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The Historical Fact Bissu South Sulawesi in the Novel Tiba Sebelum Berangkat (Study Literature Mimetic) Hariyono, Saharul; Nurhadi
Mediterranean Journal of Social Sciences Vol. 11 No. 2 (2020): March 2020
Publisher : Richtmann Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36941/mjss-2020-0021

Abstract

The purpose of this study describes historical fact background character of bissu and describes historical fact of the life character of bissu. The historical aspect in question is how history is rewritten in the novel Tiba Sebelum Berangkat. This study is a qualitative descriptive study, using a mimetic approach is based on Plato's perspective. The validity of the data used to observe the semantic validity of the data units of words, sentences, discourse, dialogue, which is found in the novel. Reliability data using interrater and interrater. Reliability interrater used reading and reviewing repeatedly to find the consistency of the data while interrater had discussions with people who can appreciate literature. Analysis of the data used is content analysis to determine the content and meaning contained in the novel Tiba Sebelum Berangkat. Results in this study, first, historical fact background character of bissu includes: bissu as the traditional ceremonial leader indigenous; stage becomes bissu; the hierarchy of community bissu. Second, historical fact of the life character of bissu includes: bissu becomes the center of Operation Tobat DI/TII; syncretism of bissu and Islamic religion; bissu title pilgrim to Mecca; government intervention against bissu; now bissu as beauty salon worker; novel Tiba Sebelum Berangkat as a form of social criticism. The findings based on that novel have a relationship with bissu real life. Thus, the novel Tiba Sebelum Berangkat contains historical narrative bissu life in South Sulawesi. The impacts resulting from this research can reveal the historical facts that occur in the content of the novel.
BENTUK AKSEPTASI MIMIKRI NOVEL CRITICAL ELEVEN KARYA IKA NATASSA Nurullina Fitriani, Hilma; Hariyono, Saharul
MABASAN Vol. 17 No. 1 (2023): Mabasan
Publisher : Kantor Bahasa Nusa Tenggara Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62107/mab.v17i1.614

Abstract

Penelitian ini bertujuan untuk mendeskripsikan bentuk-bentuk mimikri dalam novel Critical Eleven karya Ika Natassa. Jenis penelitian ini merupakan penelitian kualitatif. Pendekatan yang digunakan adalah pendekatan poskolonial. Pendekatan poskolonial merupakan teori kritis yang mengungkapkan jejak-jejak kolonial dalam teks sastra. Pendekatan ini relevan digunakan untuk mengidentifikasi berbagai bentuk kolonialisasi di negara-negara jajahan. Sumber data primer diperoleh dari novel Critical Eleven. Sementara itu, data skunder diperoleh dari jurnal, laporan penelitian, dan buku-buku yang memiliki relevansi dengan masalah penelitian. Adapun teknik analisis data yang digunakan adalah teknik analisis data interaktif. Analisis ini meliputi empat langkah, yaitu (1) pengumpulan data, (2) reduksi data, (3) data presentasi, dan (4) simpulan. Hasil penelitian menunjukkan adanya bentuk-bentuk mimikri dalam novel Critical Eleven karya Ika Natassa, di antaranya adalah (1) ilmu pengetahuan, (2) mata pencaharian hidup, (3) sistem teknologi dan perlengkapan hidup manusia, (4) bahasa, (5) gaya hidup, dan (6) ide gagasan.
WUJUD LOKALITAS BUDAYA NOVEL SILARIANG CINTA YANG (TAK) DIRESTUI KARYA OKA AURORA Hariyono, Saharul; Fitriani, Hilma Nurullina
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 12, No 2 (2023): Susastra: Jurnal Ilmu Susastra dan Budaya (Desember 2023)
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v12i2.143

Abstract

Literary sociology developed rapidly in the 18th century or since research using the theory of structuralism was considered to have experienced stagnation and was even considered involution. Literary sociology tries to present what is neglected structurally, namely the relevance of society. Literary sociology connects the experiences of fictional characters and situations created by the author, with the historical conditions of their origin. Therefore, this research aims to utilize sociological literature studies to describe the Buginese community's cultural localities in the novel Silariang Cinta Yang (Tak) Direstui by Oka Aurora. The data analysis technique used includes how the sociology of literature analysis model works, such as analyzing social problems contained in the work itself, and then connecting them with the real world which is generally considered extrinsic-reflective. Then find the relationship between structures that are dialectical in nature. This way of working then produces research that is intertwined with cultural forms silariang, siri', mabbaratta, mappadeceng, art, get closer to God.
POLA KOMUNIKASI ANTARBUDAYA (MUNA DAN JAWA) DI DAERAH ISTIMEWA YOGYAKARTA Hariyono, Saharul
Jurnal Bastra (Bahasa dan Sastra) Vol. 11 No. 1 (2026): JURNAL BASTRA EDISI JANUARI 2026
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia, FKIP, Universitas Halu Oleo Kampus Bumi Tridharma Andounohu Kendari, Provinsi Sulawesi Tenggara – Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36709/bastra.v11i1.2182

Abstract

This study examines intercultural communication patterns and the challenges arising from cultural differences between Munanse students (Southeast Sulawesi) and Javanese students (Yogyakarta) at Universitas Negeri Yogyakarta. The research employs a qualitative descriptive method with data collected through interviews, observations, and literature review, alongside triangulation to enhance data validity. The theoretical framework integrates sociolinguistics and intercultural communication theory initiated by William Gudykunst & Young Yun Kim. The findings reveal that communication patterns evolve through three stages: interactive, transactional, and dynamic. In the initial phase, interactions are marked by discomfort and misunderstandings due to differences in speech styles and cultural norms. Munanse students, who tend to be direct and straightforward, are often perceived as impolite by Javanese students who value politeness and indirect communication. Over time, adaptation and cultural exchange foster more open and mutual understanding. The study also identifies communication issues such as stereotypes, ethnocentrism, and pragmatic gaps. This research offers novelty by focusing on the Munanse–Javanese communication dynamic within a multiethnic campus context. The findings provide practical contributions to the development of inclusive and culturally aware higher education environments.
Instabilitas tokoh-tokoh bissu dalam fiksi Faisal Oddang: Fenomena zona intertekstualitas heterotopia Hariyono, Saharul
Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Vol. 48, No. 2
Publisher : citeus

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This article describes the phenomenon of instability bissu characters in literary works by Faisal Oddang. The research subjects were the novel Tiba Sebelum Berangkat and short story anthology Sawerigading Datang dari Laut. Both of these works were used as a source of primary data, whereas books or journal articles about bissu was used as a secondary data source. This article utilizes the theory initiated by Brian McHale statement about literary work in the postmodernist zone. If the dominant is the ontological trait rather than epistemological, it raises issues and components of different and encroaches on the historical zone. The analysis was shown from fiction to fiction, such as one written by Oddang about bissu character which was presented in inconsistent and encroaching way. Oddang presented bissu in various characterizations and professions. A bissu was shown in one story to have a libido, to work as a spy for the rebellious act, and that the leader bissu only prioritizes ego. In the other story, however, a bissu was shown to work as bridal makeup artist. Still in another story, bissu was shown to work as a translator for the epic I La Galigo. Inconsistency is also seen at the characters of Isuri and Rahing, whom he often utilized in the storyline. The changes of bissu characters in every literary work showed an ontological instability—a universe called intertextuality zone heterotopia. Therefore, Oddang’s works belong to postmodernism, giving insights to readers that there is a new subject being painted.