Hudoyo, Sapto
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EKRANISASI UNSUR NARATIF DALAM FILM LIFE OF PI Andini, Bertha Galuh; Hudoyo, Sapto
Capture : Jurnal Seni Media Rekam Vol. 7 No. 2 (2016)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v7i2.1693

Abstract

Every year, films adapted from novels have developed significantly. However,there are many differences from their novels when the films screened, such as thereduction and addition of the storyline and characters, and also some variations.Thecreativity of the films toward their novels is because of the audio-visual medium,whilenovel caused by linguistic medium.Thus,there are certain plots that can be raised well inthe novel, but cannot appear in the film, or vice versa. This research examines theelement of narrative changes that covers the story, plot, characters, andcharacterizations in the movie entitled Life of Pi using ecranisation approach.Ecranisationtheory is an adapting novel to film that causes three changes; shrinking, adding, andvaried changes. This research adopts qualitative research method. The data wascollected by observation and literature study.The results showed that there were a lotof changes in this film include shrinking, that is the reduction and elimination of someplots,as well as the removal of the several characters.Also,there were some additionsand some changes.The function of the varied changes in this film is to create the processof causality consistently and also as a teaser.Keywords : Novel,film,ecranisation,and Life of Pi
MINANGKABAU MATRILINEAL RELATIONSHIP IN THE LOVE FOR SALE 2 FILM Maharani, Anita Devi; Hudoyo, Sapto
Capture : Jurnal Seni Media Rekam Vol. 13 No. 2 (2022)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v13i2.3833

Abstract

Love for Sale 2 chronicles the life of a Minangkabau family living overseas. This tribe is highly distinctive due to the embraced and lived matrilineal culture. Accordingly, this study seeks to denote and connote the Minangkabau matrilineal relationship in the Sikumbang family as depicted in the film Love for Sale 2 by combining the descriptive method with Roland Barthes' semiotics in the analysis. The purposive sampling method selects scene samples. The findings of this study indicate that the Sikumbang family maintains the Minangkabau matrilineal relationship, which includes marriage as a communal affair, the importance of obtaining an ideal son-in-law, the'mamak-kemenakan' relationship, the 'bako anak pisang' relationship, and the mother's role in a matrilineal family.