Article Per Year (5 Year)
p-Index From 2021 - 2026
0.444
P-Index
This Author published in this journals
All Journal Acintya Gelar : Jurnal Seni Budaya Greget
Mulyadi, Tubagus
Unknown Affiliation
Arts Humanities

Published : 6 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 4 Documents
Search
Journal : Acintya

 1 
MODEL PERTUNJUKAN BARONGAN ANAK SEBAGAI TRANSMISI BUDAYA DAERAH Karyono, K.,; Slamet, S.,; Mulyadi, Tubagus
Acintya Vol. 7 No. 1 (2015)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (743.292 KB) | DOI: 10.33153/acy.v7i1.1999

Abstract

This research represents an action research that put the data as a material processing for research activities as a performance model of BaronganAnak (kids Barongan). Barongan is one of the folk arts that havetaken root in Blora. It is related to their belief that Barongan is reputed to protect and it can be seen in the ritual ceremony Lamporan. During this time, Barongan is presented in procession for ritual as well as national ceremony. After watching the kids play Barongan and imitateBarongan movements, there appears an idea to do research and to design a performance model of the Barongan Anak. The performance model needs to be introduced to the society in order to make regeneration and conserving local cultures. The method used in the research is experimentation and formation. Experimentation method is used to seek the alternative of performance model and the formation method is used to make a model.Keywords: model, kids Barongan, transmission system, inheritance.
BERGADA RAJAMALA SEMANGGI Mulyadi, Tubagus; Slamet, Slamet
Acintya Vol. 11 No. 2 (2019)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2737.754 KB) | DOI: 10.33153/acy.v11i2.2754

Abstract

ABSTRACTRajamala is a puppet character from Mahabarata story which represents an incarnation of Dewi Loroamis’ disease in a form of a small-giant little boy. Rajamala is a symbol of disaster that must be removed from human life. This event inspired Sultan HB X to create a ship Cantik Baito in the form of Rajamala’s face in order to get safety trip to Madura through Semanggianchorage at Bengawan Solo River. The Rajamala at Cantik Baito, then, became inspiration for the Semanggi community to create“Bergada Rajamala”, an army with Rajamala mask. This creation is related to the anchoragesite in Semanggi. The problem of this study is about how to brand Rajamala as an icon of Semanggi and why it is necessary to make “Bergada Rajamala” in Semanggi parade. This study uses the method of creation through observation, exploration, experimentation, reflection, and formation. The results obtained include the creation of the parade dance or “Bergada” dance that use Rajamala mask costumes that is called “BergadaRajamalaSemanggi.”KeyWords: Rajamala, Bergada, Semanggi.
MODEL PERTUNJUKAN BARONGAN ANAK SEBAGAI TRANSMISI BUDAYA DAERAH Karyono, K.,; Slamet, S.,; Mulyadi, Tubagus
Acintya Vol. 7 No. 1 (2015)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v7i1.1999

Abstract

This research represents an action research that put the data as a material processing for research activities as a performance model of BaronganAnak (kids Barongan). Barongan is one of the folk arts that havetaken root in Blora. It is related to their belief that Barongan is reputed to protect and it can be seen in the ritual ceremony Lamporan. During this time, Barongan is presented in procession for ritual as well as national ceremony. After watching the kids play Barongan and imitateBarongan movements, there appears an idea to do research and to design a performance model of the Barongan Anak. The performance model needs to be introduced to the society in order to make regeneration and conserving local cultures. The method used in the research is experimentation and formation. Experimentation method is used to seek the alternative of performance model and the formation method is used to make a model.Keywords: model, kids Barongan, transmission system, inheritance.
BERGADA RAJAMALA SEMANGGI Mulyadi, Tubagus; Slamet, Slamet
Acintya Vol. 11 No. 2 (2019)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v11i2.2754

Abstract

ABSTRACTRajamala is a puppet character from Mahabarata story which represents an incarnation of Dewi Loroamis’ disease in a form of a small-giant little boy. Rajamala is a symbol of disaster that must be removed from human life. This event inspired Sultan HB X to create a ship Cantik Baito in the form of Rajamala’s face in order to get safety trip to Madura through Semanggianchorage at Bengawan Solo River. The Rajamala at Cantik Baito, then, became inspiration for the Semanggi community to create“Bergada Rajamala”, an army with Rajamala mask. This creation is related to the anchoragesite in Semanggi. The problem of this study is about how to brand Rajamala as an icon of Semanggi and why it is necessary to make “Bergada Rajamala” in Semanggi parade. This study uses the method of creation through observation, exploration, experimentation, reflection, and formation. The results obtained include the creation of the parade dance or “Bergada” dance that use Rajamala mask costumes that is called “BergadaRajamalaSemanggi.”KeyWords: Rajamala, Bergada, Semanggi.
Co-Authors Ana Rosmiati Budiwiyanto, Joko DEWI WULANSARI Karyono, K., Slamet . Slamet, S., Supriyanto Supriyanto