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All Journal DIKSI Journal of Language and Literature SASTRANESIA: Jurnal Program Studi Pendidikan Bahasa dan Sastra Indonesia Satwika : Kajian Ilmu Budaya dan Perubahan Sosial The Journal of Society and Media
Adipurwawidjana, Ari J.
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Religion Arts Humanities Environmental Science Languange, Linguistic, Communication & Media Social Sciences

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Inventing Narratives, Inventorying Natural Resources: Colonial Economic Exploitation in Conrad’s Malay Fiction Adipurwawidjana, Ari J.
Journal of Language and Literature Vol 20, No 1 (2020): April
Publisher : Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (766.902 KB) | DOI: 10.24071/joll.v20i1.2380

Abstract

Literary narratives had accompanied global economic exploitation of natural resources since the rise of Britain as an imperial force in the late sixteenth century marked by Thomas Hariot’s A Brief and True Report of the New Found Land of Virginia (1588), in which Hariot narrates, describes, and inventories natural and human resources in Virginia to invite economic interest and to justify colonization. The tradition of writing a descriptive overview of conquered lands was then furthered in the late eighteenth and early nineteenth centuries by Marsden’s History of Sumatra (1783) and Raffles’s History of Java (1817) as British colonial rule extended to the Malay Archipelago. However, towards the end of the nineteenth century, as economic and political rule inevitably gave way to complex socio-cultural interaction, the fiction of Joseph Conrad set in the Archipelago, being novelistic in nature, provides a more dialogic portrayal of British colonial presence, particularly in Java and Borneo, which goes beyond mere justification for the exploitation of local resources. Following the cue from the work Edward Said in identifying textualization as a mode of colonial intellectual domination and Benita Parry in revealing the “ghostly” presence of empire in colonial fiction, I would like to argue that Conrad’s Malay fiction both justifies and problematizes the relationship between British colonial enterprise and the natural as well as socio-cultural environment in the Archipelago.
Maskulinitas dan Relasi yang Termediasi dalam Perfect Strangers Rizal, Iqbal Abdul; Prabasmoro, Tisna; Adipurwawidjana, Ari J.
Satwika : Kajian Ilmu Budaya dan Perubahan Sosial Vol. 8 No. 1 (2024): April
Publisher : Universitas Muhammadiyah Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22219/satwika.v8i1.32603

Abstract

Penelitian ini bertujuan untuk mengkaji performativitas maskulinitas dalam relasi langsung dan termediasi oleh telepon seluler yang disajikan Perfect Stranges (2022). Perfect Strangers (2022) yang bergenre drama komedi, menyajikan hubungan yang termediasi menimbulkan kekaburan dalam identitas gender yang memengaruhi performativitas maskulinitas tokoh laki-laki karena adanya mediasi telepon seluler. Fase gerhana bulan dalam Perfect Strangers (2022) menjadi media film untuk menyampaikan komedi yang memuat permasalahan terkait performativitas maskulinitas. Penelitian ini dianalisis dengan menggunakan naratologi film dengan mengelaborasi gagasan maskulinitas Connell, gagasan performativitas gender Judith Butler, dan gagasan Cerulo & Ruanie terkait relasi yang termediasi.  Penelitian akan mengkaji penyajian sinematik hubungan antara performativitas maskulinitas dalam relasi yang termediasi oleh telepon seluler dalam Perfect Strangers (2022) versi Indonesia. Penelitian ini menunjukkan bahwa dalam Perfect Strangers performativitas gender melalui telepon seluler digambarkan menimbulkan kekaburan dalam hubungan fisik atau relasi tatap muka. Performativitas gender yang mengacu pada penampilan dan tindakan berulang dalam hubungan tatap muka berbeda dengan relasi yang termediasi dapat digunakan untuk menutupi jati diri yang sebenarnya termasuk identitas seksual. Individu nonheteronormatif dapat menyembunyikan identitas seksualnya dalam hubungan relasi yang termediasi.   This study aims to examine the performativity of masculinity in direct and mediated relationships by cell phones presented in Perfect Strangers (2022). Perfect Strangers (2022), a comedy-drama genre, presents a mediated relationship that causes blurring in gender identity that affects the masculinity performativity of male characters due to the mediation of cell phones. The lunar eclipse phase in Perfect Strangers (2022) becomes a film medium to convey comedy that contains problems related to masculinity performativity. This research is analyzed using film narratology by elaborating on Connell's idea of masculinity, Judith Butler's idea of gender performativity, and Cerulo & Ruanie's idea of mediated relationships.  The research will examine the cinematic presentation of the relationship between masculinity performativity in cell phone-mediated relationships in the Indonesian version of Perfect Strangers (2022). This research shows that in Perfect Strangers, gender performativity through cellular phones is depicted as causing blurring in physical or face-to-face relationships. Gender performativity which refers to the appearance and repetitive actions in face-to-face relationships in contrast to mediated relationships can be used to mask true identities including sexual identity. Non-heteronormative individuals can hide their sexual identity in mediated relationships
SEKSUALITAS DAN RELASI LAKI-LAKI PEREMPUAN DALAM SAJAK "PERSETUBUHAN KUNTHI" KARYA GOENAWAN MOHAMAD Banita, Baban; Rahayu, Lina Meilinawati; Adipurwawidjana, Ari J.
Diksi Vol. 28 No. 1: DIKSI MARET 2020
Publisher : Fakultas Bahasa, Seni, dan Budaya, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (239.915 KB) | DOI: 10.21831/diksi.v28i1.31461

Abstract

(Title: Sexuality and Relation Man's and Woman's in the Poem "Persetubuhan Bumi" by Goenawan Mohamad). Inequality between woman and man in asexual relationship appear many time in Indonesia's poetry. Women are often being put in a second position even though they have the same competence and power with men. It also happens in relationship on daily activities, both at public space or at home. Women are often connected to a domestic work and have to do many things as away to prove her devotion to men. This affected even to the most private relation between men and women. Women often positioned as a tool to satisfy men's sexual desire. In Goenawan Mohamad's poems, he displays sexuality and relation between men and women in a unique and beautiful way. In this relationship, women are still put in second position, althought the woman genuinely enjoy and satisfied from the sexual activity. Women are shown as a passive body in the hand of men's power. This research is using theory of intertextual and gender. This research shows that there are many factors that created inequality between men and women in a subject of sexual relationship. Keywords: sexuality, relation, intertextual, feminist.
Komodifikasi Disabilitas dalam Iklan Tommy Hilfiger, Gucci, dan Smarteyes Denmark Akhlakulkarimah, Dinda; Adipurwawidjana, Ari J.; Katrine Rask Andersen
The Journal of Society and Media Vol. 9 No. 2 (2025): Digital Expression and Solidarity Media
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/jsm.v9n2.p365-387

Abstract

This study examines the commodification of individuals with disabilities in advertisements by prominent fashion brands such as Tommy Hilfiger, Gucci, and Smarteyes Denmark. The research is grounded in the growing narrative of inclusivity within the fashion industry, which, on the one hand, opens up representational space, but on the other often masks visual exploitation. Using a semiotic approach, this study analyses how disabled bodies are constructed within the visual and discursive frameworks of fashion advertising. Findings reveal that such representations frequently combine disability with a superficial aesthetic of diversity, wherein disabled bodies are depicted not as complex subjects, but as empathetic objects commodified for brand image purposes. The study highlights the need for a critical reading of the interrelation between disability, gender, and power dynamics in the contemporary commercial media landscape.  
TERKUBUR HIDUP-HIDUP: LOKASI DAN MEMORI DALAM MY YEAR OF REST AND RELAXATION OLEH OTESSA MOSHFEGH Geraldo, Gihon; Adipurwawidjana, Ari J.
SASTRANESIA: Jurnal Program Studi Pendidikan Bahasa dan Sastra Indonesia Vol 12, No 1 (2024): MARET 2024
Publisher : STKIP PGRI Jombang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32682/sastranesia.v12i1.3528

Abstract

Artikel ini mengeksplorasi dinamika spasial dan psikologis karakter utama dalam novel My Year of Rest and Relaxation karya Otessa Moshfegh. Novel ini mengeksplorasi kisah seorang wanita yang mencoba untuk tidur selama satu tahun sebagai ekspresi melankolis dalam menanggapi masa lalunya. Artikel ini berfokus pada hubungan antara karakter utama, apartemennya yang dihantui oleh masa lalunya, dan taktik yang dia gunakan dalam menghadapi dunia luar. Seperti yang dikemukakan oleh de Certeau (2011), taktik-taktik tersebut merupakan upaya yang dilakukan oleh orang-orang untuk menumbangkan norma untuk mengakomodasi kebutuhan mereka. Dengan mencermati teks menggunakan kerangka teori dari Freud (1957), Bachelard (2014), dan De Certeau (2011), artikel ini menemukan bahwa tokoh utama memproyeksikan melankolia ke dalam apartemennya agar dapat tidur dalam jangka waktu yang lama. Karakter utama juga menggunakan taktik untuk memungkinkannya kembali ke apartemen sesegera mungkin, atau untuk meniru kehidupan di apartemen. Artikel tersebut berpendapat bahwa perilaku ini menunjukkan bahwa ia sedang dikubur hidup-hidup dalam pengertian Freudian.
Co-Authors Akhlakulkarimah, Dinda Banita, Baban Geraldo, Gihon Katrine Rask Andersen Lina Meilinawati Rahayu, Lina Meilinawati Rizal, Iqbal Abdul