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All Journal Pena Literasi Arif: Jurnal Sastra dan Kearifan Lokal Makara Human Behavior Studies in Asia Paradigma: Jurnal Kajian Budaya Wacana: Journal of the Humanities of Indonesia International Review of Humanities Studies
Yoesoef, M.
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Arts Humanities Education Languange, Linguistic, Communication & Media Library & Information Science Social Sciences

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 1 
Plays in Japanese Occupation Period (1942—1945): Some Notes about Indonesian People in the War Era Yoesoef, M.
Makara Human Behavior Studies in Asia Vol. 14, No. 1
Publisher : UI Scholars Hub

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Abstract

Many plays in Japanese occupation period (1942—1945) were full of propaganda of Japanese Military Government that tried to influence Indonesian people to assist Japanese troops in fighting American army in World War II. Literature was used as a proper propaganda tool, especially plays, where people could get the message directly about what they should do in war situation. A lot of artists were gathered by the Propaganda Service Office (Sendenbu) to work on their fields of creativity (music, sculpture, literature, drama, painting) in order to encourage Indonesian people to participate in the war. Some playwrights such as Usmar Ismail, El Hakim. Armijn Pane, Soetomo Djauhar Arifin, and Merayu Sukma enthusiastically welcomed the program. They wrote many plays that were played by various drama groups that sprang up in that period.
SINKRETISME DALAM SLAMETAN RITUAL ULUR-ULUR Hakim, Luqman; Yoesoef, M.
Paradigma: Jurnal Kajian Budaya Vol. 13, No. 1
Publisher : UI Scholars Hub

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This research aims to explain the hidden narrative in the slametan of the ulur-ulur ritual at Telaga Buret, Sawo Village, Campurdarat District, Tulungagung Regency. In 2020, during the Covid-19 pandemic, the long sequences of ulur-ulur rituals were summarized by only conducting slametan. This indicates that the main foundation of the ulur-ulur ritual is slametan. To find the core ideology of slametan, this study employed the ethnographic approach. Data were obtained through participatory research and in-depth interview. The collected data were then transcribed and analyzed using related theories. This research shows that in slametan, syncretic narratives are beautifully woven into the ritual. An assortment of narratives from Islam and other religions or beliefs is represented in the offerings served during the ritual. Each offering is addressed specifically to a particular supernatural entity through ujub. This harmonious assortment shows that the Javanese people have a high degree of adaptability when it comes to adjusting their religious practices to inevitable social changes.
Film Horor Sebuah Definisi yang Berubah Yoesoef, M.
Wacana, Journal of the Humanities of Indonesia Vol. 5, No. 2
Publisher : UI Scholars Hub

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Horror film is a film genre that presents things that are frightening, tense, and horrifying. The idea of horror film is basically to terrorize the audience through various terrifying acts or actors. Horror films in the beginning are closely related to stories rooted in the cultural of Europe, especially English literature. The definition of horror in the beginning was a story that presented uncomfortable feelings to the readers. This definition changed with the development of film. Horror film developed into a genre that came to stand side by side with drama, comedy film, gangster film, and action film.
LONG-STANDING NARRATIVE OF INDONESIAN ISLAMIC WOMEN IN FOUR NOVELS BY HABIBURRAHMAN EL SHIRAZY Azhari, Dian Rizky; Yoesoef, M.; Setyani, Turita Indah
International Review of Humanities Studies Vol. 8, No. 1
Publisher : UI Scholars Hub

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Discussions about Islamic women have been buzzing in Indonesia after the collapse of the New Order. Its presence directly contradicts the narratives of women that were influenced by western thought, such as liberalism and secularism, as well as by global islamization movement from the Middle East. The conflicts that arose were about the role of women in the public sphere, women's independence, women's bodies and sexuality. This study aims to find similarities between ideas about Islamic women and the practice of Islamic women's discourse in Indonesian society. This study uses an intrinsic study method and a sociology of literature approach to reveal the relationship of the text to social conditions in society. The result shows that the depiction of Islamic women in the four texts is the same as the practice of Islamic women's discourse that existed in Islamic societies even before Indonesia's independence. It is considered as a writing-back movement by Habiburrahman El Shirazy to propagate the majority version of Islamic values in Indonesia.
THANKSGIVING TABLE, A CULINARY PERFORMANCE Sondakh, Sonya Indriati; Yoesoef, M.
International Review of Humanities Studies Vol. 7, No. 2
Publisher : UI Scholars Hub

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In Minahasa, North Sulawesi, the people in the villages of Minahasa has an annual harvest-related celebration called Pengucapan Syukur or Thanksgiving celebration of the people of Minahasa. According to a research in South Minahasa, this Christian celebration that has been practiced at least since 1940 has gone through changes along the way. This tradition has developed as such in line with the dynamics of the Minahasans. Thanksgiving used to be celebrated only in the villages in some parts of Minahasa, but nowadays this tradition has also been celebrated in the capital city of Minahasa, Manado. This local thanksgiving tradition clearly focuses on the food being served on the thanksgiving table. In this celebration they have to serve abundant food of traditional taste, championing nasi jaha and dodol. Each and every household has special budget that allows them to prepare abundant food for this occasion. This is a qualitative research using ethnographic approach. Schechner’s performance theory is used to understand the meaning of the thanksgiving table.
MISTERI LEMBAH HANTU: HORROR NOVEL AND VIOLENCE IN FAMILY RELATION Nariswari, Fitria Sis; Yoesoef, M.
International Review of Humanities Studies Vol. 4, No. 3
Publisher : UI Scholars Hub

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The talk on horror stories never ceased to be discussed, as ones will find any topics regarding horror stories, even in daily conversation. The horror stories permeated in Indonesia during the period of 1970-1990s were considered as a third-rate literature, even though it had a considerable amount of readers who were fans of these stories. During the period, Abdullah Harahap came into the spotlight and became the most productive horror writer compared to his colleagues. However, Abdullah Harahap, who were prominent among readers during 1970-1990s, turns to be a less-known writer when it comes to academic research. This research examines Misteri Lembah Hantu (1988), a novel written by an Indonesian writer Abdullah Harahap, that the novel is regarded to sufficiently represent the stories in other novels that exhibit the elements of violence, abnormal sexuality, and the troubled nuclear family relation. The novel be will analyzed from its plot to understand the narrative pattern. Plot and character analysis will be used to comprehend how violence and abnormal sexuality described in Misteri Lembah Hantu (1988). Additionally, a horror story can also show how it is used to confront anomaly, anxiety, and fear which is different compared to the everyday life. Fear and anxiety are impossible to be expressed in the real world, but they can be manifested through a literary work. The violence and abnormal sexuality in Misteri Lembah Hantu also can be concluded as the symbol that improper parenting from the nuclear family will impact the chaos happened in the broader community, for instance the society.
Tradisi Pengucapan Syukur Minahasa dan Pemertahanan Kuliner Tradisional Sondakh, Sonya Indriati; Yoesoef, M.
Arif: Jurnal Sastra dan Kearifan Lokal Vol. 2 No. 1 (2022): Arif: Jurnal Sastra dan Kearifan Lokal
Publisher : Fakultas Bahasa dan Seni

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/Arif.021.07

Abstract

Pengucapan syukur Minahasa merupakan tradisi panen yang dirayakan setiap tahun, yang mempertemukan ritual religi Kristen dan ritual religi tradisional masyarakat Minahasa pra-Kristen. Ritual-ritual yang sakral maupun yang profan melibatkan makanan yang berlimpah. Tradisi pengucapan syukur merupakan wujud rasa bersyukur kepada Tuhan Yang Maha Besar (Opo Empung Wailan Wangko) atas berkat keberhasilan panen. Terkait makanan dalam tradisi panen ini, nasi jaha yang dimasak dalam bambu dan dodol merupakan makanan yang wajib dihadirkan untuk dimakan di tempat perayaan dan/atau dibawa pulang sebagai oleh-oleh. Artikel ini mendiskusikan bagaimana kuliner tradisional Minahasa, terutama yang dimasak dalam bambu, menjadi salah satu unsur yang membuat tradisi ini tetap bertahan kendati ada kendala-kendala dalam perayaan tahunan. Penelitian ini memperoleh data melalui kajian kepustakaan, wawancara, dan observasi di lapangan yang dilengkapi dokumentasi.
Indonesia dalam Republik Wayang Karya N. Riantiarno: Wajah Kehidupan Sosial, Budaya, dan Politik Masa Reformasi (2001‒2014) Yoesoef, M.
Arif: Jurnal Sastra dan Kearifan Lokal Vol. 3 No. 2 (2024): Arif: Jurnal Sastra dan Kearifan Lokal
Publisher : Fakultas Bahasa dan Seni

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/Arif.032.01

Abstract

Artikel ini bertujuan membahas dinamika sosial, budaya, dan politik di Indonesia dalam empat drama karya N. Riantiarno, yaitu “Republik Bagong” (2001), “Republik Togog” (2004), “Republik Petruk” (2009), dan “Republik Cangik” (2014). Keempat karya drama itu terdapat pada buku Republik Wayang (2016). Setiap karya menggunakan cerita wayang yang berkorelasi dengan situasi dan kondisi Indonesia pada masa Reformasi (2001—2014), yang erat kaitannya dengan dinamika sosial, budaya, dan politik. Pembahasan terhadap keempat drama menggunakan konsep struktural genetik yang membahas konektivitas antara teks sastra dengan berbagai peristiwa faktual dalam pada masa Reformasi sehingga tergambar relasi lintasan sejarah penting dalam kurun waktu masa reformasi itu di dalam teks sastra. Hasil pembahasan menunjukkan bahwa di dalam keempat karya itu para tokoh panakawan menyuarakan realita sosial, budaya, dan politik di Indonesia antara tahun 2001--2014; tokoh punakawan dipakai sebagai simbol stereotip suara rakyat jelata, merepresentasikan para pengabdi yang kritis untuk menanggapi berbagai fenomena praktik relasi kuasa dalam kehidupan sosial, budaya, dan politik yang terbangun di masa Reformasi setelah runtuhnya Orde Baru.
TINJAUAN SEMIOLOGI PADA MANTRA PERGURUAN PENCAK SILAT BUHUN AMENG SEPOR PARA WALI DI KECAMATAN CIBALONG, GARUT SELATAN, JAWA BARAT Rahman, Irpan Ali; Yoesoef, M.; MPSS, Pudentia
Pena Literasi Vol 6, No 1 (2023): Pena Literasi
Publisher : Fakultas Ilmu Pendidikan Universitas Muhammadiyah Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24853/pl.6.1.101-108

Abstract

Salah satu budaya Indonesia yang sangat populer pada kajian tradisi adalah Mantra. Secara umum Mantra dapat diartikan sebagai budaya lisan turun temurun yang dipercaya memiliki kekuatan gaib atau supranatural. Pemilik Mantra tidak hanya bersifat individu saja akan tetapi bisa juga dimiliki oleh sebuah komunitas budaya. Salah satu komunitas budaya yang menjadi objek penelitian ini adalah  perguruan pencak silat buhun yang ada di Jawa Barat. Korpus penelitian ini adalah Mantra pada sebuah  komunitas budaya yaitu Perguruan pencak silat Buhun Ameng Sepor Para Wali yang ada di Kecamatan Cibalong, Garut Selatan, Jawa Barat. Metode yang digunakan dalam penelitian ini adalah kualitatif deskriptif menggunakan analisis Semiologi Roland Barthes. Selain melakukan tinjauan pustaka data yang digunakan adalah hasil dari penelitian lapangan sebelumnya dengan menggunakan teknik observasi dan wawancara langsung di lapangan. Tujuan penelitian ini adalah menganalisis makna denotasi, konotasi, dan  mitos  pada  Mantra  yang dimiliki oleh perguruan tersebut.  Adapun  hasil  penelitian yang perlu diketahui dalam penelitian ini adalah tinjauan semiologi  yang dinyatakan oleh Roland Barthes terhadap Mantra empat kalimah sada yang dimiliki perguruan  silat buhun Ameng Sepor Para Wali, yaitu; 1) Kalimah Pileuleusan, 2) Kalimah Bungkem, 3) Kalimah Pukulan, dan 4) Kalimah Pengobatan.   
MENYOAL RAJAH DAN PASADUAN DALAM STRUKTUR TEKS CARITA PANTUN BADUY Saparudin, Endin; Fitriyah, Atiqotul; Yoesoef, M.; Nariswari, Fitria Sis; Siagian, Alfian
Paradigma: Jurnal Kajian Budaya Vol. 15, No. 1
Publisher : UI Scholars Hub

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This article explores the text structure of Kanekes (Baduy) carita pantun, focusing on the presence of rajah, previously understood as the beginning and end of the text (functioning as 'prayers and supplications' to the ancestors). Through analysis of documentation from J.J. Meijer (1891), Wim van Zanten (1977), as well as recent fieldwork (2022-2023), it was found that the rajah was not always in this position. This research uses an ethnographic approach and was conducted in August-October 2022 and September-October 2023 in Kanekes, Leuwidamar, Banten. Nine informants who work as pemantun and responders were recruited. Data were obtained through interview and recording techniques in three agrarian rituals (rice planting, house inauguration, and marriage). Based on the field data, it is found that the text of Baduy carita pantun in the three rituals has a unique different structure, with the pasaduan element not at the beginning and end, but after bangbalikan/usualan. In addition, panunda (intermediary) repetition also plays an important role. This finding challenges previous views and shows the complexity of the Baduy carita pantuntext structure that is different from other Sunda Tatar regions. The results of this study contribute to the understanding of the patterns of carita pantun in Baduy community based on field data and carita pantun texts that have been collected by previous researchers (Pleyte, Zanten, and Rosidi); knowledge about the aspects of preserving intangible cultural heritage among the Baduy (Kanekes) community which can be illustrated through agricultural ritual activities routinely carried out; and this study illustrates the current condition of carita pantun in Baduy (Kanekes) in the midst of cultural changes in the supporting community.
Co-Authors Azhari, Dian Rizky Budianta, Melani Fitriyah, Atiqotul Irpan Ali Rahman Luqman Hakim MPSS, Pudentia Nariswari, Fitria Sis Ningrum, Hanifa Widyas Sukma Saparudin, Endin Siagian, Alfian Sondakh, Sonya Indriati Turita Indah Setyani