Article Per Year (5 Year)
p-Index From 2020 - 2025
0.61
P-Index
This Author published in this journals
All Journal Jurnal Seni Nasional Cikini Urban : Jurnal Seni Urban dan Industri Budaya International Review of Humanities Studies
Madia Patra Ismar
Institut Kesenian Jakarta
Arts Humanities Languange, Linguistic, Communication & Media Library & Information Science Social Sciences

Published : 3 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 3 Documents
Search

 1 
Potensi Komik untuk Edukasi Pengetahuan Kekayaan Tradisi Lisan Minangkabau Studi Kasus Musik Talempong dan Dendang Ratok Zulfa; Madia Patra Ismar; Anusirwan; Arison Ibnur; Wili Sandra
Jurnal Seni Nasional Cikini Vol 7 No 2 (2021): Jurnal Seni Nasional Cikini Vol. 7 No. 2
Publisher : Riset, inovasi dan PKM - Institut Kesenian Jakarta, DKI Jakarta.

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52969/jsnc.v7i2.144

Abstract

Budaya Minangkabau merupakan sumber yang menarik untuk terus digali potensinya agar terus berkelanjutan, hidup serta berkembang bertahan dalam dinamika zaman. Salah satu media yang dapat menjadi wadah edukasi untuk mewariskan pengetahuan tradisi Minangkabau adalah komik. Artikel ini akan membahas pertanyaan bagaimana komik memiliki potensi untuk turut berperan dalam pelestarian pengetahuan tradisi dan lebih khusus lagi, mengambil contoh ekspresi musik tradisi Minangkabau. Metode Penelitian untuk memperoleh data sebagai sumber penulisan artikel ini, dilakukan dengan melakukan penelusuran literatur, teori yang berkaitan dan sumber-sumber primer yang diperoleh langsung di lapangan.
Rumah Makan Padang Sebuah Narasi Pertunjukan Budaya; Studi Kasus Rumah Makan Padang Simpang Raya Ismar, Madia Patra
Urban: Jurnal Seni Urban Vol 2, No.1: April 2018
Publisher : Sekolah Pascasarjana Institut Kesenian Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52969/jsu.v2i1.5

Abstract

This research is to explore the cultural values of the Minangkabau people in the cultural narrative of the Padang Simpang Raya restaurant. Rumah Makan Padang Simpang Raya is a migratory representation of Minangkabau people who reproduce their culture in urban areas. This phenomenon is seen using the views of several experts to express diacritic writing of values in a narrative of cultural performances. The discussion about cultural performances as a display of social relations, edible and non edible, gesture and artistic stylization, structuring, silent resistance, Minangkabau tradition will be discussed. Anthony Giddens views about civilization will be touched upon and this writers argument of the rumah makan padang as a strength on cultural diplomacy is to be explored an to open the awareness that Western civilization is not the only one, will close this paper. Penelitian ini adalah untuk menelusuri nilai-nilai budaya masyarakat Minangkabau dalam narasi budaya rumah makan padang Simpang Raya. Rumah Makan Padang Simpang Raya adalah representasi perantauan masyarakat Minangkabau yang mereproduksi budayanya di perkotaan. Fenomena ini dilihat menggunakan pandangan beberapa ahli untuk mengungkapkan diacritic writing nilai-nilai dalam suatu narasi pertunjukan budaya. Diskusi mengenai pertunjukan budaya sebagai display relasi sosial, edible dan non edible, gesture dan stilisasi artistiknya, strukturasi, silent resistance, tradisi Minangkabau akan menjadi bahasan. Kegelisahan Anthony Giddens mengenai peradaban akan disentuh dan tawaran rumah makan padang sebagai cultural diplomasi untuk membuka kesadaran bahwa peradaban Barat bukan hanya satu-satunya, akan menutup tulisan ini.
ARTISTIC GAZE OF TWO PAPUAN CHOREOGRAPHERS: VISUAL PERSPECTIVES ROOTED IN THE ORAL TRADITIONS OF THE KAMORO AND ASMAT TRIBE Ismar, Madia Patra; Pratiwi, Rahayu
International Review of Humanities Studies Vol. 5, No. 3
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This article is based on the artistic practice of two Papuan choreographers trained in the Jakarta Institute of the Arts Dance Study Program. Both based their choreographies on their traditional roots which were presented as site specific performances in their respective villages. The choice of visuals and dramatic bodily expressions created by them, though a new dance design, was based on their deeply ingrained roots as indigenous Papuans. The roots called upon to be re-interpreted as choreography were based on the oral traditions they grew up with as part of their identity. The focus in this article is on the work by Martinus Akai from the Asmat tribe performed in 2013, and the work by Alfo Smith from the Kamoro Tribe performed in 2018. The purpose of this study is to understand the way Papuan choreographers ingrained in their cultural heritage re-imagine the traditions passed down from ancient times through their ancestors. The research done by the choreographers was in the context of revisiting the rituals and ancestral narratives and interpreting for a contemporary expression. The research done for this paper was based on discussions had with both the choreographers during the process of creating their individual work. Among the methods for collecting data by the choreographers for creating their work was field research, observations, interviews and personal memories experiencing their cultural heritage. The observations by the writers for this article were during the creating process in the studio and on site and viewing the end results both as presentations and site specific performances
Co-Authors Anusirwan Arison Ibnur Rahayu Pratiwi Wili Sandra Zulfa Zulfa