Naufa, Miftahun
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Symbolic Expression of Bungong Mata Uroe in the Interior Artwork of the Family Room Jannah, Munadial; Andeska, Niko; Naufa, Miftahun
V-art: Journal of Fine Art Vol 3, No 1 (2023): Desember 2023
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/vartjofa.v3i1.3983

Abstract

Bungong mata uroe is the name for the sunflower plant by people of Aceh, the represented in the form of a sunflower which has beautiful blooming petals and is bright yellow in color with the meaning of loyalty and beauty making the artist interested in visualizing bungong mata uroe into the interior of the family room.The concept used in the creation of works uses the concept of symbolic expression, namely modern art forms that utilize traditional idioms as the basic elements of the creation. The creation method uses four stages, including the pre-design stages, the design stage, the embodiment stage and the presentation stage.In the creation of this final project, the artist expresses the bungong mata uroe which are applied to interior family room products, including corner table mats, wall hangings, mirrors, pillowcases, table mats and window curtains. This work is used to decorate or decorate family rooms as well as to reintroduce the bungong mata uroe shape with a knitting technique that combines two stitching techniques, namely double stitch and chain stitch. 
The Pintoe Aceh Motif in Macramé Window Curtains and Tablecloth Products Irmawati, Irmawati; Naufa, Miftahun; Rahmawati, Rahmawati
V-art: Journal of Fine Art Vol 3, No 1 (2023): Desember 2023
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/vartjofa.v3i1.3982

Abstract

The creation of this work began with the Pintoe Aceh motif, which has gained wide recognition in Aceh, inspired by the natural richness of Aceh, encompassing flora, fauna, and geometric patterns. The Pintoe Aceh motif boasts a high aesthetic appeal, enriched with elements such as Bungoeng Meulu, Oen Paku, Boh Ungkot, and geometric patterns that exude elegance and charm. The artists were compelled to use the Pintoe Aceh motif as the basis for creating window curtains and tablecloths. The primary objective of this creative endeavor is to contribute to the preservation of the Pintoe Aceh motif as a cultural heritage of the Acehnese community while producing a variety of original macramé products. The creative process involves four main stages: pre-design, design, realization, and presentation. The concept adopted embraces the concept of symbolic expression, combining modern art with tradition. This creation has yielded unique macramé products, specifically designed to enhance learning spaces, in the form of window curtains and tablecloths.
PENGENALAN SENI LUKIS MELALUI MEDIA TAS DENGAN TEKNIK DEKORATIF KEPADA KELOMPOK PKK KOTA JANTHO UNTUK MENGHASILKAN PRODUK YANG KREATIF Naufa, Miftahun; Kholilah, Anni; Ghifari, Muhammad
Gorga : Jurnal Seni Rupa Vol. 12 No. 2 (2023): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v12i2.50352

Abstract

development of creativity and improvement in the field of business and creating jobs through art and culture to the community can be a basic step in creating new works of art. There needs to be collaboration between ISBI Aceh through lecturers and students with the community so that the development of creativity in the community can run. Through a community organization that aims to empower women or commonly called the PKK Group, the author and his team try to introduce painting that is close to their lives. Conventional painting media is commonly known as using canvas, but creativity in exploration continues to grow so it does not rule out the use of various applied-based media. The association of women in bags is the main goal for the writer in terms of introducing painting to the PKK group in Jantho Makmur City. The PKK group will be given basic knowledge in creating decorative paintings on a media bag. The method carried out is by socialization and introduction of bag media painting to the community, the PKK group is given a decorative painting technique but is still free to explore with their respective creativity. Creative products of painting bags with decorative techniques produced by the PKK group must be marketable both offline and online. Creative products of painting bags with decorative techniques are packaged attractively and given harmonious packaging in order to attract the attention of consumers.Keywords: painting, bags, decorative, creative products.AbstrakPengembangan kreativitas serta peningkatan dalam bidang usaha dan menciptakan lapangan kerja melalui seni dan budaya kepada masyarakat dapat menjadi langkah dasar dalam menciptakan karya seni baru. Perlu adanya kolaborasi antara ISBI Aceh melalui Dosen dan mahasiswa dengan masyarakat agar pengembangan kreativitas pada masyarakat dapat berjalan. Melalui organisasi kemasyarakatan yang bertujuan untuk memberdayakan perempuan atau biasa disebut dengan Kelompok PKK, penulis bersama tim mencoba mengenalkan seni Lukis yang dekat dengan kehidupan mereka. Media lukis konvensional biasa dikenal dengan menggunakan kanvas, namun kreativitas dalam eksplorasi terus berkembang sehingga tidak menutup kemungkinan penggunaan berbagai media berbasis terapan. Keterkaitan perempuan pada tas menjadi tujuan utama bagi penulis dalam hal mengenalkan seni Lukis kepada kelompok PKK Kota Jantho Makmur. Kelompok PKK akan diberikan pengetahuan dasar dalam menciptakan lukisan dekoratif pada sebuah media tas. Metode yang dilakukan adalah dengan cara sosialisasi serta pengenalan seni Lukis media tas pada masyarakat, kelompok PKK diberikan sebuah teknik lukis dekoratif namun tetap bebas melakukan eksplorasi dengan kratifitasnya masing-masing. Produk kreatif tas lukis dengan teknik dekoratif yang dihasilkan oleh kelompok PKK harus dapat dipasarkan baik secara offline maupun secara online. Produk kreatif tas lukis dengan teknik dekoratif dikemas dengan menarik dan diberikan packaging yang selaras agar dapat menarik perhatian konsumen.Kata Kunci: seni lukis, tas, dekoratif, produk kreatif. Authors:Miftahun Naufa : Institut Seni Budaya Indonesia AcehAnni Kholilah : Institut Seni Budaya Indonesia AcehMuhammad Ghifari : Institut Seni Budaya Indonesia Aceh References: Ghifari, M., Kholilah, A., & Naufa, M. (2021). Pengenalan Lukis Kaca Sebagai Media Hias dan Cenderamata Pada Siswa-Siswa SMA N 1 Jantho. Gorga Jurnal Seni Rupa, 10(01),73-79. https://doi.org/10.24114/gr.v10i1.21107.Ginting, J., & Triyanto, R. (2020). Tinjauan Ketepatan Bentuk, Gelap Terang, Dan Warna Pada Gambar Bentuk Media Akrilik. Gorga Jurnal Seni Rupa, 09(02), 300-308 https://doi.org/10.24114/gr.v9i2.20118.Hauskeller, Michael. (2015). Apa Itu Seni, Posisi Estetika dari Platon sampai Danto. Yogyakarta: Kanisius.Kartika, Dharsono Sony (2016). Kreasi Artistik Perjumpaan Tradiri Modern dalam Paradigma Kekaryaan Seni. Karanganyar: Citra Sains.Komalayakti, D., Mustika, I, K., & Kondra, I, W. (2023). Tas Kanvas Lukis dengan Perca Endek Bali dan Kain Motif Khas Lombok yang Bernilai Seni dan Ekonomis. CITA KARA Jurnal Penciptaan dan Pengkajian Seni Murni, 3(1), 46-52. https://jurnal2.isidps.ac.id/index.php/citrakara/article/download/2335/860.Kholilah, A., Naufa, M., & Ghifari, M. (2022). Pembuatan Seni Lukis Mural Dinding Sekolah Yayasan Paud/TK Almuhajirin Kota Jantho Untuk Meningkatkan Pendidikan Karakter. Gorga Jurnal Seni Rupa, 11(02), 433- 438. https://doi.org/10.24114/gr.v11i2.38950.Maulida, D., & Saleh, K. (2020). Menggambar Bentuk Melalui Media Vidio Tutorial Di SMP Negeri 12 Pematangsiantar. Gorga Jurnal Seni Rupa, 09(01), 218-225. https://doi.org/10.24114/gr.v9i1.18879.Susanto, Mikke. (2002). Diksi Rupa. Yogyakarta: Kanisius.Sunaryo, Aryo. (2011). Ornamen Nusantara: Kajian Khusus tentang Ornamen Indonesia. Semarang: Dhara Prize.
Warisan Kriya Tekstil Aceh: Kajian Terhadap Tenun Songket Dan Sulam Kasab Rahmawati; Andeska, Niko; Naufa, Miftahun
Besaung : Jurnal Seni Desain dan Budaya Vol. 10 No. 3 (2025): Besaung: Agustus-November
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36982/jsdb.v10i3.5598

Abstract

Acehnese textile crafts represent an essential form of local wisdom that warrants in-depth study to understand their developmental dynamics in the contemporary era, with a specific focus on two primary objects tenun songket and sulam kasab. This study aims to explore the historical aspects, production techniques, symbolic motifs, as well as the functional and cultural values embodied in these crafts. Employing a qualitative interpretative approach, the research is based on a systematic literature review complemented by contextual analysis derived from field observations and interviews with artisans and cultural experts. The findings reveal that Acehnese textile crafts, particularly tenun songket and sulam kasab, possess not only aesthetic and spiritual values but also function as cultural texts that reflect Islamic philosophy and the collective identity of Acehnese society. Historically, these crafts evolved through cultural acculturation during the Aceh Sultanate period, while symbolic motifs such as Pinto Aceh and Bungong Meurante represent humility, unity, and piety. In terms of sustainability, the study identifies several adaptive strategies, including the regeneration of female artisans, the application of eco-friendly natural dyeing techniques, and the integration of community-based creative economies through education and digital marketing. These findings highlight the importance of innovation grounded in local wisdom to sustain the heritage of Acehnese textile crafts and enhance their relevance within both cultural and global economic contexts.