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All Journal E-Journal Of Cultural Studies Pena Literasi Wacana: Journal of the Humanities of Indonesia
MPSS, Pudentia
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Arts Humanities Languange, Linguistic, Communication & Media Library & Information Science Social Sciences

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MARGINALIZATION OF BEDEKEH RITUAL PERFORMED BY AKIT ETHNIC GROUP IN RUPAT ISLAND, BENGKALIS REGENCY, RIAU PROVINCE IN THE ERA OF GLOBALIZATON Suroyo, Suroyo; Kumbara, Anak Agung Ngurah Anom; Suarka, I Nyoman; MPSS, Pudentia
E-Journal of Cultural Studies Volume 10, Number 2, May 2017
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (576.583 KB) | DOI: 10.24843/cs.2017.v10.i02.p05

Abstract

This present study is intended to explore, identify, comprehend and describe the phenomenon of the bedekeh ritual performed by the Akit ethnic group in Riau Island, Bengkalis Regency, Riau Province in the era of globalization. The Oang Akit (those who belong to the Akit ethnic group) believe that all diseases are believed to result from the interference of invisible spirits or what is locally referred to as Antu (Hantu=Ghost), their ancestors, the treatment of other people or what is referred to as disantet (black magic practice), and curses. The bedekeh ritual is a cultural important element; it is not only performed to stimulate emotion but it is also performed to make the relationship among people and between people and the cosmos in harmony. Globalization has developed human life and changed the people’s way of life, including the Akit ethnic group. The data in the present study were collected using the techniques of observation, in-depth interview, library research, and documentation. Based on what was explored and the method used to analyze the data, it was found that the bedekeh tradition is still performed by the Akit ethnic group; however, its existence is getting marginalized by the internal and external factors. The modern epistemology (Modern-Western) in which rationality is considered more important than other things has caused the therapy performed by the Akit ethnic group to shift. Hegemony resulting from the penetration of the culture belonging to the non Akit ethnic groups has also caused the bedekeh ritual to be marginalized.
The revitalization of Mak Yong in the Malay world MPSS, Pudentia
Wacana, Journal of the Humanities of Indonesia Vol. 12, No. 1
Publisher : UI Scholars Hub

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Abstract

Culture can only be revitalized when a cultural tradition is considered of significant importance by its owning community. How important it is for the identity of that community or in how far it symbolizes that community can only be established after in-depth study. It is crucial that revitalization activities involve the community. If not, efforts would be pointless. Mak Yong is one of the Malay performing art traditions that has been revitalized over the last five years. It is an art form that originates in southern Thailand and was brought to Bintan in the Riau Islands (Kepulauan Riau, Kepri) via Singapore. It combines dialogue, dance, singing, music, and stories and may still be found in the Riau Islands in Indonesia. It is interesting to show how Mak Yong has represented and expressed Malay dynamics by means of revitalizations efforts.
TINJAUAN SEMIOLOGI PADA MANTRA PERGURUAN PENCAK SILAT BUHUN AMENG SEPOR PARA WALI DI KECAMATAN CIBALONG, GARUT SELATAN, JAWA BARAT Rahman, Irpan Ali; Yoesoef, M.; MPSS, Pudentia
Pena Literasi Vol 6, No 1 (2023): Pena Literasi
Publisher : Fakultas Ilmu Pendidikan Universitas Muhammadiyah Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24853/pl.6.1.101-108

Abstract

Salah satu budaya Indonesia yang sangat populer pada kajian tradisi adalah Mantra. Secara umum Mantra dapat diartikan sebagai budaya lisan turun temurun yang dipercaya memiliki kekuatan gaib atau supranatural. Pemilik Mantra tidak hanya bersifat individu saja akan tetapi bisa juga dimiliki oleh sebuah komunitas budaya. Salah satu komunitas budaya yang menjadi objek penelitian ini adalah  perguruan pencak silat buhun yang ada di Jawa Barat. Korpus penelitian ini adalah Mantra pada sebuah  komunitas budaya yaitu Perguruan pencak silat Buhun Ameng Sepor Para Wali yang ada di Kecamatan Cibalong, Garut Selatan, Jawa Barat. Metode yang digunakan dalam penelitian ini adalah kualitatif deskriptif menggunakan analisis Semiologi Roland Barthes. Selain melakukan tinjauan pustaka data yang digunakan adalah hasil dari penelitian lapangan sebelumnya dengan menggunakan teknik observasi dan wawancara langsung di lapangan. Tujuan penelitian ini adalah menganalisis makna denotasi, konotasi, dan  mitos  pada  Mantra  yang dimiliki oleh perguruan tersebut.  Adapun  hasil  penelitian yang perlu diketahui dalam penelitian ini adalah tinjauan semiologi  yang dinyatakan oleh Roland Barthes terhadap Mantra empat kalimah sada yang dimiliki perguruan  silat buhun Ameng Sepor Para Wali, yaitu; 1) Kalimah Pileuleusan, 2) Kalimah Bungkem, 3) Kalimah Pukulan, dan 4) Kalimah Pengobatan.   
Co-Authors Anak Agung Ngurah Anom Kumbara I Nyoman Suarka Irpan Ali Rahman Suroyo Suroyo Yoesoef, M.