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All Journal International Journal of Humanity Studies (IJHS) International Review of Humanities Studies
Armandaru, Rio
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Arts Humanities Languange, Linguistic, Communication & Media Library & Information Science Social Sciences

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APOCALYPTIC NARRATIVE SCHEMAS IN DYSTOPIAN FILMS Muwaffaq, Thafhan; Komar, Nurul; Armandaru, Rio
International Journal of Humanity Studies (IJHS) Vol 3, No 2 (2020): March 2020
Publisher : Sanata Dharma University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (15.247 KB) | DOI: 10.24071/ijhs.v3i2.2168

Abstract

This research investigates the way dystopia as film genre is attributed with catastrophe or, what will be regarded here as apocalyptic events. We question the way in which the genre represents state of affairs of humanity in the face of catastrophe, in catastrophe, and after catastrophe. We conducted a narrative analysis under the account of semiotic cognitive approach, by identifying narrated events, and actions of the protagonist as constituting parts of event. We argue that narrative in dystopian films represent three types of apocalyptic schema (i.e. pre-apocalyptic, apocalyptic, and post-apocalyptic). Each schema seems to have distinct model of storyline, regardless of the predefined genre of the film (e.g. adventure, sci-fi, fantasy, etc.). Despite the distinct schemas, the analyzed films illustrate typical tone of hopefulness wherein humanity prevails over catastrophe and dystopian state of affairs. Another typical representation in dystopian films analyzed here is portrayal of collective fear among the protagonist. Our study leads to a point that humanity is portrayed adaptive to catastrophic situations, therefore it is able somehow to survive. Here we offer narrative standard in dystopia genre with the light of cognitive semiotics perspective, which differs to a great degree with theories offered by classical literary studies.
APOCALYPTIC NARRATIVE SCHEMAS IN DYSTOPIAN FILMS Muwaffaq, Thafhan; Komar, Nurul; Armandaru, Rio
International Journal of Humanity Studies (IJHS) Vol 3, No 2 (2020): March 2020
Publisher : Sanata Dharma University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/ijhs.v3i2.2168

Abstract

This research investigates the way dystopia as film genre is attributed with catastrophe or, what will be regarded here as apocalyptic events. We question the way in which the genre represents state of affairs of humanity in the face of catastrophe, in catastrophe, and after catastrophe. We conducted a narrative analysis under the account of semiotic cognitive approach, by identifying narrated events, and actions of the protagonist as constituting parts of event. We argue that narrative in dystopian films represent three types of apocalyptic schema (i.e. pre-apocalyptic, apocalyptic, and post-apocalyptic). Each schema seems to have distinct model of storyline, regardless of the predefined genre of the film (e.g. adventure, sci-fi, fantasy, etc.). Despite the distinct schemas, the analyzed films illustrate typical tone of hopefulness wherein humanity prevails over catastrophe and dystopian state of affairs. Another typical representation in dystopian films analyzed here is portrayal of collective fear among the protagonist. Our study leads to a point that humanity is portrayed adaptive to catastrophic situations, therefore it is able somehow to survive. Here we offer narrative standard in dystopia genre with the light of cognitive semiotics perspective, which differs to a great degree with theories offered by classical literary studies.
RE-IMMIGRATION OF EX-LAOTIAN REFUGEES IN INDONESIA: THE MEANING OF IDENTITY THROUGH NOSTALGIA FOR THE NEXT GENERATION Armandaru, Rio; Kurnia, Lilawati
International Review of Humanities Studies Vol. 7, No. 2
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

In 1975, the communist revolution in Laos forced approximately 400,000 Lao citizens into exile. They had no other choice besides leaving their home country. These refugees are scattered in western countries and neighboring countries in Southeast Asia, including Indonesia. The detachment of the ex-refugees next generation to their home country (Laos) becomes a problem in determining their identity when they return to Laos. This research focuses on narrating the identity of the next generation of ex-Laotian refugees in Indonesia. The next generation of ex-Laotian refugees in Indonesia interprets their identity as Indonesians rather than Laotians. This study will provide an overview of how identity is interpreted as a structure of feeling for a space in the form of nostalgia. Considering the phenomenon of forced migration will form a sentimental sense that forms self-determination to define the next generation of ex-Laotian refugees' identity. Through Cultural Studies especially using ethnography, this research will examine how the identity of the next generation of ex-refugees is constructed through a series of nostalgia for their refugee places in Indonesia.
Co-Authors Komar, Nurul Kurnia, Lilawati Muwaffaq, Thafhan