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REPRESENTASI WISATA TOKO SAHABAT LINE DI KOREA SELATAN: DARI APLIKASI LINE KE PRODUK NYATA Supriadianto, Supriadianto; Asrori, Yuni Wachid; Arintaka, Riski
Jurnal Vokasi Indonesia Vol. 7, No. 2
Publisher : UI Scholars Hub

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Abstract

South Korea is one of the developed countries that have succeeded in developing popular culture to increase the potential for tourist visits to the country. This study aimed to investigate how Korean culture is represented in the characters displayed in the LINE application and in the visual presentation or decoration design in the LINE Friends Store so that it can be accepted globally and can attract tourists to visit the LINE Friends Store. The study was conducted with a qualitative interpretive method using the Charles Sanders Pierce’s semiotic approach. The focus of the study was to describe the representation of the signs displayed in the LINE application characters and in the decoration design or visual presentation in the LINE Friends Store using icons, indexes, and symbols. The result of the study showed that what is displayed in the LINE Friends Store can provoke consumers' interest to come and shop because the products offered there have a cultural closeness which has global characteristics and all of them are displayed in a form that emphasizes the popularity and success of modern development. The role of LINE application, whose products have been globalized, has become a very effective driving force to further popularize the LINE Friends Store tour.
INVASI JEPANG DI SEMENANJUNG KOREA DAN HINDIA BELANDA: RESISTENSI BANGSA KOREA DAN INDONESIA KEPADA JEPANG Asrori, Yuni Wachid
HUMANIS: Jurnal Ilmu-Ilmu Sosial dan Humaniora Vol 16 No 2 (2024): Juli
Publisher : LPPM UNISDA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52166/humanis.v16i2.6583

Abstract

Imperialisme Jepang dimulai dengan semangat untuk memenangkan konstelasi politik di Asia Timur dalam mewujudkan impian Jepang menjadi pemimpin Asia. Penaklukan Semenanjung Korea, kemenangan atas Kekaisaran Rusia dan penaklukan China meneguhkan dominasi Jepang di Asia Timur walaupun meninggalkan trauma dan permasalahan sosial hingga sekarang. Doktrin Kemakmuran Asia Timur Raya menyertakan Asia Tenggara sebagai bagian penting sebagai penyedia sumber daya alam yang dapat bermanfaat dalam mendukung Jepang pada perang Asia Pasifik. Penelitian tentang resistensi masyarakat Korea dan Indonesia terhadap Jepang dilakukan dengan studi pustaka yang difokuskan pada hubungan kausalitas antara kedatangan militer Jepang dengan reaksi masyarakat Jepang dan Indonesia terhadap kedatangan Jepang. Reaksi yang ditunjukkan masyarakat Korea dan Indonesia dalam menghadapi kedatangan Jepang menunjukkan hasil yang berbeda, masyarakat Korea sangat menentang kedatangan Jepang, sedangkan masyarakat Indonesia tidak bereaksi banyak terhadap Jepang. Bangsa Korea menunjukkan resistensi kuat karena rekam sejarah Jepang yang tidak baik di Semenanjung Korea dengan intimidasi dan campur tangan terhadap urusan Kerajaan Joseon. Sedangkan kedatangan Jepang yang begitu cepat membuat masyarakat tidak banyak bereaksi menanggapi kedatangan pasukan Jepang. Namun disisi lain, harapan kemerdekaan dari penderitaan akibat penjajahan menjadi faktor kuat minimnya resistensi terhadap kedatangan pasukan militer Jepang.
Creating Local Icon through Traditional Opera: Suroloyo Dance Fragment in Kulon Progo and Canggeuk in Seoul Hasanah, Ummul; Asrori, Yuni Wachid; Shalsabilla, Niken Oktavia
Humanus Vol 23, No 1 (2024)
Publisher : Pusat Kajian Humaniora FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/humanus.v23i1.122403

Abstract

Recently, many regional areas have been trying to quantify the number of tourists visiting their regions. It is because the tourism sector has so many good impacts, not only economic impacts but also the sociocultural development of those in that area. One of the ways to be seen as unique by foreigners is by making a cultural icon in the region, just like what the government of Kulon Progo Regency in Yogyakarta did in June 2021. By causing the dance fragment Suroloyo Wrehaspati, it is hoped that more tourists will come to Kulon Progo Regency and consider it a unique cultural work. The research aims to compare the dance fragment Suroloyo to the traditional South Korean opera, changgeuk, both cultural icons in their regions. Some findings are found by interviewing the person in charge of the performances and literary reviews from journals, books, and internet sources. The research found that changgeuk in South Korea historically was not meant to be made as a cultural icon; it was naturally growing as a traditional culture that could be enjoyed both by locals and foreigners coming to South Korea. Meanwhile, the dance fragment Suroloyo is not yet known by the Kulon Progo people and the public. The performance was specially made by artists based on local myth, supported by the government, and purposely used as a tourist attraction. Hence, more campaigns are needed to make dance fragment Suroloyo Wrehaspati more globally recognized and bring the glory of tourism to Kulon Progo regency in Yogyakarta, Indonesia.