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All Journal LITERASI: Jurnal Ilmu-Ilmu Humaniora Journal of Urban Society´s Arts ATAVISME JURNAL ILMIAH KAJIAN SASTRA Semiotika Capture : Jurnal Seni Media Rekam Jurnal Pengabdian Masyarakat Indonesia Arif: Jurnal Sastra dan Kearifan Lokal Journal of Language, Communication, and Tourism Rolling Jurnal Pengkajian dan Penciptaan Film, Televisi, dan Media Kontemporer
Bambang Aris Kartika, Bambang Aris
Universitas Jember
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EKSPLOITASI CONCUBINAGE DAN SUBJEK SUBALTERN: HEGEMONI ATAS PEREMPUAN INDONESIA DALAM TINJAUAN KRITIS PASCAKOLONIAL DAN FEMINISME NOVEL DE WINST KARYA AFIFAH AFRA Kartika, Bambang Aris
ATAVISME Vol 14, No 1 (2011): ATAVISME, Edisi Juni 2011
Publisher : Balai Bahasa Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24257/atavisme.v14i1.102.51-64

Abstract

Tulisan ini membahas praktik kolonialisasi Belanda yang mengakibatkan terjadinya bias ketidakadilan gender terhadap posisi perempuan Indonesia dalam novel De Winst karya Afifah Afra. Bias ketidakadilan gender ini tercermin dari adanya eksploitasi secara seksual terhadap kaum perempuan dengan menjadikan mereka sebagai concubinage atau gundik dan menjadi subjek subaltern akibat praktikal hegemoni kekuasaan kaum laki-laki kulit putih kolonial Belanda. Melalui pendekatan teori pascakolonial dan ragam kritik sastra feminisme pascakolonial diperoleh suatu pemahaman bahwa kaum perempuan pada masa kolonial menjadi subjek yang termarginalkan, baik secara seksual maupun sosial. Kaum perempuan tidak memiliki bargaining power dalam ranah hukum untuk menuntut adanya pengakuan sebagai istri yang sah dan memiliki kedudukan yang terhormat, bukan menjadi korban dominasi kekuasaan laki-laki atas tubuh, baik secara seksual maupun tenaga untuk urusan domestik rumah tangga (double burden), termasuk juga stereotipe negatif yang cenderung merendahkan harkat dan martabatnya sebagai perempuan. Abstract : This paper discusses the practice of Dutch colonization which resulted in a gender injustice bias toward the position of Indonesian women in the novel De Winst author by Afifah Afra. This is reflected from the practical sexual exploitation against women by making them as concubines (concubinage) or ?wives? who are actually represented as a concubine because of no formal ?diperistri? by white people and become the subject of subaltern or oppressed because of the practical power of the male hegemony white man of Dutch colonial. Through a variety of postcolonial theory and postcolonial feminist literary criticism, the analysis gained an understanding that women in the colonial period became the subject of both sexually marginalized and social. These women had no bargaining power in the realm of law to demand the recognition of the legitimate as a wife and a respectable position, not a victim of male domination of power over the body, either sexual or domestic labor for their household affairs (double burden ), including negative stereotypes that tend to lower their dignity as women. Key Words: concubinage; subaltern; colonialism; theory of postcolonialism; postcolonial feminist literary of critics
Mengapa Selalu Harus Perempuan: Suatu Konstruksi Urban Pemenjaraan Seksual Hingga Hegemoni Maskulinitas dalam Film Soekarno Bambang Aris Kartika
Journal of Urban Society's Arts Vol 2, No 1 (2015): April 2015
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v2i1.1268

Abstract

Film Soekarno karya Hanung Bramantyo menghadirkan suatu deksripsi tentangfakta-fakta historis terkait dengan perempuan Indonesia yang dikomodifikasimenjadi teks-teks naratif dan visual film. Wujud representasi dari komodifikasifakta historis perempuan Indonesia, ditampilkan dalam konstruk urban mengenaivisualisasi ketidakadilan gender dalam praktik-praktik politik seksual, kekerasanseksual, kekerasan psikis, hingga pemenjaraan seksual yang diakibatkan olehhegemoni kolonialisme fasisme Jepang melalui praktik perbudakan seksual (jugunianfu) dan tokoh Soekarno terhadap diri tokoh Inggit Ganarsih. Makna-maknasimbolik dari unsur naratif dan visualisasi yang dihadirkan dalam film Soekarnomerupakan suatu strategi kebudayaan dan politik media untuk menjadikan filmsebagai media historical memory dan collective memory bagi masyarakat Indonesiauntuk melawan lupa dari deskripsi narasi besar sejarah bangsa dan negara Indonesia,khususnya terhadap sejarah perempuan Indonesia.Why Women Should Always Be: From the Sexual Restraint to the Hegemony ofMasculinity in the Soekarno Film. Soekarno Film presented by Hanung Bramantyois a description of historical facts which are related to Indonesian women and whichare then commodified into texts and visual narrative films. The representation formof the commodification of historical facts of Indonesian women is showed in thevisualization of gender inequality through the practices of sexual politics, sexual violence,and psychological violence until sexual restraint caused by the hegemony of Japanesecolonialism through the practice of sexual slavery (jugun ianfu), and the attitude ofSoekarno figure which appears to Inggit Ganarsih figure. The symbolic meanings of thenarrative and visualization elements which are presented in the film of Soekarno arethe strategy of culture and media politics to make the film as the medium of historicalmemory and collective memory for the Indonesian people to fight against the forgetting ofa narrative description of the history of Indonesia, especially to the history of Indonesianwomen.
DESKRIPTIF MALE FEMINISME DAN KONTRA MALE FEMINISME PERILAKU TOKOH PRIYAYI GOLONGAN NINGRAT JAWA DALAM NOVEL POSKOLONIAL INDONESIA Bambang Aris Kartika
LITERASI: Indonesian Journal of Humanities Vol 1 No 2 (2011)
Publisher : Faculty of Humanities, Jember University

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Patriarchal culture is synonymous with the hegemonic power of the Javanese nobility, especially from the class of nobles, to the position of Javanese women, particularly those related to the ongoing gender inequality. However, in the perspective of deconstruction are the concepts of binary op position, if there are any cons there are also male male feminism feminism, namely the aristocratic Javanese culture of patriarchy that does not apply to conduct in order to hegemonic power and control the subordinate position of women. In the novel De Winst binary opposition between male feminism with male counter feminism is reflected in the behavior of male figures from the Javanese aristocratic class of nobles in court environments Surakata Sultanate Palace that strong tradition to uphold patriarchy and feudalism on the position of women, especially in the period of colonialism Dutch and Javanese monarchy system. Keywords: male feminism, male counter feminism, cultural patriarchy, feudalism
TEOLOGI ANTROPOSENTRIS DALAM SASTRA BIOGRAFI: KAJIAN ATAS NOVEL PENAKLUK BADAI KARYA AGUK IRAWAN M.N. Bambang Aris Kartika
SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 22 No 2 (2021): Semiotika: Jurnal Ilmu Sastra dan Linguistik
Publisher : Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/semiotika.v22i2.24473

Abstract

This article discusses biographical novel of K.H. Hasyim Asy'ari Penakluk Badai which represents the anthropocentric theology concept. The study of anthropocentric theology positions Islamic theology not only as a dogma, but as a theological basis for overcoming problems or problems faced by humans or Muslims. By conducting a study of the novel Penaluk Badai with an anthropocentric theology reading approach and using a qualitative methodology, it aims to identify that anthropocentric theology is the basis for the motivation of the character K.H. Hasyim Asy'ri as problem solving to problems or problems experienced by the Indonesian people, such as poverty, immorality, ignorance, oppression due to the practice of colonialism. Based on data collection and data analysis, it was found that the anthropocentric theology was functioned by the character K.H. Hasyim Asy'ari to raise awareness of Muslims to overcome the problems faced by the Indonesian people. Anthropocentric theology is the basis of legitimacy and the principle of religiosity for the attitudes, behaviors, thought patterns, and actions of K.H. Hasyim Asy'ari by establishing modern Islamic boarding schools and madrasa educational institutions, establishing a capital business for traders' organizations, issuing jihad resolution fatwas to solve the problems of Muslims.
FALSAFAH MADURA DALAM NOVEL TANJUNG KEMARAU KARYA ROYYAN JULIAN: KAJIAN ANTROPOLOGI SASTRA Maharani Sri Devi; Titik Maslikatin; Abu Bakar Ramadhan Muhamad; Bambang Aris Kartika; Dewi Angelina
SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 24 No 1 (2023): SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik
Publisher : Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/semiotika.v24i1.36803

Abstract

The culture of an ethnic group can be known through its reflection in literary works. The Tanjung Kemarau novel by Royyan Julian tells about the complexities of the socio-cultural life of the Madurese people in Branta Pesisir Village, Pamekasan Regency, Madura. This study aims to describe the Madurese philosophy contained in the novel Tanjung Kemarau by Royyan Julian. The method used in this study is a qualitative method with descriptive analysis. This study uses the theory of literary anthropology to examine the main problem in the Tanjung Kemarau novel, namely the Madurese philosophy. The results of the study show that the Madurese philosophy reflected in the Tanjung Kemarau novel is abhântal sahâdât, smokepo' faith, apajung Èslam, (bearing creed, covered with faith, covered with Islam). Moreover, there are also found bhuppa', bhâbhu', ghuru, rato, (father, mother, teacher, and king or leader). The other phylosophy terms are abhântal ombâk, smokepo' angèn, apajung langngè', (cushioned by the waves, covered with wind, under the sky's umbrella) also Ango'an potèa tolang è tembhâng potè mata (better white bones than whites of eyes). Kar ngarkar colpè' (paw continuously pecking), Rampa' naong bâringèn korong (shady shady, banyan brackets) are stated in the novel. All the Madurese philosophy revealed in the novel describes the philosophy in the social reality of the Madurese people.
Novel Biografi Romo Mangun: Refleksi atas Teologi Pembebasan Sang Manyar Kartika, Bambang Aris
Arif: Jurnal Sastra dan Kearifan Lokal Vol. 2 No. 1 (2022): Arif: Jurnal Sastra dan Kearifan Lokal
Publisher : Fakultas Bahasa dan Seni

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/Arif.021.03

Abstract

Artikel ini membahas novel biografi Mangun yang merepresentasikan perjuangan, kemanusiaan, dan keberpihakan Romo Mangunwijaya, Pr. Imam Katolik dalam membela rakyat yang terpinggirkan, tertindas, dibelenggu kemiskinan dan ketidakadilan, mengalami penggusuran, dan penenggelaman desa atas megaproyek Waduk Kedung Ombo. Keberpihakan Romo Mangun sebagai artikulasi dari refleksi atas teologi pembebasan sebagaimana yang dipraktikan para pastor di Amerika Latin maupun di Dunia Ketiga. Telaah teologi pembebasan memosisikan gereja tidak sebatas mengajar dogma-dogma agama, melainkan menjadi dasar teologis bagi upaya membela dan melayani masyarakat miskin yang tertindas dan mengalami ketidakadilan. Kajian terhadap novel Mangun dengan pendekatan teologi pembebasan dan menggunakan metodologi kualitatif dengan objek data teks-teks dalam novel. Analisis dilakukan dengan metode interpretatif. Hasil penelitian menunjukkan bahwa keberpihakan dan pembelaan Romo Mangun terhadap masyarakat Kali Code dan Kedung Ombo atas nama kemanusiaan adalah praktik atas refleksi teologi pembebasan dan rasa kemanusiaan menjadi motivasi atas tindakannya untuk berpihak dan membela rakyat kecil
Peran Mise En Scene dalam Mendukung Penciptaan Humor pada Film Milly & Mamet (Ini Bukan Cinta & Rangga) Abdillah, Sintia; Hartanto, Denny Antyo; Kartika, Bambang Aris
ROLLING Vol. 6 No. 1 (2023): Rolling Volume 6 Nomor 1 Tahun 2023
Publisher : Universitas Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/rolling.v6i1.36471

Abstract

Film adalah bentuk karya seni berupa audio visual yang bertujuan untuk menghibur. Film bergenre komedi menjadi salah satu genre yang popular dikalangan masyarakat. Artikel ini membahas mise en scene dalam mendukung penciptaan humor pada film Milly & Mamet (Ini Bukan Cinta & Rangga). Film Milly & Mamet (Ini Bukan Cinta & Rangga) merupakan salah satu film bergenre komedi popular yang disutradarai oleh Ernest Prakasa. Film ini mengangkat cerita kehidupan Milly & Mamet yang penuh drama komedi dari segi cerita maupun karakternya. Film Milly & Mamet (Ini Bukan Cinta & Rangga) memliki selera humor yang berkualitas ditunjukkan melalui karakter pemain, dialog dan adegan-adegan yang menggelitik penonton. Penelitian ini merupakan jenis penelitian kualitatif dengan menggunakan metode deskriptif. Hasil penelitian yaitu humor tercipta mengggunakan teknik-teknik penciptaan humor yang kemudian disampaikan secara verbal maupun visual. Aspek-aspek mise sen scene seperti setting, wardrobe, make up, dan pemain serta pergerakannya mampu menampilkan humor melalui visual sehingga membuktikan bahwa mise en scene memiliki peran dalam menciptakan humor pada film Milly & Mamet (Ini Bukan Cinta & Rangga).
P3SPS pada Program Talk Show Mata Najwa Episode PSSI Bisa Apa Jilid 6: Lagi-Lagi Begini Anggraini, Ayu Dwi; Hartanto, Denny Antyo; Kartika, Bambang Aris
ROLLING Vol. 7 No. 1 (2024): ROLLING Volume 7 Nomor 1 Tahun 2024
Publisher : Universitas Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/rolling.v7i1.41447

Abstract

Television has a significant influence in shaping public opinion and mindset. Research in 2021 found some programs didn't meet KPI standards. "Mata Najwa" episode "PSSI Bisa Apa Jilid 6: Lagi-lagi Begini" on Trans7 sparked controversy and legal action from PSSI representative. The purpose of this research is to examine the alignment of the content of the talk show program "Mata Najwa" episode "PSSI Bisa Apa Jilid 6: Lagi-Lagi Begini" with the P3SPS. This research utilized Tzvetan Todorov's narrative structure theory, modified by Nick Lacey, as the primary theory, and the Pedoman Perilaku Penyiaran dan Standar Program Siaran to assess the conformity of the narrative with the broadcasting norms. The research employed a qualitative research design with a descriptive writing technique. The data collection techniques used are observation and literature review. The data analysis stage includes data reduction, data presentation, and drawing conclusions. The research findings conclude that the conformity of the content of the talk show "Mata Najwa" episode " PSSI Bisa Apa Jilid 6: Lagi-lagi Begini" with the Pedoman Perilaku Penyiaran dan Standar Program Siaran is appropriate, and the broadcast did not violate the guidelines.
HIPEREALITAS DALAM IKLAN GO-JEK VERSI KAMU: KUNTI Saniyah, Layyinatuzzahrah; Kartika, Bambang Aris; Wajihuddin, Wajihuddin
ROLLING Vol. 7 No. 2 (2024): ROLLING Volume 7 Nomor 2 Tahun 2024
Publisher : Universitas Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/rolling.v7i2.40864

Abstract

Advertising is one of the media conveying information. In this contemporary era, humans always consume images from the mass media. Television or other online media is one of the mass media that contains advertisements. In order to arouse the desire to consume a product, advertisers make advertisements as creative as possible, one of which is the Gojek company. This ad presents a kuntilanak as a Gojek user, from here there is hyperality that occurs. The purpose of this study is to describe the depiction of visual hyperreality in the GO-JEK advertisement Your Version: Kunti. This research uses a qualitative approach with interpretative textual analysis. The results of this study show that the GO-JEK advertisement for Your Version: Kunti is a simulacra, which transforms concrete things (human version of Gojek users) into something abstract (Gojek users version of kuntilanak). In fact, the hyperreality in the GO-JEK advertisement for Your Version: Kunti is just an image that transcends reality.
ANALYSIS OF DOCUDRAMA HISTORY AND REFERENTIAL RECONSTRUCTION OF SANG KIAI MOVIES: ADAPTATION OF BIOGRAPHICAL HISTORIOGRAPHIC TEXTS TO BIOPIC FILM Kartika, Bambang Aris; Prihatini, Nanik S.; Hastanto, Sri; Dharsono, D.,
Capture : Jurnal Seni Media Rekam Vol. 10 No. 2 (2019)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (700.541 KB) | DOI: 10.33153/capture.v10i2.2366

Abstract

This article discusses about the conception of adaptation of biographical historiographic texts into the medium text in the Sang Kiai film which is a type of historical docudrama film. Adaptation conception shows a transposition pattern of content from historical biographical narrative texts constructed into the text medium of Sang Kiai film. By conducting a study on the Sang Kiai film through approaches of adaptation and heuristic, hermeneutic, and internal criticism methodology has produced a pattern of referential reconstruction in the production of historical genre film texts, especially in the types of biopic films. The Sang Kiai film is a moving picture biography of the K.H. Hasyim Asy'ari figure who narrated historical facts about the nationalism of the founder of the Nahdlatul Ulama (NU) against the colonialist hegemony of Japanese and Allied fascist armies. Thus, the docudrama film which is positioned as a document of visualization of the historical facts about the past that is presented today through the reproduction of historical texts in the biopic film medium. The pattern of referential reconstruction shows that the biopic film of the Sang Kiai is a representation of the truth of the biographical facts of the K.H. Hasyim Asy'ari figure, although it was produced and presented through historical fiction film text 
Co-Authors Abdillah, Sintia Abu Bakar Ramadhan Muhamad Anggraini, Ayu Dwi CahyaPutra, Dhandy Perkasa CahyaPutra Dewi Angelina Dharsono, D., Dharsono, Dharsono Ghanesya Hari Murti Hartanto, Denny Antyo Iqlimabelle, Salsa Bila Maharani Sri Devi Ningrum, Rara Mustika Prihatini, Nanik S. Prihatini, Nanik Sri Rizky Indah Pratiwi, Rizky Indah Romdhi Fatkhur Rozi Saniyah, Layyinatuzzahrah Sri Hastanto Suharijadi, Didik Suprapto, Deddy Titik Maslikatin Wajihuddin, Wajihuddin Zoebazary, Ilham