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Ariyanto, Ahmad Fajar
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DESAIN TATA DISPLAY PASAR BUAH SEBAGAI DAYA TARIK WISATA BELANJA DI PASAR GEDHE HARDJONAGORO Ariyanto, Ahmad Fajar; Mahendrapati, Alexander Nawangseto
Acintya Vol. 9 No. 1 (2017)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (753.802 KB) | DOI: 10.33153/acy.v9i1.2118

Abstract

Traditional market in Surakarta is still preserved and being part of economic activity of the society,despite the increasing number of supermarkets. The revitalization of these markets is one of the medium-term development plans of Surakarta because compared to the other sources, traditional markets make the biggest contribution to the local government revenue. One of these markets is thewestern part of Pasar Gedhe Hardjonagoro whose commodities are fresh fruits. Unfortunately, therehabilitation and renovation programs are only focused on the main building. The inside area wherethe trade activities between sellers and buyers happen is excluded from the rehabilitation program.Considering Pasar Gedhe as a tourist destination, the needs of market management especially fordisplaying the product is essential to attract the consumers and tourists. This article is the result of anapplied research in interior design about the design of display system of fruit sellers in the westernpart of Pasar Gedhe Hardjonagoro in Surakarta. This applied research is a qualitative descriptiveanalysis with case study approach. The work employs functional, ergonomic, thematic, and stylishapproaches for the design solution. The result acquired from the interior design research is a zoningwhich is divided into selling, circulation and service, outdoor zone, and managing the circulation andtwo-side services, and creating the interior theme. While the result on the display design is the designneeds to be able to functionally support the trade activities, easy to maintenance, solid, long-lasting,safe, the display system represents the locality, and how the commodities can be an interesting visualattraction. The display system is designed to be an open layout system so that it creates a sociocultural interaction for the people within the market.Keywords: Pasar Gedhe rehabilitation, zoning, display system, functionality, visual attraction.
DESAIN RUMAH BUDAYA PASAR GEDHE HARDJONAGORO SEBAGAI DESTINASI PARIWISATA KOTA SOLO Ariyanto, Ahmad Fajar
Acintya Vol. 10 No. 1 (2018)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1243.093 KB) | DOI: 10.33153/acy.v10i1.2284

Abstract

This article is the research result of Interior Design Pasar Gedhe Hardjonagoro: Tourism Destination that Represents Cultural House in Solo City. This research is about an effort in rehabilitation program to maintain cultural heritage building that function as Traditional Market with the best featured products. The zoning and grouping are not well planned that it causes problems to the hierarchy of space. The  circulation provides less accessibility for visitors, traders, distribution of goods, and waste. The research uses descriptive analytic method and design approach as design solution. The results achieved are: The concept of interior design revitalization of Pasar Gede Hardjonagoro aims to re-mapping the needs of interior design patterns for traders and visitors and provide an alternative offer of a functional, attractive design that resulting in increase of sales ratio. To achieve this goal, the design idea refers to functional, effective and efficient aspects that aesthetically adopt some architectural elements of Pasar Gede Hardjonagoro as a thematic approach. Keywords: Pasar Gedhe Hardjonagoro Revitalization, Tourism Destination, functional design, Cultural House.
PERANCANGAN KARYA SENI INSTALASI SEBAGAI ELEMEN ARTISTIK SPOT SWAFOTO DI RUANG PUBLIK BERNUANSA LOKAL Ariyanto, Ahmad Fajar; Isnanta, Satriana Didiek; Prasetyo, Ernasthan Budi
Acintya Vol. 14 No. 2 (2022)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v14i2.4550

Abstract

ABSTRAKSwafoto berkaitan erat dengan citra yang dipersepsikan seseorang atas dirinya sendiri (self image). Swafoto telah menjadi gaya hidup tidak hanya masyarakat perkotaan tetapi juga sudah sampai ke pinggiran. swafoto pada area wisata/ publik, hal ini juga tidak terlepas dari perubahan gaya hidup generasi muda yang kini gemar melakukan travelling.Fenomena swafoto ini akhirnya mempengaruhi pengelola ruang komersial seperti kafe untuk mendekorasi ulang interiornya dengan menyediakan spot swafoto sebagai salah satu dayatarik usahanya. Gaya hidup swafoto dan perkembangan teknologi informasi terutama media sosial seperti facebook dan Instagram telah memberi keuntungan bagi pengelola ruang komersiil dan pemerintah daerah. Dengan menyediakan spot swafoto, usahanya maupun destinasi wisatanya telah dipromosikan karena diseberluaskan melalui akun Facebook atau IG wisatawannya.Sayangnya spot swafoto sekarang yang telah ada di kafe-kafe maupun di destinasi wisata yang dikelola oleh pemerintah daerah masih terkesan seragam atau minimal jauh dari kultur setempat. Oleh karena itu perlu sebuah penelitian yang bertujuan untuk membuat Rancangan Prototipe Seni Instalasi Sebagai Elemen Artistik Spot Swafoto di Ruang Publik bernuansa budaya lokal.Penelitian ini didesain sebagai penelitian eksperimentatif dengan menggunakan metode Kreasi Artistik yang memiliki tahapan riset dengan pendekatan etik dan riset dengan pendekatan emik sebagai dasar penciptaan karya, dan kedua, tahapan penciptaan karya berisi: eksperimentasi, perenungan dan pembentukan. Penelitian ini didesain sebagai penelitin terapan dengan durasi selama enam bulan.  Luaran penelitian ini adalah: draft rtikel ilmiah, produk inovasi dan KI. Kata kunci; seni instalasi; spot swafoto, budaya lokal, ruang publik  ABSTRACTSelfie is closely related to the image that a person perceives of himself (self image). Selfie has become a lifestyle not only for urban people but has also reached the outskirts. selfies in tourist/public areas, this is also inseparable from the changing lifestyles of the younger generation who are now fond of traveling.This selfie phenomenon has finally influenced the managers of commercial spaces such as cafes to redecorate their interiors by providing selfie spots as one of the attractions of their business. The selfie lifestyle and the development of information technology, especially social media such as Facebook and Instagram, have provided benefits for commercial space managers and local governments. By providing selfie spots, their businesses and tourist destinations have been promoted because they are disseminated through their Facebook accounts or tourists' IG accounts.Unfortunately, the selfie spots that already exist in cafes and tourist destinations managed by local governments still seem uniform or at least far from local culture. Therefore, a research is needed that aims to create a Prototype Design of Installation Art as an Artistic Element of a Selfie Spot in a Public Space with the nuances of local culture.This research is designed as an experimental research using the Artistic Creation method which has research stages with an ethical approach and research with an emic approach as the basis for creating works, and second, the stages of creating works consist of: experimentation, reflection and formation. This study was designed as an applied research with a duration of six months. The outputs of this research are: drafts of scientific articles, innovation products and IP. Keywords; installation art; selfie spot, local culture, public space 
MOTIF BATIK PARANG PADA PERANCANGAN INTERIOR RUMAH BILYAR MASSE POOLAHOLIC DI SURAKARTA Nugroho, Hakiim Cahyo; Ariyanto, Ahmad Fajar
Sanggitarupa Vol. 3 No. 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sanggitarupa.v3i1.5147

Abstract

Motif batik parang pada perancangan interior rumah bilyar Masse Poolaholic di Surakarta merupakan perancangan pada interior rumah bilyar Masse Poolaholic dengan menerapkan unsur kabudayaan jawa berupa motif batik Parang. Perancangan ini bertujuan menghasilkan desain interior pada rumah bilyar Maase Poolaholic yang nyaman dan sesuai dengan standar interior rumah bilyar serta ikut serta dalam pelestarian kebudayaan jawa melalui desain interior. Perancangan ini mengadopsi dari beberapa tahapan proses desain dari John M. Kurtz. Model Kurtz menekankan pemrograman pada sisi kualitatif dari pada kuantitatif. Motif batik parang diterapkan pada elemen pembentuk ruang yang berupa backdrop pada dinding serta permainan bentuk pada ceiling dan pengisi ruang yang berupa meja resepsionis, meja bar, dan bangku pengunjung. Motif batik Parang tersebut diterapkan pada pada area lobby, café and bar, dan billiard hall.
PERANCANGAN INTERIOR PADEPOKAN PENCAK SILAT PSHT DENGAN TEMA KEBUDAYAAN LOKAL MAJAPAHIT DI MOJOKERTO Bathis, Hasan; Ariyanto, Ahmad Fajar
Sanggitarupa Vol. 3 No. 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sanggitarupa.v3i1.5157

Abstract

Perancangan interior Padepokan Pencak Silat PSHT Kota Mojokerto bertujuan untuk mewadahi seluruh kegiatan organisasi PSHT Cabang Mojokerto agar dapat berkembang serta tertata dengan baik. Desain ini mengusung tema kebudayaan lokal Mojokerto dengan mengaplikasikan batik Mojokerto, yaitu batik kawung rambutan dan material khas Majapahit seperti bata merah, batu andesit, kayu, lisplank ukir dan atap sirap, serta mengusung gaya tradisional-kontemporer. Metode yang digunakan dalam perancangan ini menggunakan metode Kurtz programming yang secara umum terdiri dari empat tahapan utama, yaitu: Orientation, Baseprogram, Iterative Programming, dan Design as Feedback. Dengan ruang lingkup perancangan meliputi lobi, restoran, gedung olah raga, penginapan, dan tempat latihan outdoor. Dengan adanya perancangan ini diharapkan dapat menjadi wadah agar perkembangan PSHT pencak silat di Mojokerto dapat terfasilitasi dengan baik.Keywords: Interior, Padepokan, PSHT, Tradisional, and Mojokerto
DESAIN TATA DISPLAY PASAR BUAH SEBAGAI DAYA TARIK WISATA BELANJA DI PASAR GEDHE HARDJONAGORO Ariyanto, Ahmad Fajar; Mahendrapati, Alexander Nawangseto
Acintya Vol. 9 No. 1 (2017)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v9i1.2118

Abstract

Traditional market in Surakarta is still preserved and being part of economic activity of the society,despite the increasing number of supermarkets. The revitalization of these markets is one of the medium-term development plans of Surakarta because compared to the other sources, traditional markets make the biggest contribution to the local government revenue. One of these markets is thewestern part of Pasar Gedhe Hardjonagoro whose commodities are fresh fruits. Unfortunately, therehabilitation and renovation programs are only focused on the main building. The inside area wherethe trade activities between sellers and buyers happen is excluded from the rehabilitation program.Considering Pasar Gedhe as a tourist destination, the needs of market management especially fordisplaying the product is essential to attract the consumers and tourists. This article is the result of anapplied research in interior design about the design of display system of fruit sellers in the westernpart of Pasar Gedhe Hardjonagoro in Surakarta. This applied research is a qualitative descriptiveanalysis with case study approach. The work employs functional, ergonomic, thematic, and stylishapproaches for the design solution. The result acquired from the interior design research is a zoningwhich is divided into selling, circulation and service, outdoor zone, and managing the circulation andtwo-side services, and creating the interior theme. While the result on the display design is the designneeds to be able to functionally support the trade activities, easy to maintenance, solid, long-lasting,safe, the display system represents the locality, and how the commodities can be an interesting visualattraction. The display system is designed to be an open layout system so that it creates a sociocultural interaction for the people within the market.Keywords: Pasar Gedhe rehabilitation, zoning, display system, functionality, visual attraction.
DESAIN RUMAH BUDAYA PASAR GEDHE HARDJONAGORO SEBAGAI DESTINASI PARIWISATA KOTA SOLO Ariyanto, Ahmad Fajar
Acintya Vol. 10 No. 1 (2018)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v10i1.2284

Abstract

This article is the research result of Interior Design Pasar Gedhe Hardjonagoro: Tourism Destination that Represents Cultural House in Solo City. This research is about an effort in rehabilitation program to maintain cultural heritage building that function as Traditional Market with the best featured products. The zoning and grouping are not well planned that it causes problems to the hierarchy of space. The  circulation provides less accessibility for visitors, traders, distribution of goods, and waste. The research uses descriptive analytic method and design approach as design solution. The results achieved are: The concept of interior design revitalization of Pasar Gede Hardjonagoro aims to re-mapping the needs of interior design patterns for traders and visitors and provide an alternative offer of a functional, attractive design that resulting in increase of sales ratio. To achieve this goal, the design idea refers to functional, effective and efficient aspects that aesthetically adopt some architectural elements of Pasar Gede Hardjonagoro as a thematic approach. Keywords: Pasar Gedhe Hardjonagoro Revitalization, Tourism Destination, functional design, Cultural House.
PERANCANGAN KARYA SENI INSTALASI SEBAGAI ELEMEN ARTISTIK SPOT SWAFOTO DI RUANG PUBLIK BERNUANSA LOKAL Ariyanto, Ahmad Fajar; Isnanta, Satriana Didiek; Prasetyo, Ernasthan Budi
Acintya Vol. 14 No. 2 (2022)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v14i2.4550

Abstract

ABSTRAKSwafoto berkaitan erat dengan citra yang dipersepsikan seseorang atas dirinya sendiri (self image). Swafoto telah menjadi gaya hidup tidak hanya masyarakat perkotaan tetapi juga sudah sampai ke pinggiran. swafoto pada area wisata/ publik, hal ini juga tidak terlepas dari perubahan gaya hidup generasi muda yang kini gemar melakukan travelling.Fenomena swafoto ini akhirnya mempengaruhi pengelola ruang komersial seperti kafe untuk mendekorasi ulang interiornya dengan menyediakan spot swafoto sebagai salah satu dayatarik usahanya. Gaya hidup swafoto dan perkembangan teknologi informasi terutama media sosial seperti facebook dan Instagram telah memberi keuntungan bagi pengelola ruang komersiil dan pemerintah daerah. Dengan menyediakan spot swafoto, usahanya maupun destinasi wisatanya telah dipromosikan karena diseberluaskan melalui akun Facebook atau IG wisatawannya.Sayangnya spot swafoto sekarang yang telah ada di kafe-kafe maupun di destinasi wisata yang dikelola oleh pemerintah daerah masih terkesan seragam atau minimal jauh dari kultur setempat. Oleh karena itu perlu sebuah penelitian yang bertujuan untuk membuat Rancangan Prototipe Seni Instalasi Sebagai Elemen Artistik Spot Swafoto di Ruang Publik bernuansa budaya lokal.Penelitian ini didesain sebagai penelitian eksperimentatif dengan menggunakan metode Kreasi Artistik yang memiliki tahapan riset dengan pendekatan etik dan riset dengan pendekatan emik sebagai dasar penciptaan karya, dan kedua, tahapan penciptaan karya berisi: eksperimentasi, perenungan dan pembentukan. Penelitian ini didesain sebagai penelitin terapan dengan durasi selama enam bulan.  Luaran penelitian ini adalah: draft rtikel ilmiah, produk inovasi dan KI. Kata kunci; seni instalasi; spot swafoto, budaya lokal, ruang publik  ABSTRACTSelfie is closely related to the image that a person perceives of himself (self image). Selfie has become a lifestyle not only for urban people but has also reached the outskirts. selfies in tourist/public areas, this is also inseparable from the changing lifestyles of the younger generation who are now fond of traveling.This selfie phenomenon has finally influenced the managers of commercial spaces such as cafes to redecorate their interiors by providing selfie spots as one of the attractions of their business. The selfie lifestyle and the development of information technology, especially social media such as Facebook and Instagram, have provided benefits for commercial space managers and local governments. By providing selfie spots, their businesses and tourist destinations have been promoted because they are disseminated through their Facebook accounts or tourists' IG accounts.Unfortunately, the selfie spots that already exist in cafes and tourist destinations managed by local governments still seem uniform or at least far from local culture. Therefore, a research is needed that aims to create a Prototype Design of Installation Art as an Artistic Element of a Selfie Spot in a Public Space with the nuances of local culture.This research is designed as an experimental research using the Artistic Creation method which has research stages with an ethical approach and research with an emic approach as the basis for creating works, and second, the stages of creating works consist of: experimentation, reflection and formation. This study was designed as an applied research with a duration of six months. The outputs of this research are: drafts of scientific articles, innovation products and IP. Keywords; installation art; selfie spot, local culture, public space