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All Journal E-Journal Of Cultural Studies Segara Widya: Jurnal Penelitian Seni Panggung Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Journal of Aesthetics, Design, and Art Management Hastagina: Jurnal Kriya dan Indsutri Kreatif Serat Rupa: Journal of Design
Ida Ayu Gede Artayani
Program Studi Kriya, FSRD, ISI Denpasar
Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences

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INTEGRATION OF BALINESE, CHINESE AND EUROPEAN ORNAMENTS IN THE ARCHITECTURE OF PURI AGUNG KARANGASEM-BALI I Nyoman Laba; Ida Ayu Gede Artayani; I Ketut Muka; I Made Mertanadi; I Wayan Sudana; Ni Made Rai Sunarini
Journal of Aesthetics, Design, and Art Management Vol. 3 No. 2 (2023): Journal of Aesthetics, Design, and Art Management
Publisher : Yayasan Sinergi Widya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58982/jadam.v3i2.520

Abstract

Purpose: This study aims to explain the form of integration of Balinese, Chinese and European ornaments in the architecture of Puri Agung Karangasem. Research methods: A qualitative descriptive method was implemented to explain the integration of ornaments in the architecture of Puri Agung Karangasem. Data collection techniques are observation, interviews, and documentation, while the data sources are ornaments on the architecture of the palace heritage, cultural experts, and community leaders. The Penglingsir Puri (Palace’s Elders) and Abdi Dalem Puri (Palace’s Courtiers) are key informants. Findings: The results showed that the forms of ornaments found at Puri Agung Karangasem could be divided into three, namely ornaments in traditional Balinese, Chinese, and European styles, resulting in a combination of the typical ornament forms of Puri Agung Karangasem. The three styles of ornament were integrated with each other, then developed by Balinese artists to create patra cina, patra olanda, karang sae, karang bentulu, and the visualization of a crowned lion as it is known today. Other integrations can be seen in the technique of making ornaments using casting techniques. Implications: The rulers of Puri Agung Karangasem in ancient times had cultural relations with people from China and Europe, reflected in the visualization of the integration of carved ornaments into the palace’s architecture.
Kerajinan Gerabah Desa Pejaten: Adaptabilitas Perajin Tradisi di Era Globalisasi Ida Ayu Gede Artayani
Hastagina : Jurnal Kriya Seni Vol 1 No 01 (2021): Hastagina: Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v1i01.72

Abstract

Artikel ini mengkritisi fenomena yang berkembang pada kerajinan gerabah di Desa Pejaten pada era global. Perkembangan kerajinan gerabah menghadapi tantangan besar bersaing dengan produk modern. Menghadapi fenomena yang demikian perajin Desa Pejaten memilih tetap bertahan (survivel) dalam usaha mengembangkan seni tradisinya dan mampu menyesuaikan diri (adaftif) dalam menghadapi perubahan pasar. Tujuan penelitian ini untukmengetahui keberhasilan perajin tradisi dalam melakukan adaptasi terhadap perubahan jaman. Keberhasilan mereka dengan pengembangan strategi berupa kekuatan modal budaya yang dimiliki perajin, melalui pola pewarisan dari generasi ke generasi dan melanjutkan membuat produk gerabah, dengan menjaga kolektivitas sesama perajain gerabah. Penelitian ini menggunakan metode kualitatif, ditemukan bahwa penentu adaptabilitas dengan pola pikir positif, memiliki tekad yang kuat untuk berkembang serta pemahaman yang baik terhadap perubahan melalui proses belajar secara turun-temurun dan melakukan pengembangan bentuk dan desain pada benda gerabahnya, sehingga perajin menghasilkan karya berupa produk keramik tradisional yang berpariatif dengan desain yang menarik, unik memiliki ciri khas daerah dan sebagai pelestarian budaya tradisi dalam menghadapi persaingan di era global.
BHUMI IRIGASI KUNO SEBAGAI IDE PENCIPTAAN POT KERAMIK DENGAN SELF WATERING SYSTEM DI UD. TRI SURYA KERAMIK I Gusti Ngurah Diva Ismayana Tjahjadi; I Made Gede Arimbawa; Ida Ayu Gede Artayani; Rai Gede Wahyudi Putra
Hastagina : Jurnal Kriya Seni Vol 2 No 02 (2022): Hastagina : Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v2i02.1009

Abstract

Preservation and protection require real action from all of us, therefore the author chooses the general concept carried by the Terramic Bali company, namely the Bhumi concept. By studying from upstream to downstream in running a company, the author hopes to be able to replicate it as a form of independent work opportunity. Every design that carries the Bhumi concept is accompanied by a design lighter idea. The starting idea for the founding of the Terramic Bali company was ancient irrigation. Adopting the creation method from Gustami Sp, namely: 1) Exploration, 2) Design, and 3) Embodiment, it can be seen that the result of the creation is a company engaged in ceramic crafts with distinctive branding. The Business Model Canvas (BMC) of the Terramic Bali company is a simulation of the author's company in an internship program at the Tri Surya Keramik company. The Tri Surya Keramik company is concerned with a digital marketing system as a surefire solution to the Covid-19 pandemic, one of which is Instagram. The company Terramic Bali produces products based on the Bhumi concept, as a design concept to product embodiment and the concept of Earth Tones color which refers to the company's goal, namely: the Environmental Awareness Movement. The products are named Pengalapan, Jelinjing, Cakangan, and Aungan. Storytelling is a strong asset that is used as a means of promotion and education to customers.
PENERAPAN MOTIF NUSANTARA DALAM PENCIPTAAN KARYA BATIK DI CV. TARUM BALI SEJAHTERA Nurlaeli Dwi Safitri; Ni Kadek Karuni; Ida Ayu Gede Artayani
Hastagina : Jurnal Kriya Seni Vol 2 No 01 (2022): Hastagina : Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v2i01.1022

Abstract

Internship / work practice is a practical activity for students with the aim of gaining experience from these activities, which can later be used as a professional development for students. This activity is carried out directly in the world of work for real. As for this internship activity the creator does on the CV. Tarum Bali Sejahtera in Gianyar Bali.This place of business is dabbling in textiles, especially batik and natural coloring. The method of creation used in the creation of the work of this apprenticeship process is through two approaches intuitively, and through carefully planned, analytical and systematic scientific methods. In the method refers to the theory of creation proposed by SP. Gustami in his book entitled "The process of craft art creation: methodological strands" explains the process of creating craft works through three pillars of creation such as exploration, experimentation, and formation of Gustami, 2004: 31 (in Kusyati, 2019:22). The concept of creating this work is to make a work in the form of batik which is the result of collaboration between batik tulis with canting, as well as brushes as additional decorations in the making of batik works. The process of creating batik writing works is done through the design stage, namely digging up the idea that will be created next is the manufacturing process that is through the steps of making motifs, copying motifs on fabric, cutting, coloring, locking and roding. This work is in the form of batik with typical balinese bondowoso coffee motifs, kawung and machete motifs of central Java, slopes of West Java, kakul - kakulan, Samblung patra and balinese poleng fabric, Shaho khas Balikpapan and the addition of motifs in the form of truntum, cecek 5, ceccek 7, ukel sawut and ukel - ukelan. Coloring uses natural colors with a fixation in the form of tunjung and alum.
THE RESILIENCE OF BALI TRADITIONAL POTTERY CRAFTSMEN OF PEJATEN VILLAGE IN THE GLOBAL ERA Ida Ayu Gede Artayani; I Wayan Ardika; I Nyoman Suarka; I Wayan Suwena
E-Journal of Cultural Studies Volume 14, Number 1, February 2021
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2021.v14.i01.p01

Abstract

Pottery craftsmen in Pejaten Village still survive producing traditional pottery amid changes in their socio-cultural space. This study aims to analyze the reasons they persist in the realm of traditional pottery crafts today. This study uses the paradigm of critical thinking with a qualitative approach that views social reality as something that is intact, complex, dynamic, full of meaning with interactive symptom relationships. This research, analyzed by the generative structural theory of Pierre Bourdieu. Theory to explain the practice in the realm of pottery crafts in Pejaten Village. Bourdieu made a generative formula about practice, namely: (Habitus x Capital) + Domain = Practice. The results of this study indicate the survival practice of these pottery craftsmen by applying the habitus cutting strategy, in the form of intergenerational skills through informal education between families. Habitus they have internalized in individuals and make them have cultural capital. Ownership of cultural capital can be converted into other forms of capital, but the ability to convert capital cannot be done by all individuals, even though they grow and have a similar habitus. This is influenced by cognitive abilities, reasoning power, episteme, and individual experiences. This results in a class structure in the realm. Ownership of habitus and cultural capital is not sufficient to survive in this realm. Other capital ownership is needed, such as: economic capital, social capital, and symbolic capital. The results of this study can be used as a reference for developing the cultural sustainability of the traditional heritage between generations in responding to the changes that have occurred in the social space for pottery handicrafts in Pejaten Village today. Keywords: sustainability, habitus, capital, traditional pottery craftsmen.
TERUMBU KARANG SEBAGAI MEDIUM EKSPRESI DALAM PENCIPTAAN KARYA KERAMIK DEKORATIF Artayani, Ida Ayu Gede
Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Vol. 3 (2023): Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Seni tercipta dari aktivitas manusia yang tak terbatas dalam creative process, oleh rasa dan karsa menjadi “pengawal” utama dalam berolah keratif sampai karya terwujud. Adapun pemicu utama dalam berolah kreatif, tidak terlepas dari pemikiran akan pencetusan ide dan konsep melalui tahapan observasi akan fenomena yang dijadikan objek garapan karya. Dalam hal ini, dibutuhkan upaya eksploratif melalui pengetahuan, keterampilan dan rasa estetis. Proses kreatif dalam penciptaan karya ini, terinspirasi dari kehidupan alam bawah laut yang memiliki keunikan dengan keberagaman bentuk, dan memiliki manfaat untuk keberlangsungan ekologi maupun ekonomi bagi kehidupan manusia. Penciptaan karya keramik dengan ide “Terumbu Karang” menggunakan metode perancangan/penciptaan karya seni kriya (pre-factum, practice-led research) Hendriyana:2018:12, dengan pendekatan empat langkah penciptaan yaitu: persiapan, eksplorasi, kematangan konsep (perancangan) dan perwujudan karya. Secara tekstual penciptaan karya ini mewakili representasi pengalaman estetis yang dituangkan melalui media tanah liat (stoneware caremic). Urgensi dari penciptaan karya ini, sebagai konsumsi visual dalam penyajian karya dan menjawab tantangan di masyarakat terhadap penciptaan karya kreatif dan inovatif, bahwa karya keramik tidak hanya untuk kebutuhan profan, namun berkembang sebagai fungsi dekoratif. Hasil penciptaan ini diharapkan menjadi sumber inspirasi untuk penelitian lebih lanjut, khususnya eksplorasi bahan keramik dan sebagai seruan kepada masyarakat dalam pelestarian ekologi laut demi keberlangsungan kehidupan bahari.
Penciptaan Keramik Earthenware Dan Stoneware Pada Bedroom Di Hotel Fourteen Roses Boutique, Legian, Kuta, Badung Suartana, Putu Erik; Artayani, Ida Ayu Gede; Laba, I Nyoman
Hastagina : Jurnal Kriya Seni Vol 4 No 01 (2024): Hastagina : Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v4i01.3168

Abstract

A hotel is an accommodation facility that provides lodging facilities as well as commercial food and beverage services. Because it is commercial, the hotel is equipped with supporting facilities such as; halls, lobby, restaurants, management offices and others. Hotels are divided into several types whose classification is reviewed from various purposes such as; the purpose of the guest's arrival, the length of the guest's stay, the number of rooms, the location and based on the division of star hotel clusters. The number of hotels spread across Bali is directly proportional to the increasing need for exterior and interior complementary products, it is interesting to explore further in creating ceramic products made of earthenware and stoneware as an answer to the exterior and interior needs of a hotel. Based on this phenomenon, then this was realized in the implementation of the MBKM program of the Independent Project scheme. SP Gustami creation method is used such as exploration, design, and embodiment in the process of realizing the creation of ceramic products. Exploration is carried out in two steps, namely idea exploration and physical exploration as the basis for designing ceramic products. The design is carried out by visualizing the idea in the form of alternative sketches and selected sketches. The final process of this method is that the embodiment is carried out according to the selected sketch. The result is in the form of 4 functional ceramic products in the form of teapot products, shampoo holders, snack and fruit holders, and sleeping lamps, as well as 1 wall decoration work, by applying a brick motif arrangement decoration inspired by the Fourteen Roses Boutique Hotel concept, and applying glaze colors inspired by pink and maroon rose colors. The products that have been produced will later be used in the Intermediate Room of the Fourteen Roses Boutique Hotel aiming to provide comfort and harmony for each user.
Study of Natural Color Processing in The Creation of Ecoprint Products at UMKM Griya Anyar Dewata Nadwitya Pramesthi, I Gusti Ayu; Gede Artayani, Ida Ayu
Hastagina : Jurnal Kriya Seni Vol 4 No 2 (2024): Hastagina: Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v4i2.4282

Abstract

The development of production in textile industry continues to follow current trends, which is fast fashion. Fast fashion is a textile industry that provides the latest fashion that is classified as mass market orientation, namely textile production in large quantities and scales. The fast fashion production process has a negative impact on releasing liquid waste. The waste comes from synthetic colouring which can pollute rivers and domestic waters. People also tend to be consumptive towards inconsistent fashion trends with low fabric quality. This phenomenon is important to further examine for the sake of environmental sustainability. Therefore, this study can be an alternative solution in reducing the impact of synthetic dyes. This study focuses on the processing techniques of natural materials as natural dyes. The technique used in the processing natural materials is ecoprint technique. The result of the application is to create ecoprint products such as bags, scarves, and feysen clothing. The purpose of this study is to provide knowledge and an overview of the processing of natural materials into high-value fashion products that support the concept of sustainable fashion, have great potential of their uniqueness and expected to provide new innovations that produce quality and highly competitive products. The deepening learn of  ecoprint technique uses the active participation method. In line with the internship activities, the active participation method means that in the process of product creation, the author collaborates with partners and expert colleagues who will encourage and take benefit in product creation
TAS WANITA BERORNAMEN GAYA PURI AGUNG KARANGASEM SEBAGAI UPAYA PELESTARIAN ORNAMEN KHAS KARANGASEM Laba, I Nyoman; Artayani, Ida Ayu Gede; Karuni, Ni Kadek
Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Vol. 4 (2024): Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Dewasa ini telah banyak hadir karya seni yang mengangkat nilai-nilai tradisi sebagai sumber ide penciptaan, begitu juga beragam bentuk produk kriya yang telah mengangkat ornamen tradisional Bali sebagai unsur dekorasinya. Namun jika diperhatikan, tidak semua gubahan ornamen yang diterapkan berakar pada eksplorasi keaslian khazanah ornamen Bali. Salah satu contoh ornamen yang belum pernah dipopulerkan adalah gaya ornamen pada arsitektur Puri Agung Karangasem, karena memiliki keunikan dan kekhasan yang tidak dapat ditemukan pada bangunan Puri lainnya di Bali. Bentuk dan pola motif ornamen yang terdapat di Puri tersebut memiliki peluang yang cukup besar untuk dieksplorasi dalam berkarya seni. Penelitian yang berorientasi pada penciptaan ini bertujuan untuk memunculkan motif ornamen gaya Puri Agung Karangasem, melalui eksplorasi dan replika pola motif dalam penciptaan karya seni berbentuk tas wanita. Tujuan jangka panjangnya adalah pelestarian budaya melalui penerapan dan pengembangan penciptaan produk kriya dalam berbagai varian bentuk dan material, dan menjadikan hasil dari pengembangan motif tersebut sebagai motif ornamen Karangasem yang memiliki identifikasi geografis dalam kesejarahan yang kuat. Metode yang akan digunakan dalam mewujudkan reka cipta produk tas wanita ini adalah metode Tiga Tahap Enam Langkah (Gustami). Metode ini digunakan untuk memenuhi semua proses yang akan dilakukan, dari tahap observasi sampai pada tahap evaluasi. Pada luaran penciptaan ini menghasilkan 5 buah karya seni kriya berbentuk tas wanita berbahan batu alam, kayu, dan kulit berornamen gaya Puri Agung Karangasem.
Milestone Dan Makna Ornamen Puri Agung Karangasem Dalam Persfektif Hermeneutika Laba, I Nyoman; Adnyana, I Wayan; Muka, I Ketut; Suardana, I Wayan; Gede Artayani, Ida Ayu
PANGGUNG Vol 35 No 1 (2025): Wacana Seni dalam Identitas, Simbol, Pendidikan Karakter, Moral Spiritual dan Pr
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v35i1.3632

Abstract

The architecture of Puri Agung Karangasem shows important achievements in architectural progress and the trajectory of the meaning of ornaments shows the acculturation of Balinese, Chinese, and European cultures. Researchers have not found research on the milestones and meaning of ornaments in the Puri. The purpose of this research is to explain the important historical achievements and the meaning of architectural ornaments of Puri Agung Karangasem. A qualitative descriptive method is implemented to explain the milestones and meaning of architectural ornaments of Puri Agung Karangasem. Hermeneutic theory is used as an approach to uncover the historicity and interpretation of the meaning of the architectural ornaments of the Puri. Data collection techniques include observation, interviews and documentation, while as a source of data are ornaments on palace architecture, cultural experts, community leaders, and as key informants of Penglingsir Puri and Abdi Dalem Puri. The results of the study show that the architecture of Puri Agung Karangasem has a very important meaning and achievement in the history of Bali, especially in the context of the kingdom. The forms of ornaments found in Puri Agung Karangasem can be distinguished into three, namely ornaments in traditional Balise, Chinese and European styles, resulting in a combination of typical ornamental forms of Puri Agung Karangasem. From a hermeneutic perspective, these ornaments are signs that refer to certain aspects of social, religious, and political life in Bali, especially the kingdom of Karangasem. In addition, the ruler of Puri Agung Karangasem in ancient times had a fairly good cultural relationship with people from China and Europe, as reflected in the visualization of ornaments integrated into the architecture of the Puri.
Co-Authors Andrianto, Naomi Eunike Erasti Arimbawa, I Gede Dewi, Ni Putu Chyntia Gede Arimbawa, I Made I Gusti Ngurah Diva Ismayana Tjahjadi I Ketut Muka I Made Mertanadi I Nyoman Suarka I Nyoman, suardina I Wayan Adnyana I Wayan Ardika I Wayan Suardana I Wayan Sudana I Wayan Suwena I Wayan Suwena Ismayana, Diva Kariada Pramana, I Komang Karuni, Ni Kadek Laba, I Nyoman Nadwitya Pramesthi, I Gusti Ayu Ni Kadek Karuni Ni Made Rai Sunarini, Ni Made Rai Nurlaeli Dwi Safitri Nyoman Dewi Pebryani Putu, Tari mey jessica Rai Gede Wahyudi Putra Suartana, Putu Erik