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All Journal Acintya Gelar : Jurnal Seni Budaya Greget
Mulyadi, Tubagus
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Arts Humanities

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MODEL PERTUNJUKAN BARONGAN ANAK SEBAGAI TRANSMISI BUDAYA DAERAH Karyono, K.,; Slamet, S.,; Mulyadi, Tubagus
Acintya Vol. 7 No. 1 (2015)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (743.292 KB) | DOI: 10.33153/acy.v7i1.1999

Abstract

This research represents an action research that put the data as a material processing for research activities as a performance model of BaronganAnak (kids Barongan). Barongan is one of the folk arts that havetaken root in Blora. It is related to their belief that Barongan is reputed to protect and it can be seen in the ritual ceremony Lamporan. During this time, Barongan is presented in procession for ritual as well as national ceremony. After watching the kids play Barongan and imitateBarongan movements, there appears an idea to do research and to design a performance model of the Barongan Anak. The performance model needs to be introduced to the society in order to make regeneration and conserving local cultures. The method used in the research is experimentation and formation. Experimentation method is used to seek the alternative of performance model and the formation method is used to make a model.Keywords: model, kids Barongan, transmission system, inheritance.
BERGADA RAJAMALA SEMANGGI Mulyadi, Tubagus; Slamet, Slamet
Acintya Vol. 11 No. 2 (2019)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2737.754 KB) | DOI: 10.33153/acy.v11i2.2754

Abstract

ABSTRACTRajamala is a puppet character from Mahabarata story which represents an incarnation of Dewi Loroamis’ disease in a form of a small-giant little boy. Rajamala is a symbol of disaster that must be removed from human life. This event inspired Sultan HB X to create a ship Cantik Baito in the form of Rajamala’s face in order to get safety trip to Madura through Semanggianchorage at Bengawan Solo River. The Rajamala at Cantik Baito, then, became inspiration for the Semanggi community to create“Bergada Rajamala”, an army with Rajamala mask. This creation is related to the anchoragesite in Semanggi. The problem of this study is about how to brand Rajamala as an icon of Semanggi and why it is necessary to make “Bergada Rajamala” in Semanggi parade. This study uses the method of creation through observation, exploration, experimentation, reflection, and formation. The results obtained include the creation of the parade dance or “Bergada” dance that use Rajamala mask costumes that is called “BergadaRajamalaSemanggi.”KeyWords: Rajamala, Bergada, Semanggi.
World Dance Day: A Cultural Conservation in Maintaining Local Wisdom of Traditional Arts Rosmiati, Ana; Supriyanto, Supriyanto; Budiwiyanto, Joko; Mulyadi, Tubagus
Gelar: Jurnal Seni Budaya Vol. 20 No. 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v20i2.4564

Abstract

The research entitled " World Dance DAay: A Cultural Conservation in Maintaining Local Wisdom of Traditional Arts" was conducted to explore the strengths in maintaining the existence of traditional arts, which began to shift with the introduction of Western culture. World Dance Day was a dance event with a duration of 24 hours. This event had been going on for several years. It had become a routine agenda at ISI Surakarta by involving the public, community, art activists, cultural observers, foreign participants, and others. World Dance Day could be used as branding in building ISI Surakarta amid competition among higher education institutions. Organized events could be media promotions both domestically and internationally. This event was held once a year in April, on the 29th. The problem in this research was how to maintain the existence of traditional arts through the activation of World Dance Day and brand World Dance Day activation as a medium for introducing art. The purpose of the research was to find ways to maintain the existence of traditional arts through the World Dance Day activation and to find ways to make World Dance Day branding activation a medium for introducing dance arts to the community. This type of research was qualitative descriptive research. The data source in this study was primarily data source in the form of World Dance Day activation. The monitoring method was carried out by identifying the types of activation included in World Dance Day. Data were obtained from the World Dance Day activation. Researchers directly observed the World Dance Day activation and saw Youtube and other social media. The result of this research was to find ways to maintain the existence of traditional arts through World Dance Day activation. Apart from that, they also carried out branding in the form of World Dance Day activation as a medium for introducing dance arts to the community.
MODEL PERTUNJUKAN BARONGAN ANAK SEBAGAI TRANSMISI BUDAYA DAERAH Karyono, K.,; Slamet, S.,; Mulyadi, Tubagus
Acintya Vol. 7 No. 1 (2015)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v7i1.1999

Abstract

This research represents an action research that put the data as a material processing for research activities as a performance model of BaronganAnak (kids Barongan). Barongan is one of the folk arts that havetaken root in Blora. It is related to their belief that Barongan is reputed to protect and it can be seen in the ritual ceremony Lamporan. During this time, Barongan is presented in procession for ritual as well as national ceremony. After watching the kids play Barongan and imitateBarongan movements, there appears an idea to do research and to design a performance model of the Barongan Anak. The performance model needs to be introduced to the society in order to make regeneration and conserving local cultures. The method used in the research is experimentation and formation. Experimentation method is used to seek the alternative of performance model and the formation method is used to make a model.Keywords: model, kids Barongan, transmission system, inheritance.
BERGADA RAJAMALA SEMANGGI Mulyadi, Tubagus; Slamet, Slamet
Acintya Vol. 11 No. 2 (2019)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v11i2.2754

Abstract

ABSTRACTRajamala is a puppet character from Mahabarata story which represents an incarnation of Dewi Loroamis’ disease in a form of a small-giant little boy. Rajamala is a symbol of disaster that must be removed from human life. This event inspired Sultan HB X to create a ship Cantik Baito in the form of Rajamala’s face in order to get safety trip to Madura through Semanggianchorage at Bengawan Solo River. The Rajamala at Cantik Baito, then, became inspiration for the Semanggi community to create“Bergada Rajamala”, an army with Rajamala mask. This creation is related to the anchoragesite in Semanggi. The problem of this study is about how to brand Rajamala as an icon of Semanggi and why it is necessary to make “Bergada Rajamala” in Semanggi parade. This study uses the method of creation through observation, exploration, experimentation, reflection, and formation. The results obtained include the creation of the parade dance or “Bergada” dance that use Rajamala mask costumes that is called “BergadaRajamalaSemanggi.”KeyWords: Rajamala, Bergada, Semanggi.
EKOKRITIKISME KOREOGRAFI SATU MILIAR TOKEK KARYA AYU TITIS RUKMANA SARI Wulansari, Dewi; Mulyadi, Tubagus
Greget: Jurnal Kreativitas dan Studi Tari Vol. 20 No. 1 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v20i1.4035

Abstract

Satu Miliar Tokek by Ayu Titis Rukmana Sari, was inspired by the phenomenon of the Kedung Monggo community towards the price of a billion geckos. This phenomenon has an impact on the burning of the banyan tree where the gecko resides. This research has the problem of how to choreograph one billion geckos and how to ecocriticism in the work of one billion geckos. To answer the problem of choreography, Slamet Md's concept of dance formation consists of motion, rhythm, expression, or feeling, costumes, stage, and dancers. To explore ecocriticism, the opinion of F.X. Widaryanto. The manifestation of eco-criticism in performing arts products of past creative traditions is heavily influenced by natural phenomena. This shows that the works of art in the past gave direction to the audience to protect the environment. The method used in this research is a qualitative research method with a choreographic approach. The results of this study indicate that the work of one billion geckos is a work of art as a form of social criticism, especially in the Kedung Monggo community, which is manifested in the flow of dance choreography.Keywords: Satu Miliar Tokek, Choreography, and Ecocriticism
Co-Authors Ana Rosmiati Budiwiyanto, Joko DEWI WULANSARI Karyono, K., Slamet . Slamet, S., Supriyanto Supriyanto