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SPATIAL CONSERVATION STRATEGIES FOR POTENTIAL HERITAGE AT KAMPONG KAUMAN SURAKARTA Musyawaroh, Musyawaroh; Pitana, Titis Srimuda; Masykuri, Mohammad; Nandariyah, Nandariyah
Geoplanning: Journal of Geomatics and Planning Vol 5, No 2 (2018): In Press
Publisher : Department of Urban and Regional Planning, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (65.561 KB) | DOI: 10.14710/geoplanning.0.0.191-204

Abstract

Kauman is one of the cultural heritage kampong in Surakarta which was developed when Paku Buwono III was building Masjid Agung (The Great Mosque) in 1757. Abdi dalem ulama (the religious servant courtiers), together with their santries (Islamic students boarding school), live around the mosque which later was developed into Kauman. The abdi dalem ulama wives are taught to produce batik by the palace where they evolved to be batik entrepreneurs and made Kauman be batik center at the point of time. Batik business went bankrupt and made the Kauman’s old buildings get ignored, damaged, and dirty due to the less maintenance. Kauman’s unique culture should be conserved to support the ongoing revitalization. The research’s main discussion was aimed at identifying the potential of cultural heritage at Kauman Surakarta and what strategies that can be used to conserve it. It was an applied research with the rationalistic qualitative approach. The conservation aspects discussed are tangible heritage and intangible heritage which are supported by spatial analysis using satellite imagery and Arch-GIS. The result of the research shows that tangible heritage which needs to be conserved at Kauman is ancient kampong toponym and ancient buildings. Meanwhile, intangible heritage is in the forms of social, cultural, economic, and religious aspects. The difference of this research from other researches is the involvement of Kauman community in preserving their area.
GEDUNG SENI DAN BUDAYA BANYUMAS DENGAN PENDEKATAN LOKALITAS DI PURWOKERTO Kinanti, Kirana Wahyu; Pitana, Titis Srimuda; Yuliani, Sri
ARSITEKTURA Vol 13, No 2 (2015)
Publisher : Universitas Sebelas Maret Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (828.651 KB) | DOI: 10.20961/arst.v13i2.15644

Abstract

Design and planningof Banyumas art and cultural building are based on the need of  art and cultural facility in Banyumas Regency. There have been  many art andcultural facilities in Banyumas, but no one are spesifically design for art and cultural activity. Because of these reason, those cultural faciliies can not be used  efisienly. Art and cultural building, whichis located in Purwokerto City,also needs to have a touch of Banyumas Cultural nuance as part of its integrated design. The goal of Art and Cultural Building designing and planing is get an Art and Cultural Building with Banyumasn Nuance by using Locality Prespective as an Approach. This locality prespective will be used along the design and planing and can be seen at groundplan, siteplan, massing, Landscape, and structure.  The result is a design of art and cultural building with many facilities such as artist and cultural observer secretariat,  auditorium, galery, amphitheatre, pendhapa, office building, and mousque.Keywords: Art centre, Culture, Defined Cultural of Banyumas, Locality
PUSAT PELATIHAN NASIONAL ATLET PARALIMPIK DENGAN PENEKANAN AKSESBILITAS ARSITEKTUR DI KARANGANYAR Herlian, Erwin; Pitana, Titis Srimuda; Daryanto, Tri Joko
ARSITEKTURA Vol 14, No 2 (2016)
Publisher : Universitas Sebelas Maret Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (249.12 KB) | DOI: 10.20961/arst.v14i2.9058

Abstract

Indonesia is one country that has great potential in the Paralympic Olympic event. But unfortunately, the potential and achievements are not supported by means of adequate training of Paralympic athletes. Three importants constraints that affect Paralympic athletes are training, a gym and dorm athletes are far apart, the existing sports facilities are public facilities that are less facilitate Paralympic athletes, as well as the city of Solo that it is not possible to accommodate Paralympic athletes training activities. As a problem-solving strategies, takes planning a national training center that can accommodate the needs of Paralympic athletes to improve athletic ability. The training center emphasizes on the design of the facility is accessible for users, especially the Paralympic athletes. Karanganyar selected as the location of the training center because it meets the criteria of the training center. The formulation of the problem in this design is to realize the concept and design of the National Training Center Paralympic Athletes in Karanganyar with Emphasis Architectural Accessibility. Thus it can be formulated National Training Centre planning objectives is to improve and develop the ability of Paralympic athletes in the international arena by emphasizing design accessible to users. The method is carried out to determine the settlement of the problem is through observation at a boarding, training facilities, and the needs of Paralympic athletes and NPC of Indonesia (National Paralympic Committee of Indonesia). Planning national training centers should emphasize the accessibility of architecture in the design of buildings and facilities that are accessible to users. The principle of accessibility architecture is emphasized that security, safety, usability, and independence. Application of these principles appear in the planning design that uses the ramp in all its circulation both inside and in the curved building, the layout of the room and the furniture, the corridors of the building, parking access, handrail, door with universal design, as well as signs and alarms that apply to building national training center. The division of the building into several mass and circulation that connect a response from the existing contours of the site and to emphasize the accessibility of the architectural design. Keywords: Accessibility Architecture, Paralympic Athletes, Karanganyar, National Training Center
THE CONCEPT OF HARMONY BY CONTRAST IN ARCHITECTURE ON THE DEVELOPMENT OF PURWOSARI STATION AREA Prasetyo, Alif Datu; Pitana, Titis Srimuda; Gunawan, Gunawan
ARSITEKTURA Vol 16, No 1 (2018)
Publisher : Universitas Sebelas Maret Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1163.815 KB) | DOI: 10.20961/arst.v16i1.20020

Abstract

Conservation is an effort to preserve historical buildings and processes to limit the changes considering on past, present, and future aspects. Conservation at the Purwosari station area is applied as the basis for the development of the cultural heritage station building. Harmony by Contrast is one of the conservation efforts used in handling the preservation of the area by maintaining the harmony between new buildings with old buildings, maintaining the harmony of urban spaces and other urban elements without having to undermine the existence of old buildings. Purwosari Station in Surakarta comes as a large station building as well as a cultural heritage building, accommodating the transit of arrival and departure of passengers. In its development, population growth more and more so that station Purwosari require development of design enough to accommodate passenger transit activity. Appropriate design’s planning is needed to realize a safe and convenient transit area. Because of that, it will be applied the evaluation-design-strategy to giving the attention about the aspects need to be addressed as well as to be developed with the approach of harmony by contrast’s architecture.
BAMBOO FOUNDATION DENGAN PENDEKATAN SUSTAINABLE ARCHITECTURE DI BOYOLALI Kusumo, Adi Surya; Pitana, Titis Srimuda; Suastika, Made
ARSITEKTURA Vol 14, No 1 (2016)
Publisher : Universitas Sebelas Maret Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (522.004 KB) | DOI: 10.20961/arst.v14i1.9026

Abstract

The background of designing Bamboo Foundation in Boyolali is the emergence of human’s awareness to save the environment especially in the use of eco-friendly building materials. Unfortunately these phenomenon is used by several parties to gain much profit by producing materials and labeling their product with eco-friendly label and then sell them in a very expensive price. Because of the phenomenon then occur an idea to persuade the society to use eco-friendly materials but in a cheap price and good quality which is bamboo. Along  with the finding of bamboo preservation and processing methods ,it shows that bamboo has a big potential to be used as main material in a construction. So the existence of Bamboo Foundation to provide education about bamboo for the society. The designing problem is not only how to develop the bamboo preservatives and processing education but also about the conservation of various bamboo species based on the application of sustainable architecture in Bamboo Foundation design. The method used is architectural design method that combine various bamboo construction structure with the application of sustainability architecture. The result is the design of a bamboo education facilities consists of gallery, class, workshop, bamboo conservation, and supporting buildings that also use as a precedent for the visitors. Keywords: Bamboo, Conservation, Education, Sustainable Architecture.
ARSITEKTUR JAWA PADA WUJUD BENTUK DAN RUANG MASJID AGUNG SURAKARTA Adityaningrum, Dewi; Pitana, Titis Srimuda; Setyaningsih, Wiwik
Sinektika: Jurnal Arsitektur Vol 17, No 1: Januari 2020
Publisher : Universitas Muhammadiyah Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1191.755 KB) | DOI: 10.23917/sinektika.v17i1.10864

Abstract

Budaya tradisi memiliki estetika tersendiri. Arsitektur tradisional Jawa memiliki nilai estetika tersendiri yang merupakan manifestasi dari cara orang Jawa hidup dalam menanggapi lingkungan. Joglo sebagai bangunan arsitektur Jawa merupakan representasi simbolis dari realitas yang nilainya telah melampaui bentuk dan struktur bangunan. Masjid Agung Surakarta adalah masjid yang berkaitan dengan masuknya Islam di tanah Jawa. Pengaruh dari nilai-nilai lokal menjadikan masjid tersebut memiliki nilai-nilai arsitektur Jawa. Penelitian ini menggunakan metode kualitatif deskriptif yang bertujuan mengetahui wujud representasi Arsitektur Jawa dan menemukan unsurunsur yang memuat nilai-nilai kehidupan masyarakat Jawa pada Masjid Agung Surakarta, sehingga nilai-nilai dari kehidupan masyarakat Jawa tersebut juga berimbas pada masjid Jawa lainnya yang mengambil prototipe dari masjid ini. Hasil penelitian menunjukkan bahwa terdapat unsur-unsur pada Masjid Agung Surakarta yang mengadopsi nilai-nilai budaya dan arsitektur Jawa. Berbagai elemen pembentuk masjid yang berkaitan erat dengan apa yang ada pada arsitektur Jawa, yaitu atap tajug yang menjadi penanda tipe masjid Jawa adalah unsur bentuk yang paling dominan, ruang dalem dan pendopo, soko guru, atap tajug tumpang tiga dan atap limasan, serta pajupat dan pancer.
PERAQ API TRADITION N LOMBOK: A BOURDIEU PERSPECTIVE REVIEW Zuhriah, Nur Azizah; Warto, Warto; Pitana, Titis Srimuda
Humaniora Vol 11, No 1 (2020): Humaniora (In Press)
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v11i1.6205

Abstract

The research aimed to dismantle the meaning of peraq api in its social practices involving habitus and the field in Sasak cosmology. Pierre Bourdieu?s social practice theory was used as an analysis to uncover the meanings built in the tradition of the peraq api. The meaning of peraq api in its social practice was discussed using qualitative methods and interpretative descriptive data analysis techniques and using a hermeneutic approach. The results of this research indicate that the tradition of peraq api is a manifestation of life that represents the creation of beings. This happens because the attitude and perspective of Sasak society about nature originated from the monotheism?s cosmology. This perspective gives rise to behavior to maintain the cosmological balance. Tawhid is a general view of reality, truth, the world, space and time, and human history, which is represented through the tradition of the peraq api.
CULTURAL REVIVALISM OF MANGKUNEGARA VII AND THE ISLAMISM DISCOURSE IN THE EARLY 20th CENTURY Wardhana, Adi Putra Surya; Pitana, Titis Srimuda; Susanto, Susanto
ULUL ALBAB Jurnal Studi Islam Vol 20, No 1 (2019): Islamic Politics and Society
Publisher : Universitas Islam Negeri Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (550.395 KB) | DOI: 10.18860/ua.v20i1.5664

Abstract

This article aims at studying Javanese cultural revivalism of Mangkunegara VII, its function, and meaning, within the context of the rise of Islamism in the early 20th century. Mangkunegara VII was a Mangkunegaran ruler who actively participated in developing Javanese culture. When he was young, he was an essential figure in Budi Utomo, a movement organization that represented Javanese nationalism which was influenced by the complex relations between language awareness, colonialism, modernism, and Islamism. He was also involved in various Kejawen organizations. Using Michel Foucault's discourse theory, this paper argues that Javanese cultural revivalism is a Javanese nationalist success to overcome the excessive radicalism of Islamic discourse. When Islamism arose with their attacks against the abangan, he carried out counter-narratives through Javanese cultural organizations. As a ruler, he was successful in assuming legitimacy from the Mangkunegaran people as well as to influence the Dutch colonial government, and other Javanese nationalists as well.
Pemetaan Kawasan Wisata Riung Kabupaten Ngada Nusa Tenggara Timur Muhayat, Nurul; Majid, Imam Abdul; Hadi, Syamsul; Ariawan, Dody; Pitana, Titis Srimuda; Prasetyo, Ari
Jurnal Berdaya Mandiri Vol 2, No 2 (2020): Jurnal Berdaya Mandiri (JBM)
Publisher : Universitas PGRI Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (584.934 KB) | DOI: 10.31316/jbm.v2i2.1369

Abstract

Kawasan Riung terletak di pantai utara Pulau Flores, Provinsi Nusa Tenggara Timur, Ngada. Kawasan ini memiliki banyak pulau yang membentuk suatu kawasan pariwisata yang saling melengkapi satu sama lain dan membentuk sebuah taman laut surgawi yang unik. Banyak keunikan-keunikan yang ditawarkan oleh Riung, diantaranya keanekaragaman hayati, pantai berpasir putih dengan birunya air yang sangat jernih, hingga pulau-pulau yang masih “suci” dengan keunikan alamnya yang tidak dapat ditemukan di daerah lain. Namun, keindahan akan Riung belum banyak terekspos baik secara nasional bahkan internasional, sehingga wisatawan yang datang masih cenderung sedikit. Menindaklanjuti permasalahan yang ada maka tim Kuliah Kerja Nyata, Universitas Sebelas Maret (KKN UNS) merekomendasikan untuk dilakukan pemetaan dengan menggunakan drone sehingga potensi wisata yang ada di Riung bisa disebarkan dengan lebih menarik dan secara luas di dunia. Pemetaan dilakukan secara professional menggunakan drone yang telah dimodifikasi oleh tim KKN UNS, sehingga menghasilkan video yang menarik untuk disaksikan. Hasil pemetaan menunjukkan bahwa terdapat banyak lokasi wisata yang ada di Riung masih belum terekspos media, padahal lokasi ini mempunyai potensi besar untuk menarik wisatawan dalam maupun luar negeri. Beberapa lokasi tersebut adalah pegunungan, air terjun dan rumah adat yang ada di kabupaten Ngada, Nusa Tenggara Timur.
Presenting Local Wisdom: A Multimodal Analysis of Sedekah Gunung Merapi Video as a Tourism Promotion in Boyolali Regency Rachmawati, Julianne Indah; Warto, Warto; Pitana, Titis Srimuda
JURNAL KOMUNIKASI INDONESIA Vol. 7, No. 3
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Upacara tradisional Sedekah Gunung adalah salah satu kearifan lokal yang dimiliki oleh masyarakat Desa Lencoh, Selo, Kabupaten Boyolali. Upacara ini bertujuan untuk mengungkapkan rasa terima kasih penduduk desa dan meminta perlindungan Tuhan dari bencana. Upacara ini memiliki potensi karena sering menjadi daya tarik wisata. Liputan media diperlukan untuk menyebarkan konten dan informasi tentang upacara ini. Salah satu contoh liputan media tentang tradisi ini adalah video yang diunggah di situs berbagi video YouTube bernama Sedekah Gunung merapi. Tulisan ini menganalisis beberapa aspek: (1) Apa sarana yang digunakan dalam video Sedekah Gunung Merapi untuk menghadirkan Sedekah Gunung sebagai objek wisata Kabupaten Boyolali? (2) Bagaimana penyajian kearifan lokal Boyolali dalam video Sedekah Gunung Merapi mempromosikan pariwisata Kabupaten Boyolali? (3) Apa makna penyajian kearifan lokal dalam video Sedekah Gunung merapi sebagai promosi pariwisata di Kabupaten Boyolali? Metode yang digunakan dalam penelitian ini adalah nalisis multimodal yang dikembangkan oleh Kress dan van Leeuwen. Video yang diteliti mengandung lebih dari dua sistem semiotik yang terdiri dari linguistik, visual, audio, gestural, dan spasial. Penelitian ini menemukan bahwa wacana tentang kearifan lokal dibangun untuk menonjolkan kekayaan budaya yang dimiliki oleh komunitas Boyolali. Wacana dikemas dan disebarluaskan melalui video untuk mengkomersialkan pariwisata kabupaten Boyolali. The traditional ceremony of Sedekah Gunung is one of the local wisdoms possessed by the community of Lencoh Village, Selo, Boyolali Regency. The ceremony aims to express the villagers’ gratitude and requests the protection of God from disasters. This ceremony has potency as it often becomes a tourist attraction. media coverages are needed to disseminate contents and information about this ceremony. one example of existing media coverages on the tradition is a video uploaded on video-sharing website YouTube named Sedekah Gunung Merapi. This paper analyzes several aspects: (1) What are the means used in the Sedekah Gunung Merapi video to present Sedekah Gunung as a tourist attraction of Boyolali Regency? (2) How does the presentation of Boyolali’s local wisdom in Sedekah Gunung merapi video promotes Boyolali Regency’s tourism? (3) What is the meaning of presenting local wisdom in Sedekah Gunung Merapi video as tourism promotion in Boyolali Regency? The method used in this research is multimodal analysis developed by Kress and van Leeuwen. The studied video contains more than two semiotic systems consisting of linguistic, visual, audio, gestural, and spatial. The research finds that discourses on local wisdom are constructed to accentuate the cultural richness possessed by Boyolali’s community. discourses are packaged and disseminated through the video to commercialize the regency’s tourism.