OF SMKN 1 SINGOSARI MALANG Wibowo, Arining
Jo-ELT (Journal of English Language Teaching) Fakultas Pendidikan Bahasa & Seni Prodi Pendidikan Bahasa Inggris IKIP Vol 3, No 2 (2016)
Publisher : IKIP Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (63.765 KB) | DOI: 10.33394/jo-elt.v3i2.2429

Abstract

The aim of this training is to teach English language teachers of Vocational High School/SMKN 1 Singosari Malang. The absolute role of English as a medium of communication and learning for vocational students is undeniable. Vocational High School is dedicated to produce technical worker which they are prepared to be readily working after graduated without continuing to study on college degree. By having English language as their fluent second language, alumnus will have big weapon to compete in the current bothersome job demand. Problem of teaching-learning English is the one background of this training. English Debate method is a new method in SMKN 1 which they are introduced various techniques to learn English. By this method, teachers will be talented to teach English to students actively and innovatively. The result of this training told us that English Debate is effective method to be applied on teaching-learning English especially on speaking.
History of Inheritance of Wayang Topeng Malangan (Malang Traditional Mask Puppet) in Pakisaji and Tumpang Wibowo, Arining; Kurnain, Joko; Juanda, Juanda
Harmonia: Journal of Arts Research and Education Vol 20, No 1 (2020): June 2020
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v20i1.24785

Abstract

This study aims to explain the history and process of inheriting mask puppet art in two representative hermitages (padepokan) (in Malang, namely Padepokan Asmoro Bangun in Pakisaji sub-district and Mangun Dharma in Tumpang sub-district). This research uses a qualitative approach. Data collection techniques are done through interviews, observation, and study documents. The process of inheritance includes art practices such as dancing, puppeteering, playing musical instruments, and making masks and transferring knowledge about Wayang Topeng Malangan. Inheritance is generally done since offsprings (children/grandchildren) are still at an early age. The history of the inheritance of the traditional mask puppet art in Padepokan Asmoro Bangun has occurred for six generations of this family since before 1930 starting from the Serun period. The sixth Padepokan Asmoro Bangun Heirs are two daughters named Winnie Padnecwara (15 years old) and Dita Andhika Raja Padmi (12 years old) who learned this art since the age of four. Padepokan Mangun Dharma is the home of mask puppet art, as well as music, traditional dance, and theatre, macapat, puppetry, and shadow puppets. The history of the inheritance of this hermitage began with the great-grandfather of the puppeteer Soleh namely Kek Sainten (Grandpa Sainten). The current heir of Padepokan Mangun Dharma is the son of the puppeteer Soleh, Supriyono Hadi Prasetyo, who also learned puppetry both autodidact and formally through college. Although inheritance occurs vertically, which is hereditary in each hermitage, horizontal inheritance also occurs between the two. This indicates that the inheritance process of Padepokan Asmoro Bangun and Mangun Dharma are related to each other. 
The Malangese Mask Wayang:The Process of Art Commodification at Asmorobangun Art Center, Pakisaji, Malang Wibowo, Arining; Priyatna, Aquarini; Sobarna, Cece
Komunitas Vol 11, No 1 (2019): March 2019
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/komunitas.v11i1.18478

Abstract

The article aims to describe the process of commodification of the Malangese Mask Wayang Art at Asmorobangun Art Center, Pakisaji Sub-district, Malang, Indonesia. Asmorobangun Art Center is one of the surviving art centers engaged in the efforts to preserve and develop the Malangese mask wayang art. The data used in this qualitative study were collected by means of interview, observation, and examination of relevant documents. The results show that the process of commodification of the Malangese mask wayang art manifests in three practices namely the gebyak senin-legian mask wayang performances, art tourism packaging, and mask production. Commodification has transformed the art into commodities/products that are part of the local tourism industry.
Modifikasi Wayang Topeng Malangan di Padepokan Asmoro Bangun, Kedungmonggo Pakisaji, Malang Wibowo, Arining; Priyatna, Aquarini; Sobarna, Cece
PANGGUNG Vol 29 No 3 (2019): Transformasi Bentuk dan Nilai dalam Seni Budaya Tradisi
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v29i3.1009

Abstract

ABSTRACT            This article focuses on the modification of Malangese Mask Puppet, a traditional art that has been developed in Malang, East Java, for long time. This research aims to finds out changes in Malangese Mask Puppet in order to maintain the existence of the art in this era, by which popular culture dominated. The article is written to answer questions, first, how do modifications of Malangese Mask Puppet were done both in performance and crafting aspects, and second, how do the modifications influence the fuction of Malangese Mask Wayang. The research uses a qualitative method with interview, observation, and document analysis as data collection technique. The data analysis is conducted through triangulation technique. The results are that modification is conducted by simplifying and beautifying the form of some elements such as clothes, accessories, and the material of mask crafting. Meanwhile, the modification of ideas are implemented through the changing of some traditional patterns, such as shortening the duration of performance, creating the new rule to involve women and kids as an active artist of Malangese Mask Wayang. The modification of Malangese Mask Wayang influences the function and role of the art as a commodity or product.   Keywords: Modification, Malangese Mask Wayang, Asmoro Bangun Art Center ABSTRAK            Artikel ini membahas perubahan atau modifikasi pada kesenian tradisional Wayang Topeng Malangan yang telah lama berkembang di kota Malang, Jawa Timur. Penelitian ini bertujuan untuk mengetahui perubahan yang terjadi pada Wayang Topeng Malangan yang dilakukan oleh seniman dalam mempertahankan kesenian tersebut pada masa sekarang, yang cenderung didominasi oleh budaya pop. Artikel ini ditulis untuk menjawab beberapa rumusan masalah, yaitu pertama, bagaimana modifikasi Wayang Topeng Malangan dilakukan pada unsur pertunjukan dan kerajinan topeng, dan kedua adalah bagaimana modifikasi tersebut memengaruhi peran dan fungsi kesenian Wayang Topeng Malangan saat ini. Penelitian ini menggunakan metode kualitatif dengan wawancara, observasi dan studi dokumen sebagai teknik pengumpulan data. Data dianalisis menggunakan teknik triangulasi. Hasil penelitian menunjukkan bahwa modifikasi bentuk pertunjukan dan kerajinan topeng dilakukan dengan menyederhanakan dan mempercantik bentuk busana dan ragam hiasan, mengubah material dan proses pembuatan topeng. Sedangkan modifikasi gagasan terimplementasikan pada perubahan pakem (aturan tradisi), seperti mempersingkat waktu pergelaran dan memberikan aturan baru keterlibatan perempuan dalam kesenian Wayang Topeng Malangan.  Modifikasi bentuk pertunjukan dan kerajinan topeng serta gagasan berkaitan dengan Wayang Topeng Malangan memengaruhi peran dan fungsi Wayang Topeng Malangan, yang tidak sekedar sebagai seni, namun juga sebuah komoditas (produk). Kata Kunci: Modifikasi, Wayang Topeng Malangan, Padepokan Asmoro Bangun