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TERUMBU KARANG SEBAGAI MEDIUM EKSPRESI DALAM PENCIPTAAN KARYA KERAMIK DEKORATIF Artayani, Ida Ayu Gede
Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Vol. 3 (2023): Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Seni tercipta dari aktivitas manusia yang tak terbatas dalam creative process, oleh rasa dan karsa menjadi “pengawal” utama dalam berolah keratif sampai karya terwujud. Adapun pemicu utama dalam berolah kreatif, tidak terlepas dari pemikiran akan pencetusan ide dan konsep melalui tahapan observasi akan fenomena yang dijadikan objek garapan karya. Dalam hal ini, dibutuhkan upaya eksploratif melalui pengetahuan, keterampilan dan rasa estetis. Proses kreatif dalam penciptaan karya ini, terinspirasi dari kehidupan alam bawah laut yang memiliki keunikan dengan keberagaman bentuk, dan memiliki manfaat untuk keberlangsungan ekologi maupun ekonomi bagi kehidupan manusia. Penciptaan karya keramik dengan ide “Terumbu Karang” menggunakan metode perancangan/penciptaan karya seni kriya (pre-factum, practice-led research) Hendriyana:2018:12, dengan pendekatan empat langkah penciptaan yaitu: persiapan, eksplorasi, kematangan konsep (perancangan) dan perwujudan karya. Secara tekstual penciptaan karya ini mewakili representasi pengalaman estetis yang dituangkan melalui media tanah liat (stoneware caremic). Urgensi dari penciptaan karya ini, sebagai konsumsi visual dalam penyajian karya dan menjawab tantangan di masyarakat terhadap penciptaan karya kreatif dan inovatif, bahwa karya keramik tidak hanya untuk kebutuhan profan, namun berkembang sebagai fungsi dekoratif. Hasil penciptaan ini diharapkan menjadi sumber inspirasi untuk penelitian lebih lanjut, khususnya eksplorasi bahan keramik dan sebagai seruan kepada masyarakat dalam pelestarian ekologi laut demi keberlangsungan kehidupan bahari.

Penciptaan Keramik Earthenware Dan Stoneware Pada Bedroom Di Hotel Fourteen Roses Boutique, Legian, Kuta, Badung Suartana, Putu Erik; Artayani, Ida Ayu Gede; Laba, I Nyoman
Hastagina : Jurnal Kriya Seni Vol 4 No 01 (2024): Hastagina : Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v4i01.3168

A hotel is an accommodation facility that provides lodging facilities as well as commercial food and beverage services. Because it is commercial, the hotel is equipped with supporting facilities such as; halls, lobby, restaurants, management offices and others. Hotels are divided into several types whose classification is reviewed from various purposes such as; the purpose of the guest's arrival, the length of the guest's stay, the number of rooms, the location and based on the division of star hotel clusters. The number of hotels spread across Bali is directly proportional to the increasing need for exterior and interior complementary products, it is interesting to explore further in creating ceramic products made of earthenware and stoneware as an answer to the exterior and interior needs of a hotel. Based on this phenomenon, then this was realized in the implementation of the MBKM program of the Independent Project scheme. SP Gustami creation method is used such as exploration, design, and embodiment in the process of realizing the creation of ceramic products. Exploration is carried out in two steps, namely idea exploration and physical exploration as the basis for designing ceramic products. The design is carried out by visualizing the idea in the form of alternative sketches and selected sketches. The final process of this method is that the embodiment is carried out according to the selected sketch. The result is in the form of 4 functional ceramic products in the form of teapot products, shampoo holders, snack and fruit holders, and sleeping lamps, as well as 1 wall decoration work, by applying a brick motif arrangement decoration inspired by the Fourteen Roses Boutique Hotel concept, and applying glaze colors inspired by pink and maroon rose colors. The products that have been produced will later be used in the Intermediate Room of the Fourteen Roses Boutique Hotel aiming to provide comfort and harmony for each user.

Study of Natural Color Processing in The Creation of Ecoprint Products at UMKM Griya Anyar Dewata Nadwitya Pramesthi, I Gusti Ayu; Gede Artayani, Ida Ayu
Hastagina : Jurnal Kriya Seni Vol 4 No 2 (2024): Hastagina: Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v4i2.4282

The development of production in textile industry continues to follow current trends, which is fast fashion. Fast fashion is a textile industry that provides the latest fashion that is classified as mass market orientation, namely textile production in large quantities and scales. The fast fashion production process has a negative impact on releasing liquid waste. The waste comes from synthetic colouring which can pollute rivers and domestic waters. People also tend to be consumptive towards inconsistent fashion trends with low fabric quality. This phenomenon is important to further examine for the sake of environmental sustainability. Therefore, this study can be an alternative solution in reducing the impact of synthetic dyes. This study focuses on the processing techniques of natural materials as natural dyes. The technique used in the processing natural materials is ecoprint technique. The result of the application is to create ecoprint products such as bags, scarves, and feysen clothing. The purpose of this study is to provide knowledge and an overview of the processing of natural materials into high-value fashion products that support the concept of sustainable fashion, have great potential of their uniqueness and expected to provide new innovations that produce quality and highly competitive products. The deepening learn of ecoprint technique uses the active participation method. In line with the internship activities, the active participation method means that in the process of product creation, the author collaborates with partners and expert colleagues who will encourage and take benefit in product creation

TAS WANITA BERORNAMEN GAYA PURI AGUNG KARANGASEM SEBAGAI UPAYA PELESTARIAN ORNAMEN KHAS KARANGASEM Laba, I Nyoman; Artayani, Ida Ayu Gede; Karuni, Ni Kadek
Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Vol. 4 (2024): Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Dewasa ini telah banyak hadir karya seni yang mengangkat nilai-nilai tradisi sebagai sumber ide penciptaan, begitu juga beragam bentuk produk kriya yang telah mengangkat ornamen tradisional Bali sebagai unsur dekorasinya. Namun jika diperhatikan, tidak semua gubahan ornamen yang diterapkan berakar pada eksplorasi keaslian khazanah ornamen Bali. Salah satu contoh ornamen yang belum pernah dipopulerkan adalah gaya ornamen pada arsitektur Puri Agung Karangasem, karena memiliki keunikan dan kekhasan yang tidak dapat ditemukan pada bangunan Puri lainnya di Bali. Bentuk dan pola motif ornamen yang terdapat di Puri tersebut memiliki peluang yang cukup besar untuk dieksplorasi dalam berkarya seni. Penelitian yang berorientasi pada penciptaan ini bertujuan untuk memunculkan motif ornamen gaya Puri Agung Karangasem, melalui eksplorasi dan replika pola motif dalam penciptaan karya seni berbentuk tas wanita. Tujuan jangka panjangnya adalah pelestarian budaya melalui penerapan dan pengembangan penciptaan produk kriya dalam berbagai varian bentuk dan material, dan menjadikan hasil dari pengembangan motif tersebut sebagai motif ornamen Karangasem yang memiliki identifikasi geografis dalam kesejarahan yang kuat. Metode yang akan digunakan dalam mewujudkan reka cipta produk tas wanita ini adalah metode Tiga Tahap Enam Langkah (Gustami). Metode ini digunakan untuk memenuhi semua proses yang akan dilakukan, dari tahap observasi sampai pada tahap evaluasi. Pada luaran penciptaan ini menghasilkan 5 buah karya seni kriya berbentuk tas wanita berbahan batu alam, kayu, dan kulit berornamen gaya Puri Agung Karangasem.

Milestone Dan Makna Ornamen Puri Agung Karangasem Dalam Persfektif Hermeneutika Laba, I Nyoman; Adnyana, I Wayan; Muka, I Ketut; Suardana, I Wayan; Gede Artayani, Ida Ayu
PANGGUNG Vol 35 No 1 (2025): Wacana Seni dalam Identitas, Simbol, Pendidikan Karakter, Moral Spiritual dan Pr
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v35i1.3632

The architecture of Puri Agung Karangasem shows important achievements in architectural progress and the trajectory of the meaning of ornaments shows the acculturation of Balinese, Chinese, and European cultures. Researchers have not found research on the milestones and meaning of ornaments in the Puri. The purpose of this research is to explain the important historical achievements and the meaning of architectural ornaments of Puri Agung Karangasem. A qualitative descriptive method is implemented to explain the milestones and meaning of architectural ornaments of Puri Agung Karangasem. Hermeneutic theory is used as an approach to uncover the historicity and interpretation of the meaning of the architectural ornaments of the Puri. Data collection techniques include observation, interviews and documentation, while as a source of data are ornaments on palace architecture, cultural experts, community leaders, and as key informants of Penglingsir Puri and Abdi Dalem Puri. The results of the study show that the architecture of Puri Agung Karangasem has a very important meaning and achievement in the history of Bali, especially in the context of the kingdom. The forms of ornaments found in Puri Agung Karangasem can be distinguished into three, namely ornaments in traditional Balise, Chinese and European styles, resulting in a combination of typical ornamental forms of Puri Agung Karangasem. From a hermeneutic perspective, these ornaments are signs that refer to certain aspects of social, religious, and political life in Bali, especially the kingdom of Karangasem. In addition, the ruler of Puri Agung Karangasem in ancient times had a fairly good cultural relationship with people from China and Europe, as reflected in the visualization of ornaments integrated into the architecture of the Puri.

Teknik Pembelajaran Dan Pembentukan Keramik Menggunakan Elletric Wheel Di UD.Tri Surya Keramik Br.Belulang, Desa Kapal Kecamatan Mengwi Kabupaten Badung Putu, Tari mey jessica; Artayani, Ida Ayu Gede; Muka, I Ketut
Hastagina : Jurnal Kriya Seni Vol 5 No 01 (2025): Hastagina : Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v5i01.4306

This study aims to create ceramic works using the Electric Wheel technique at UD. Tri Surya, a ceramic company focused on producing high-quality ceramics. This research is driven by the importance of innovation in the ceramic world, particularly in the manufacturing techniques that can produce more complex ceramic forms while being more efficient. The Electric Wheel technique is one method of ceramic production that uses an electrically powered spinning wheel, providing stable speed and ease in shaping clay. The research methodology employed is an experimental approach, where the author creates ceramic works through several stages: preparation of raw clay materials, mixing, shaping with the Electric Wheel, drying, firing, and glazing. This technique is applied to create various forms, ranging from utilitarian ceramics to ceramic art pieces. This study also explores the creative process faced by artisans in using the Electric Wheel and its impact on the quality and aesthetics of the resulting ceramic products. The results of this research show that the Electric Wheel technique offers many advantages, such as precision in shaping and time efficiency. The ceramic works produced are more structured and symmetrical compared to those made with manual pottery wheels. However, the study also identifies several challenges encountered in using this technique, such as speed control and adjustment to specific types of clay. Overall, this study provides a significant contribution to the development of ceramic manufacturing techniques in the industry, particularly in terms of technological innovation and creativity. The application of the Electric Wheel technique at UD. Tri Surya has opened opportunities for improved production quality and product competitiveness, as well as enhancing artisans' understanding of technology use in ceramic art.

Penciptaan Keramik Earthenware Dan Stoneware Pada Bedroom Di Hotel Fourteen Roses Boutique, Legian, Kuta, Badung Suartana, Putu Erik; Artayani, Ida Ayu Gede; Laba, I Nyoman
Hastagina : Jurnal Kriya Seni Vol 4 No 01 (2024): Hastagina : Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v4i01.3168

A hotel is an accommodation facility that provides lodging facilities as well as commercial food and beverage services. Because it is commercial, the hotel is equipped with supporting facilities such as; halls, lobby, restaurants, management offices and others. Hotels are divided into several types whose classification is reviewed from various purposes such as; the purpose of the guest's arrival, the length of the guest's stay, the number of rooms, the location and based on the division of star hotel clusters. The number of hotels spread across Bali is directly proportional to the increasing need for exterior and interior complementary products, it is interesting to explore further in creating ceramic products made of earthenware and stoneware as an answer to the exterior and interior needs of a hotel. Based on this phenomenon, then this was realized in the implementation of the MBKM program of the Independent Project scheme. SP Gustami creation method is used such as exploration, design, and embodiment in the process of realizing the creation of ceramic products. Exploration is carried out in two steps, namely idea exploration and physical exploration as the basis for designing ceramic products. The design is carried out by visualizing the idea in the form of alternative sketches and selected sketches. The final process of this method is that the embodiment is carried out according to the selected sketch. The result is in the form of 4 functional ceramic products in the form of teapot products, shampoo holders, snack and fruit holders, and sleeping lamps, as well as 1 wall decoration work, by applying a brick motif arrangement decoration inspired by the Fourteen Roses Boutique Hotel concept, and applying glaze colors inspired by pink and maroon rose colors. The products that have been produced will later be used in the Intermediate Room of the Fourteen Roses Boutique Hotel aiming to provide comfort and harmony for each user.

Study of Natural Color Processing in The Creation of Ecoprint Products at UMKM Griya Anyar Dewata Nadwitya Pramesthi, I Gusti Ayu; Gede Artayani, Ida Ayu
Hastagina : Jurnal Kriya Seni Vol 4 No 2 (2024): Hastagina: Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v4i2.4282

The development of production in textile industry continues to follow current trends, which is fast fashion. Fast fashion is a textile industry that provides the latest fashion that is classified as mass market orientation, namely textile production in large quantities and scales. The fast fashion production process has a negative impact on releasing liquid waste. The waste comes from synthetic colouring which can pollute rivers and domestic waters. People also tend to be consumptive towards inconsistent fashion trends with low fabric quality. This phenomenon is important to further examine for the sake of environmental sustainability. Therefore, this study can be an alternative solution in reducing the impact of synthetic dyes. This study focuses on the processing techniques of natural materials as natural dyes. The technique used in the processing natural materials is ecoprint technique. The result of the application is to create ecoprint products such as bags, scarves, and feysen clothing. The purpose of this study is to provide knowledge and an overview of the processing of natural materials into high-value fashion products that support the concept of sustainable fashion, have great potential of their uniqueness and expected to provide new innovations that produce quality and highly competitive products. The deepening learn of ecoprint technique uses the active participation method. In line with the internship activities, the active participation method means that in the process of product creation, the author collaborates with partners and expert colleagues who will encourage and take benefit in product creation

Eksplorasi Tanah Terracotta dengan Iron Oksida dalam Pembuatan Produk Keramik Tana Ampo: Eksplorasi Tanah Terracotta dengan Iron Oksida dalam Pembuatan Produk Keramik Tana Ampo Kariada Pramana, I Komang; Arimbawa, I Made Gede; Artayani, Ida Ayu Gede
Hastagina : Jurnal Kriya Seni Vol 5 No 02 (2025): Hastagina: Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LPPM ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v5i02.5676

Ceramics is a unique art medium due to its reliance on high-temperature firing at every stage of its formation. Generally, ceramics are objects made from clay and fired to achieve specific forms and characteristics. The development of ceramic art has progressed significantly in recent years, particularly in terms of technique, materials, and supporting tools. In Bali, especially in tourist areas, the ceramic industry has flourished. However, this growth contrasts with the situation in Singaraja, which is more recognized for its traditional glass painting, wood carving, and earthenware crafts. This disparity motivated the author to explore ceramic art through the at Tana Ampo Pottery Studio in Sukawati, Gianyar. The author focused on three main aspects during the internship: (a) the development of the ceramic business at Tana Ampo Pottery Studio, (b) the ceramic forming and creation process, and (c) collaborative approaches in artistic production. The internship involved a collaborative method that included direct observation, literature review, and experimentation with local soil materials combined with iron oxide. The aim was to create a new clay character distinct from commercial clay. The outcome resulted in five ceramic artworks: three wall installations and two three-dimensional pieces, with stone-like visual characteristics in both color and texture. These works integrated Northern Balinese ornament motifs and wayang (shadow puppet) character expressions to reflect and strengthen local identity through artistic expression.

LIMBAH SPREI HOTEL SEBAGAI PRODUK MERCHANDISE DENGAN TEKNIK UPCYCLING Andrianto, Naomi Eunike Erasti; Laba, I Nyoman; Artayani, Ida Ayu Gede
Hastagina : Jurnal Kriya Seni Vol 5 No 02 (2025): Hastagina: Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LPPM ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v5i02.5680

The rapid growth of Bali’s tourism sector has increased hotel occupancy and the frequency of bedsheet replacement, shortening the lifespan of linens and generating large amounts of textile waste. This waste is usually sold without processing, although used hotel linens have high potential as an environmentally friendly and economically valuable upcycling material. This study identifies the potential of hotel linen waste as a recyclable material and describes the process of turning it into value-added merchandise products. The research used a descriptive–collaborative method with a qualitative approach through direct field observation and a review of relevant literature. PT TRI Cinta Bumi, a creative industry engaged in sustainability, was involved to demonstrate how hotel linen waste can be transformed into merchandise. Processing stages included sorting fabrics by quality and color, designing to meet market trends, re-dyeing to enhance visual appeal, and sewing into prototypes. The products were then assessed for aesthetics and functionality and tested with limited market responses to determine acceptance. Findings show that upcycling techniques applied to retired hotel bedsheets produce functional, aesthetically appealing products well received by the market, such as bandanas, small bags, and scrunchies. These results indicate that using textile waste as an alternative raw material offers significant potential to support sustainable practices, design innovation, creative economic empowerment, and market expansion. Furthermore, the process provides new insights for the creative industry on the use of textile waste not only for merchandise but also for decorative items, experimental textile media, and collectible artworks.

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