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All Journal PARAGUNA : Jurnal Ilmiah Pengetahuan, Pemikiran dan Kajian Tentang Seni Karawitan Jurnal bahasa, sastra, seni, dan pengajarannya
Nofer, Dolly
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Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Library & Information Science Social Sciences Other

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WACANA MARANTAU DALAM DENDANG BUJANG MARANTAU Nofer, Dolly
Paraguna Vol 8, No 1 (2021): BUNYI DAN EKOLOGI I
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1003.41 KB) | DOI: 10.26742/jp.v8i1.1894

Abstract

The existence of a significant dendang (song) in the musical art of Saluang Darek. Apart from being a musical medium, dendang plays an important role in conveying messages verbally. This research is a study of the discourse of marantau (migration) in the dendang 'Bujang Marantau'. The significance of the study of the discourse is based on a thought that dendang as a work of art contains certain values, ideas, and thoughts related to life experiences in everyday life which are often not revealed on the surface. The disclosure of the marantau discourse in the song uses perspective and discourse analysis, with interpretive qualitative methods. After the translation of the 'Bujang Marantau' dendang text, the text is then interpreted to include other texts other than the dendang which include; creator (Sawir Sutan Mudo), Saluang Darek music, Minangkabau culture, and the marantau tradition. The texts outside the 'Bujang Marantau' dendang are the surrounding context. The whole meaning of the discourse of marantau in the dendang 'Bujang Marantau' can be understood through the disclosure of the relation of meaning between the text and the context. Based on the studies that have been carried out, it was found that the discourse of marantau in the dendang 'Bujang Marantau' is a dilemmatic fact that occurs in the marantau tradition. Marantau activities apparently not only have an impact on economic improvement, self-maturation, but simultaneously trigger suffering.
Budaya Nomad dalam Pertarungan Wacana Musik Industri Indonesia Studi Kasus: Boy-Girl Band Nofer, Dolly; Pitana, Titis Srimuda; Susanto, Dwi
Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Vol. 47, No. 2
Publisher : citeus

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Abstract

Boy-girl band K-Pop music appearing in Indonesian music industry is a discourse contruction, teritorial or music life style which is brought by pop culture and Korean culture industry. The intrance of this music culture then cause a few problems which are the battle of discourse and the construction of the K-Pop music discourse itself, which does the culture migration for any purpose. For, this research is due to solve the problems, (1) boy-girl band as once of music life style discourse, (2) boy-girl band music discourse in battle arena of music life style, and (3) impact of K-Pop discourse construction through boy-girl band. The perspective which is used in discussing those problems are concepts of territori and discourse in Cultural Studies. The data used are aesthetic discourse—surrounds the K-Pop boy-girl band. The result of this research shows that K-pop boy-girl band is a battle arena of music life style in context popular culture, consumerism, and identity struggle of Korean culture. Then, it causes the impact to music discourse in Indonesian music industry, which internalizes K-pop values—locality is other subject in Indonesian music industry discourse.
Co-Authors Dwi Susanto Titis Srimuda Pitana, Titis Srimuda