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All Journal Panggung Capture : Jurnal Seni Media Rekam Gelar : Jurnal Seni Budaya
Prihatini, Nanik Sri
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Arts Humanities Education

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Journal : Panggung

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Inovasi Dolalak Lentera Jawa II karya Melania Sinaring Putri Rachmawati, Putri; Prihatini, Nanik Sri
PANGGUNG Vol 29 No 4 (2019): Keragaman Seni dan Inovasi Estetik
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v29i4.1047

Abstract

ABSTRACTLentera Jawa II Dolalak Dance is a new dance composed by Melania Sinaring Putri in 2014. It was created to represent Indonesia at the festival in Malaysia on 12-15 November 2014. The creation is impressive because there are innovations made by the choreographer. The theory presented in the creation process is the theory of Alma M. Hawkins, which includes exploration, improvisation, and composition. The method used in this research is a qualitative method with ethnochroeology approach. The research findings conclude the forming of a new composition. The form of the performance produced looks masculine but coquettish because of the existence of the more energetic dance movements, large-volumed, and faster movement tempo. The level playing, the line in the floor formation, and energetic dancer’s strength is a result of innovation in this work. The choreography elements are compacted, so they only performed in 8 minutes long.Keywords: Lentera Jawa II Dolalak, creation process, innovation, choreographyABSTRAKTari Dolalak Lentera Jawa II merupakan sebuah karya tari baru yang disusun oleh Melania Sinaring Putri tahun 2014. Karya ini diciptakan untuk mewakili Indonesia pada Festival di Malaysia pada tanggal 12-15 November 2014. Garapan ini menarik karena terdapat inovasi yang dilakukan koreografer. Teori yang dijadikan sebagai pisau bedah proses penciptaan menggunakan teori Alma M. Hawkins, yaitu eksplorasi, improvisasi dan komposisi. Metode yang digunakan dalam penelitian ini adalah metode kualitatif, dengan pendekatan etnokoreologi. Hasil penelitian ini menyimpulkan terbentuknya komposisi baru, bentuk sajian yang dihasilkan terkesan berkarakter gagah namun centil karena gerak tari yang dihasilkan lebih energik, bervolume besar dan adanya tempo gerak yang lebih cepat. Permainan level, garis pada formasi lantai, dan kekuatan pada penari yang energik merupakan hasil dari inovasi pada karya ini. Elemen-elemen koreografi yang dipadatkan menghasilkan pertunjukan yang berdurasi 8 menit.Kata Kunci: Dolalak Lentera Jawa II, proses penciptaan, inovasi, koreografi
Otoritas Estetik pada Pertunjukan Tari Dolalak di Kabupaten Purworejo, Jawa Tengah Prihatini, Nanik Sri
PANGGUNG Vol 33 No 1 (2023): Nilai-Nilai Seni Indonesia: Rekonstruksi, Implementasi, dan Inovasi
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v33i1.2474

Abstract

The Dolalak dance in Purworejo Regency is interesting to observe because it has developed with a creative appearance. At first Dolalak was presented by male dancers who seemed dashing, but with the presence of female dancers Dolalak appeared coquettish or cool. This happens because of the aesthetic authority exercised by the artists, both the composing artists and the performers. The purpose of this study was to identify and analyze the authority associated with the aesthetic touch performed by a dance leader and choreographer for the Dolalak dance, namely Melania Sinaring Putri. This research is a qualitative research used to look at the cultural phenomena of the Dolalak dance performance with a social approach that uses the theory of authority, the theory of work on, and the theory of dance creation. Data collection was carried out by way of literature study and interviews. The results of this study can be concluded that Dolalak is currently experiencing quite encouraging developments because of the creative touch of the artists as the owners. Keywords: Dolalak, authority, aesthetics, and work on.
Co-Authors Bambang Aris Kartika, Bambang Aris Bambang Sunarto Dharsono, Dharsono Kusumorasri, Irawati Putri Rachmawati, Putri Sri Hastanto