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OPTIMASI PRODUKSI ECOPRINT FABRIC DENGAN TEKNIK ROTARY PRINTING Cahyana, Agung; Afrizal, Afrizal
Acintya Vol. 13 No. 2 (2021)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v13i2.4049

Abstract Ecoprint is a process of transferring colors and shapes to the fabric through direct contact between the leaves and the fabric. Ecoprint technique is an advancement technique in ecofashion that produces environmentally friendly fashion products. The coloring that are often used by the techniques are iron blanket technique and pounding technique. Furthermore, another technique used for coloring ecoprint fabric is using the leaves as ecoprint stamps. It works by coloring the leaf sheet with natural or synthetic dye and followed by adhering the leaf onto the fabric. By pressing the leaves that have been covered in dye, a leaf motif with its tissue will appear on the fabric. The ecoprint stamp technique is easier than other techniques. In the implementation, this technique is still considered taking a long time in the process that an eco-rotary printing technique needs to be developed. Its technique is expected to solve problems that ecoprint stamp techniques have. The engineering of eco rotary print tool as a medium on cap rotary printing technique is resulting 2 prototypes. i.e., 2 roll model, and 3 roll model. The eco-rotary printing method is inspired by a motif roll paint that are able to give color motif on the walls in a relatively fast time. Thus, the leaves are affixed to the roll combined with natural dyes to create a leaf motif on the surface of the fabric. The test results from the two prototypes of the tool are presented. The 3 roll model gives the result of leaf motif color on the fabric with better quality than the 2 roll model. This makes production more effective and efficient in terms of the time of the production process. And, finally, the results of this study are very possible to be utilized in the production of large-scale ecoprint fabric. Key word : Ecoprint, Ecofashion, Eco Rotary Print

NUTMEG AS INSPIRATION FOR BATIK MOTIF IN JARIK AS MODERN KEBAYA PAIR Pratiwi, Luluh; Cahyana, Agung
Runtas : Journal Of Arts And Culture Vol. 2 No. 2 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v2i2.4828

Creation of the Final Project entitled "Nutmeg as Inspiration For Batik Motif in Jarik as Modern Kebaya Pair" aims to describe the idea and create modern kebaya clothing by applying the nutmeg plant motif as the basic idea of creating batik motifs which then designed in the form of jarik cloth as a complement to modern kebaya clothing, which emphasizes comfort without forgetting the current fashion trends. The main ideas on this work was based on the process of growing nutmeg plants. The process of creation begins with making alternative designs, selected designs, preparing tools and materials, tracing the motifs to the working materials, writing batik from canting, colet, nemboki, second coloring, fixation, ngelorod, making fashion patterns, cutting, sewing, finishing. The technique used in this process is the tulis batik technique with the dyeing process usin colet tutup celup technique. This creation resulted 4 modern kebaya clothes with the title: Jarembah Amala, Palawa Anindhita, Pukau Renjana, Bernas Nuraga. Each named after different character development of nutmeg

NUTMEG AS INSPIRATION FOR BATIK MOTIF IN JARIK AS MODERN KEBAYA PAIR Pratiwi, Luluh; Cahyana, Agung
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 2 No. 2 (2024)
Publisher : Indonesian Institute of the Arts Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v2i2.4828

Creation of the Final Project entitled "Nutmeg as Inspiration For Batik Motif in Jarik as Modern Kebaya Pair" aims to describe the idea and create modern kebaya clothing by applying the nutmeg plant motif as the basic idea of creating batik motifs which then designed in the form of jarik cloth as a complement to modern kebaya clothing, which emphasizes comfort without forgetting the current fashion trends. The main ideas on this work was based on the process of growing nutmeg plants. The process of creation begins with making alternative designs, selected designs, preparing tools and materials, tracing the motifs to the working materials, writing batik from canting, colet, nemboki, second coloring, fixation, ngelorod, making fashion patterns, cutting, sewing, finishing. The technique used in this process is the tulis batik technique with the dyeing process usin colet tutup celup technique. This creation resulted 4 modern kebaya clothes with the title: Jarembah Amala, Palawa Anindhita, Pukau Renjana, Bernas Nuraga. Each named after different character development of nutmeg

OPTIMASI PRODUKSI BATIK DENGAN TEKNIK WAX PRINT SCREEN (WPS) UNTUK PERAJIN BATIK KEMBANG KELI DI KABUPATEN WONOSOBO Cahyana, Agung; Wuryani, FP Sri; Sumadi, Sumadi
Batoboh Vol 2, No 2 (2017): Batoboh -Jurnal Pengabdian Pada Masyarakat
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/bt.v2i2.351

Pengabdian Pada Masyarakat Tematik batik dengan teknik Wax Print Screen (WPS) ini merupakan bentuk kemitraan dari kelompok perajin batik “Kembang Keli” dengan Institut Seni Indonesia Surakarta. Batik Kembang Keli berada di wilayah kecamatan Kertek Kabupaten Wonosobo. Sesuai dengan proposal kemitraan diajukan ibu Yohana Wiera, S.Si selaku ketua kelompok perajin batik ”Kembang Keli” kegiatan ini mempunyai maksud dan tujuan untuk menambah pengetahuan tentang teknik membatik, guna meningkatkan kualitas dan kuantitas produksi sehingga bersaing secara kualitas dan kuantitas dengan harga yang terjangkau oleh masyarakat umum.Hasil observasi di lapangan didapatkan beberapa permasalahan yang dihadapi mitra antara lain masih minimnya tenaga terampil perajin batik di Wonosobo, banyak peminat produk batik dari Kembang Keli tetapi jumlah produksi yang terbatas belum bisa memenuhi permintaan pasar, lamanya proses membatik menyebabkan biaya produksi mahal sehingga kurang bisa bersaing harga dengan produsen batik lainnya. Berdasarkan permasalahan mitra tersebut, maka Penulis menawarkan pelatihan batik dengan teknik Wax Print Screen (WPS) sebagai solusi permasalahan dan usulan dari mitra penajin batik Kembang Keli untuk optimasi produksi batik. Kegiatan pelatihan dilakukan selama tiga hari yang diikuti oleh para perajin batik di wilayah kecamatan Kertek Wonosobo. pada acara tersebut para peserta diberi pelatihan cara membuat model cetak motif batik pada screen sablon sampai proses finishing produk batik. Dengan penerapan teknik Wax Print Screen (WPS) bisa mengoptimalkan hasil produksi batik, yaitu bisa mengurangi waktu pengerjaan desain dan membatik pada produk skala masal sehingga menghemat waktu produksi dan menekan biaya operasional sehingga para perajin batik Wonosobo mampu bersaing harga produk dengan kompetitor lainnya.

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