Article Per Year (5 Year)
p-Index From 2020 - 2025
0.659
P-Index
This Author published in this journals
All Journal Language Circle : Journal of Language and Literature ATAVISME JURNAL ILMIAH KAJIAN SASTRA LINGTERSA: Jurnal Linguistik, Terjemahan, Sastra
Batubara, Nisa Anggraini
Unknown Affiliation
Arts Humanities Education Languange, Linguistic, Communication & Media

Published : 3 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 3 Documents
Search

 1 
Illocutionary Acts Used by Indonesian Athletes in Instagram Caption in Asian Games 2018 Batubara, Nisa Anggraini; Deliana, Deliana; Purba, Parlindungan
Language Circle: Journal of Language and Literature Vol 14, No 2 (2020): April 2020
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/lc.v14i2.21547

Abstract

This research aims to describe the types of illocutionary acts used by Indonesian athletes in Instagram caption in Asian Games 2018, and to find out the type of illocutionary acts which is mostly used by the Indonesian athletes. This research used descriptive qualitative method. The source of data is the Instagram accounts used by Indonesian Asian Games Athletes. The data are in the form of Indonesian athletes’ 24 written utterances and categorized into types of illocutionary act based on Yule’s theory. Based on data analysis, the finding shows there are four types of illocutionary acts used by Indonesian athletes in Instagram caption in Asian Games 2018, namely representatives (14), expressives (7), directives (2), and commissive (1). Representative is mostly used by Indonesian athlete in Instagram caption in Asian Games 2018.
ANALISIS STRUKTUR NARATIF VLADIMIR PROPP TERHADAP CERITA RAKYAT “PULAU SIMARDAN” Syarfina, Tengku; Batubara, Nisa Anggraini
ATAVISME Vol 27, No 1 (2024): ATAVISME
Publisher : Balai Bahasa Provinsi Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24257/atavisme.v27i1.909.1--12

Abstract

This article aims to analyze the Indonesian folktale "Pulau Simardan" based on the narrative function proposed by Vladimir Propp. The analysis focuses on the actor's function. The research method uses qualitative descriptive, namely describing, explaining, and describing the narrative structure in the Indonesian folktale "Pulau Simardan" in the Tapanuli community. Based on the analysis, there are 31 actor functions in the Indonesian folktale "Pulau Simardan". By using Propp's theory, it is obtained in detail (1) the actor's function which has been explained for each function, a brief definition of each function in one word, along with symbols; (2) the distribution of functions among actors; (3) the story movement scheme. From Propp's theory, it is also known that there are fixed elements and changing elements. The fixed element is the act or action, while the changing element is the actor or sufferer.
Gender Phonology Studies: Differentiating Male & Female Voices through Praat Acoustic Analysis Batubara, Nisa Anggraini; Rajagukguk, Desy Lampita; Rohani Ganie, Rohani Ganie; Maharani, Puan
Linguistik, Terjemahan, Sastra (LINGTERSA) Vol. 6 No. 2 (2025): LINGTERSA
Publisher : TALENTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32734/lts.v6i2.21111

Abstract

This study aims to (1) find out the differences in the frequency of male and female voice of Toba Bataknese Native Speakers, (2) to know how the difference between male and female voice duration of Toba Bataknese Native Speakers, (3) to know how the difference of male and female voice intensity of Toba Bataknese Native Speakers. This research uses instrumental approach, that is using a computer with application of Praat program. The population in this study were male voice and adult female voice of Toba Bataknese Native Speakers. The sample in this research is taken from the voice of 1 man and the voice of 1 woman of Toba Bataknese Native Speakers. The results of this study show that (1) the initial frequency of men is smaller than the female’s initial frequency, the final frequency of the male is smaller than the female final frequency, the male’s highest frequency is smaller than the female high frequency, male is smaller than the lowest female frequency. In general, it can be said that the male voice frequency is smaller than the female voice frequency. (2) The duration of the male voice is shorter than the duration of the female voice. (3) The male’s initial intensity is smaller than the female’s initial intensity, the male’s final intensity is greater than the female’s final intensity, the male’s highest intensity is smaller than the intensity of the female’s, the male’s lowest intensity is greater than at the lowest intensity of women.
Co-Authors Deliana, Deliana Maharani, Puan Parlindungan Purba, Parlindungan Rajagukguk, Desy Lampita Rohani Ganie, Rohani Ganie Tengku Syarfina