Article Per Year (5 Year)
p-Index From 2020 - 2025
0.92
P-Index
This Author published in this journals
All Journal Jurnal Sitakara Abdi Seni Greget
rahmani, dwi
Unknown Affiliation
Arts Humanities Education Social Sciences

Published : 5 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 5 Documents
Search

 1 
PELATIHAN TARI BAGI SISWA SLB B-C HAMONG PUTRO SUKOHARJO, JAWA TENGAH Rahmani, Dwi; Kuncoro, Jonet Sri; Murtono, Taufik
Abdi Seni Vol. 15 No. 1 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/abdiseni.v15i1.5365

Abstract

Dance training for students of SLB B-C Hamong Putro which is carried out in the PKM program aims to realize the welfare of persons with disabilities which cannot be separated from the role and support of the community. Society must work together with the government to provide equal rights for persons with disabilities. Specifically, this training is intended to support students' cognitive abilities which include 1) intellectual abilities, knowledge, understanding, and thinking skills, 2) affective abilities including aspects of feelings, emotions, interests, how to appreciate, and self-adjustment, and 3) psychomotor abilities including the physical abilities and skills needed in the basic movements of dance. The method used includes the group investigation stage, the drill stage, and the creative form stage. The PKM program produced an opera performance entitled Hug the Soul and a draft of a scientific article.
KREATIVITAS TARI CENGKAHING KATRESNAN OLEH ALERIANA MAYANG DEWATI Dewati, Aleriana Mayang; Rahmani, Dwi
Greget : Jurnal Kreativitas dan Studi Tari Vol. 21 No. 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v21i2.4690

Abstract

Cengkahing Katresnan is a dance work created by Aleriana Mayang Dewati in 2021. This dance is presented in a group format with a theme that reflects the values of Dewi Banowati's devotion to her husband, Duryudana. In this performance, Dewi Banowati is portrayed as a dedicated woman, even as she faces various conflicts and challenges in her role as the wife of a great leader. This piece symbolizes sacrifice, love, and loyalty, which are central to her story. To create this work, Aleriana employed Alma M. Hawkins' creative process theory, which consists of three main stages: exploration, improvisation, and composition. Exploration involves searching for initial ideas, drawn from history, culture, and personal experiences. The improvisation stage is carried out by developing free movements, unrestricted by specific structures, allowing for creative freedom. The final stage, composition, is the process of arranging movements into a complete dance form. In addition, the author utilized Maryono's form theory to analyze the structure and supporting elements within this dance piece. This theory aids in understanding how each movement, pattern, and placement of dancers on stage contribute to conveying the story and its meaning. The research found that Aleriana Mayang Dewati's creativity is influenced by both internal factors, such as her life experiences and artistic vision, and external factors, such as cultural environment and social support. This study also explores the various supporting components of the work, including music, costumes, and stage design, all of which play crucial roles in shaping the aesthetic experience for the audience.
Koreografi Kala Takluk Karya Oky Bima Reza Afrita Rahmadhani, Ilham; Rahmani, Dwi
Jurnal Sitakara Vol. 9 No. 1 (2024): Jurnal Sitakara
Publisher : Universitas PGRI Palembang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31851/sitakara.v9i1.14692

Abstract

Kala Takluk merupakan koreografi kelompok yang diciptakan Oky Bima Reza Afrita pada tahun 2017 menceritakan cerita Murwakala dalam pewayangan Jawa yaitu saat Bathara Kala ditaklukan oleh Dhalang Kandha Buwana yang tak lain adalah ayahnya yaitu Bathara Guru. Teori elemenelemen koreografi kelompok dari Sumandiyo Hadi dan teori effort and shape dari Rudolf Van Laban untuk analisis gerak. Hasil penelitian mampu menjabarkan koreografi Kala Takluk Y. Sumandiyo Hadi yaitu judul tari, tema tari, jenis tari, cara penyajian, penari, gerak, ruang, musik tari, rias dan busana, pola lantai, dan tata cahaya. Penelitian ini juga menjelaskan garap gerak yang membedah desain gerak, desain lantai, volume dan level dan pembentukan motif gerak, secara analisis motif gerak terbentuk oleh pola gerak pokok, pola gerak selingan dan pola gerak variasi. Kata Kunci: Kala Takluk; Oky Bima Reza Afrita ; Choreography.
PELATIHAN TARI BAGI SISWA SLB B-C HAMONG PUTRO SUKOHARJO, JAWA TENGAH Rahmani, Dwi; Kuncoro, Jonet Sri; Murtono, Taufik
Abdi Seni Vol. 15 No. 1 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/abdiseni.v15i1.5365

Abstract

Dance training for students of SLB B-C Hamong Putro which is carried out in the PKM program aims to realize the welfare of persons with disabilities which cannot be separated from the role and support of the community. Society must work together with the government to provide equal rights for persons with disabilities. Specifically, this training is intended to support students' cognitive abilities which include 1) intellectual abilities, knowledge, understanding, and thinking skills, 2) affective abilities including aspects of feelings, emotions, interests, how to appreciate, and self-adjustment, and 3) psychomotor abilities including the physical abilities and skills needed in the basic movements of dance. The method used includes the group investigation stage, the drill stage, and the creative form stage. The PKM program produced an opera performance entitled Hug the Soul and a draft of a scientific article.
KREATIVITAS TARI CENGKAHING KATRESNAN OLEH ALERIANA MAYANG DEWATI Dewati, Aleriana Mayang; Rahmani, Dwi
Greget: Jurnal Kreativitas dan Studi Tari Vol. 21 No. 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v21i2.4690

Abstract

Cengkahing Katresnan is a dance work created by Aleriana Mayang Dewati in 2021. This dance is presented in a group format with a theme that reflects the values of Dewi Banowati's devotion to her husband, Duryudana. In this performance, Dewi Banowati is portrayed as a dedicated woman, even as she faces various conflicts and challenges in her role as the wife of a great leader. This piece symbolizes sacrifice, love, and loyalty, which are central to her story. To create this work, Aleriana employed Alma M. Hawkins' creative process theory, which consists of three main stages: exploration, improvisation, and composition. Exploration involves searching for initial ideas, drawn from history, culture, and personal experiences. The improvisation stage is carried out by developing free movements, unrestricted by specific structures, allowing for creative freedom. The final stage, composition, is the process of arranging movements into a complete dance form. In addition, the author utilized Maryono's form theory to analyze the structure and supporting elements within this dance piece. This theory aids in understanding how each movement, pattern, and placement of dancers on stage contribute to conveying the story and its meaning. The research found that Aleriana Mayang Dewati's creativity is influenced by both internal factors, such as her life experiences and artistic vision, and external factors, such as cultural environment and social support. This study also explores the various supporting components of the work, including music, costumes, and stage design, all of which play crucial roles in shaping the aesthetic experience for the audience.
Co-Authors Dewati, Aleriana Mayang Kuncoro, Jonet Sri Rahmadhani, Ilham Taufik Murtono