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All Journal Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Sorai: Jurnal Pengkajian dan Penciptaan Musik
Darlenis, Teti
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Arts Humanities

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Keroncong Arrangement as an Expression of Freedom Congrock 17 Satria, Dioda; Setiawan, Aris; Darlenis, Teti
Resital: Jurnal Seni Pertunjukan Vol 25, No 1 (2024): April 2024
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/resital.v25i1.9462

Abstract

This study aims to analyze the results of the arrangement of keroncong music performed by Congrock 17. Congrock 17 is a well-known progressive keroncong music group from Semarang City, Central Java, Indonesia. This study’s two musical works are the object of analysis: Keroncong Pemuda-Pemudi and Perdamaian. This study uses a musicological approach emphasizing the concepts of arrangement, freedom, expression, and musical form. These concepts determine how far Congrock 17 can create new characters and nuances in existing musical works. Musical considerations were made by Congrock 17 by keeping the fundamental nature of keroncong the same, especially in the use of musical instruments such as cak, cuk, bass, violin, and cello. As a result, the arrangement of old works by Congrong 17 was intended so that keroncong would develop more progressively, be liked by the younger generation, and avoid monotony.
FUNGSI MUSIK KALASON OTO SEBAGAI HIBURAN DALAM BUDAYA TRANSPORTASI MASYARAKAT SUMATRA BARAT Winaldo, Hafiz; Darlenis, Teti
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 17 No. 1 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v17i1.5533

Abstract

In this research, the author uses the concept of music function from Alan P. Meriam. After understanding the problem of the function of music contained in oto kalason (literally: car horn), from this concept, it can be explained that oto kalason functioned as the only entertainment in West Sumatran society at that time (especially when traveling by bus), both inside traveling by oto-oto (buses) at that time, or in people's daily activities. The horns on public transport buses at that time could play songs, sing, even the profession of being a car horn player was quite promising at that time. This horn sound is what many people have been waiting for, a sound that is loved by many people. This is a genre that has long colored the lives of the people of West Sumatra and the transportation (buses) of that time.
FUNGSI MUSIK KALASON OTO SEBAGAI HIBURAN DALAM BUDAYA TRANSPORTASI MASYARAKAT SUMATRA BARAT Winaldo, Hafiz; Darlenis, Teti
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 17 No. 1 (2024): July
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v17i1.5533

Abstract

In this research, the author uses the concept of music function from Alan P. Meriam. After understanding the problem of the function of music contained in oto kalason (literally: car horn), from this concept, it can be explained that oto kalason functioned as the only entertainment in West Sumatran society at that time (especially when traveling by bus), both inside traveling by oto-oto (buses) at that time, or in people's daily activities. The horns on public transport buses at that time could play songs, sing, even the profession of being a car horn player was quite promising at that time. This horn sound is what many people have been waiting for, a sound that is loved by many people. This is a genre that has long colored the lives of the people of West Sumatra and the transportation (buses) of that time.
Co-Authors Aris Setiawan Satria, Dioda Winaldo, Hafiz