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All Journal IBDA` : Jurnal Kajian Islam dan Budaya Ulul Albab: Jurnal Studi Islam El-HARAKAH : Jurnal Budaya Islam Geoplanning : Journal of Geomatics and Planning SINEKTIKA: Jurnal Arsitektur Religious: Jurnal Studi Agama-Agama dan Lintas Budaya Arsitektura : Jurnal Ilmiah Arsitektur dan Lingkungan Binaan Humaniora Bahasa: Jurnal Keilmuan Pendidikan Bahasa dan Sastra Indonesia J-ADIMAS (Jurnal Pengabdian kepada Masyarakat) Jurnal Berdaya Mandiri International Journal of Multi Discipline Science (IJ-MDS) IBDA': Jurnal Kajian Islam dan Budaya Jurnal Komunikasi Indonesia
Titis Srimuda Pitana, Titis Srimuda
Universitas Sebelas Maret, Surakarta Jl. Ir. Sutami No. 36 A (+62-271) 646624 Surakarta 57126
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SPATIAL CONSERVATION STRATEGIES FOR POTENTIAL HERITAGE AT KAMPONG KAUMAN SURAKARTA Musyawaroh, Musyawaroh; Pitana, Titis Srimuda; Masykuri, Mohammad; Nandariyah, Nandariyah
Geoplanning: Journal of Geomatics and Planning Vol 5, No 2 (2018): In Press
Publisher : Department of Urban and Regional Planning, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (65.561 KB) | DOI: 10.14710/geoplanning.0.0.191-204

Abstract

Kauman is one of the cultural heritage kampong in Surakarta which was developed when Paku Buwono III was building Masjid Agung (The Great Mosque) in 1757. Abdi dalem ulama (the religious servant courtiers), together with their santries (Islamic students boarding school), live around the mosque which later was developed into Kauman. The abdi dalem ulama wives are taught to produce batik by the palace where they evolved to be batik entrepreneurs and made Kauman be batik center at the point of time. Batik business went bankrupt and made the Kauman’s old buildings get ignored, damaged, and dirty due to the less maintenance. Kauman’s unique culture should be conserved to support the ongoing revitalization. The research’s main discussion was aimed at identifying the potential of cultural heritage at Kauman Surakarta and what strategies that can be used to conserve it. It was an applied research with the rationalistic qualitative approach. The conservation aspects discussed are tangible heritage and intangible heritage which are supported by spatial analysis using satellite imagery and Arch-GIS. The result of the research shows that tangible heritage which needs to be conserved at Kauman is ancient kampong toponym and ancient buildings. Meanwhile, intangible heritage is in the forms of social, cultural, economic, and religious aspects. The difference of this research from other researches is the involvement of Kauman community in preserving their area.
GEDUNG SENI DAN BUDAYA BANYUMAS DENGAN PENDEKATAN LOKALITAS DI PURWOKERTO Kinanti, Kirana Wahyu; Pitana, Titis Srimuda; Yuliani, Sri
ARSITEKTURA Vol 13, No 2 (2015)
Publisher : Universitas Sebelas Maret Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (828.651 KB) | DOI: 10.20961/arst.v13i2.15644

Abstract

Design and planningof Banyumas art and cultural building are based on the need of  art and cultural facility in Banyumas Regency. There have been  many art andcultural facilities in Banyumas, but no one are spesifically design for art and cultural activity. Because of these reason, those cultural faciliies can not be used  efisienly. Art and cultural building, whichis located in Purwokerto City,also needs to have a touch of Banyumas Cultural nuance as part of its integrated design. The goal of Art and Cultural Building designing and planing is get an Art and Cultural Building with Banyumasn Nuance by using Locality Prespective as an Approach. This locality prespective will be used along the design and planing and can be seen at groundplan, siteplan, massing, Landscape, and structure.  The result is a design of art and cultural building with many facilities such as artist and cultural observer secretariat,  auditorium, galery, amphitheatre, pendhapa, office building, and mousque.Keywords: Art centre, Culture, Defined Cultural of Banyumas, Locality
PUSAT PELATIHAN NASIONAL ATLET PARALIMPIK DENGAN PENEKANAN AKSESBILITAS ARSITEKTUR DI KARANGANYAR Herlian, Erwin; Pitana, Titis Srimuda; Daryanto, Tri Joko
ARSITEKTURA Vol 14, No 2 (2016)
Publisher : Universitas Sebelas Maret Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (249.12 KB) | DOI: 10.20961/arst.v14i2.9058

Abstract

Indonesia is one country that has great potential in the Paralympic Olympic event. But unfortunately, the potential and achievements are not supported by means of adequate training of Paralympic athletes. Three importants constraints that affect Paralympic athletes are training, a gym and dorm athletes are far apart, the existing sports facilities are public facilities that are less facilitate Paralympic athletes, as well as the city of Solo that it is not possible to accommodate Paralympic athletes training activities. As a problem-solving strategies, takes planning a national training center that can accommodate the needs of Paralympic athletes to improve athletic ability. The training center emphasizes on the design of the facility is accessible for users, especially the Paralympic athletes. Karanganyar selected as the location of the training center because it meets the criteria of the training center. The formulation of the problem in this design is to realize the concept and design of the National Training Center Paralympic Athletes in Karanganyar with Emphasis Architectural Accessibility. Thus it can be formulated National Training Centre planning objectives is to improve and develop the ability of Paralympic athletes in the international arena by emphasizing design accessible to users. The method is carried out to determine the settlement of the problem is through observation at a boarding, training facilities, and the needs of Paralympic athletes and NPC of Indonesia (National Paralympic Committee of Indonesia). Planning national training centers should emphasize the accessibility of architecture in the design of buildings and facilities that are accessible to users. The principle of accessibility architecture is emphasized that security, safety, usability, and independence. Application of these principles appear in the planning design that uses the ramp in all its circulation both inside and in the curved building, the layout of the room and the furniture, the corridors of the building, parking access, handrail, door with universal design, as well as signs and alarms that apply to building national training center. The division of the building into several mass and circulation that connect a response from the existing contours of the site and to emphasize the accessibility of the architectural design. Keywords: Accessibility Architecture, Paralympic Athletes, Karanganyar, National Training Center
THE CONCEPT OF HARMONY BY CONTRAST IN ARCHITECTURE ON THE DEVELOPMENT OF PURWOSARI STATION AREA Prasetyo, Alif Datu; Pitana, Titis Srimuda; Gunawan, Gunawan
ARSITEKTURA Vol 16, No 1 (2018)
Publisher : Universitas Sebelas Maret Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1163.815 KB) | DOI: 10.20961/arst.v16i1.20020

Abstract

Conservation is an effort to preserve historical buildings and processes to limit the changes considering on past, present, and future aspects. Conservation at the Purwosari station area is applied as the basis for the development of the cultural heritage station building. Harmony by Contrast is one of the conservation efforts used in handling the preservation of the area by maintaining the harmony between new buildings with old buildings, maintaining the harmony of urban spaces and other urban elements without having to undermine the existence of old buildings. Purwosari Station in Surakarta comes as a large station building as well as a cultural heritage building, accommodating the transit of arrival and departure of passengers. In its development, population growth more and more so that station Purwosari require development of design enough to accommodate passenger transit activity. Appropriate design’s planning is needed to realize a safe and convenient transit area. Because of that, it will be applied the evaluation-design-strategy to giving the attention about the aspects need to be addressed as well as to be developed with the approach of harmony by contrast’s architecture.
BAMBOO FOUNDATION DENGAN PENDEKATAN SUSTAINABLE ARCHITECTURE DI BOYOLALI Kusumo, Adi Surya; Pitana, Titis Srimuda; Suastika, Made
ARSITEKTURA Vol 14, No 1 (2016)
Publisher : Universitas Sebelas Maret Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (522.004 KB) | DOI: 10.20961/arst.v14i1.9026

Abstract

The background of designing Bamboo Foundation in Boyolali is the emergence of human’s awareness to save the environment especially in the use of eco-friendly building materials. Unfortunately these phenomenon is used by several parties to gain much profit by producing materials and labeling their product with eco-friendly label and then sell them in a very expensive price. Because of the phenomenon then occur an idea to persuade the society to use eco-friendly materials but in a cheap price and good quality which is bamboo. Along  with the finding of bamboo preservation and processing methods ,it shows that bamboo has a big potential to be used as main material in a construction. So the existence of Bamboo Foundation to provide education about bamboo for the society. The designing problem is not only how to develop the bamboo preservatives and processing education but also about the conservation of various bamboo species based on the application of sustainable architecture in Bamboo Foundation design. The method used is architectural design method that combine various bamboo construction structure with the application of sustainability architecture. The result is the design of a bamboo education facilities consists of gallery, class, workshop, bamboo conservation, and supporting buildings that also use as a precedent for the visitors. Keywords: Bamboo, Conservation, Education, Sustainable Architecture.
DISKURSUS ARSITEKTUR ISLAM – JAWA MENUJU MASJID YANG ECO CULTURE Pitana, Titis Srimuda
IBDA` : Jurnal Kajian Islam dan Budaya Vol 12 No 1 (2014): IBDA': Jurnal Kajian Islam dan Budaya
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat, Institut Agama Islam Negeri Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (110.76 KB) | DOI: 10.24090/ibda.v12i1.439

Abstract

Tulisan ini ditujukan untuk memahami diskursus arsitektur Islam- Jawa dalam upaya mewujudkan ruang hidup material manusia yang berbentuk masjid yang ramah lingkungan dan budaya. Apa yang dilakukan atau dibahas dalam diskursus, seperti yang terjadi pada arsitektur Islam- Jawa yang diterapkan pada masjid yang ramah lingkungan dan budaya merupakan kehendak dan kekuasaan. Dalam hal ini, persoalan arsitektur bukan hanya berhenti pada persoalan geometris, penciptaan ruang, dan menghuninya, melainkan lebih pada dimensi “kekinian” yang disebut dengan “kemenjadian” (becoming); bukan hanya ada (being), namun juga mengada (beings) yang detail penjelasan dalam tulisan ini dibagi dalam tiga bagian, yaitu: 1) konsep dan wacana arsitektur Islam-Jawa; 2) pengembangan arsitektur Islam-Jawa dan perpaduannya dengan eco culture; dan 3) arsitektur masjid yang eco culture.
Oneness of God’s Concept from Rimba Watualang Hikmawati, Hanifah; Pitana, Titis Srimuda
IBDA` : Jurnal Kajian Islam dan Budaya Vol 16 No 1 (2018): IBDA': Jurnal Kajian Islam dan Budaya
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat, Institut Agama Islam Negeri Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (519.586 KB) | DOI: 10.24090/ibda.v16i1.1392

Abstract

This article examines the intelligence process and attitude of Islamic Teens of Watualang (Remaja Islam Watualang or it is abbreviated as Riswa) which is quite striking in terms of the religious progressivity agenda. The agenda is arranged to have a synergy with the concept of nationalism and nationality. The group comes to the society as the efforts to reaffirm the understanding of Islamic as Ahlussunah Waljamaah in the middle of the religious extremism and radicalism. The encouragement for oneness of God (Tauhid) concept from Riswa becomes the pattern of syncretic Islam. It is implemented by Riswa to convince the teens to promote the moderate concept of Islam. The conception developed over the vision is to foster the pillars of humanity which includes ukhuwah insaniyyah, ukhuwah Islamiyyah, and ukhuwah wathaniyyah. In order to find out the fundamental motivation of Riswa’s establishment, the authors managed two research problems to clearly examine the research findings. They are: (1) What is the reason of the Islamic Teens of Watualang’s establishment? (2) How do the group members implement intelligence attitude to identify the moderate and syncretic pattern of Islamic preaching? The theory of intelligence and adaptation are implemented as a motivational breakdown analysis to obtain Riswa’s legitimacy. The above explanation is elaborated in a descriptive analysis and model forms.
JAVANESE ISLAM DURING MANGKUNEGARA I LEADERSHIP Kriskartika, Septi Anggita; Pitana, Titis Srimuda; Susanto, Susanto
IBDA` : Jurnal Kajian Islam dan Budaya Vol 17 No 1 (2019): IBDA: Jurnal Kajian Islam dan Budaya
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat, Institut Agama Islam Negeri Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (216.016 KB) | DOI: 10.24090/ibda.v17i1.2238

Abstract

Religion is the main aspect in constructing a discourse because the Javanese society in the 18th are thickly related with religiosity (Islam) as an inherited principle from the previous king. Mangkunegara I is an influential and interesting figure in the history of Javanese leadership relating to Islam. The medium used in the Islamization process by Mangkunegara I are through art, culture, customs and Islamic religious education. This study aims to show the Javanese Islamic discourse during the leadership of Mangkunegara I in the Babad Kemalon (Pakunegara)/ BK manuscript. The BK manuscript is a Javanese manuscript contains of 30 macapat songs which tells about the struggle of R.M. Said until entitled Mangkunegara I. this research uses the cultural studies paradigm. The theory used is the discourse theory proposed by Michael Foucault. The method used is a qualitative method and the data analysis techniques are done descriptively and interpretatively. This research belongs to library research. The result shows how the leadership of Mangkunegara I was able to show its discourse in Javanese Islam, which was manifested by the way of Mangkunegara I leaderships towards himself, his families, and people. As well as the Islamic base struggle which is always emphasized by Mangkunegara I.
ARSITEKTUR JAWA PADA WUJUD BENTUK DAN RUANG MASJID AGUNG SURAKARTA Adityaningrum, Dewi; Pitana, Titis Srimuda; Setyaningsih, Wiwik
Sinektika: Jurnal Arsitektur Vol 17, No 1: Januari 2020
Publisher : Universitas Muhammadiyah Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1191.755 KB) | DOI: 10.23917/sinektika.v17i1.10864

Abstract

Budaya tradisi memiliki estetika tersendiri. Arsitektur tradisional Jawa memiliki nilai estetika tersendiri yang merupakan manifestasi dari cara orang Jawa hidup dalam menanggapi lingkungan. Joglo sebagai bangunan arsitektur Jawa merupakan representasi simbolis dari realitas yang nilainya telah melampaui bentuk dan struktur bangunan. Masjid Agung Surakarta adalah masjid yang berkaitan dengan masuknya Islam di tanah Jawa. Pengaruh dari nilai-nilai lokal menjadikan masjid tersebut memiliki nilai-nilai arsitektur Jawa. Penelitian ini menggunakan metode kualitatif deskriptif yang bertujuan mengetahui wujud representasi Arsitektur Jawa dan menemukan unsurunsur yang memuat nilai-nilai kehidupan masyarakat Jawa pada Masjid Agung Surakarta, sehingga nilai-nilai dari kehidupan masyarakat Jawa tersebut juga berimbas pada masjid Jawa lainnya yang mengambil prototipe dari masjid ini. Hasil penelitian menunjukkan bahwa terdapat unsur-unsur pada Masjid Agung Surakarta yang mengadopsi nilai-nilai budaya dan arsitektur Jawa. Berbagai elemen pembentuk masjid yang berkaitan erat dengan apa yang ada pada arsitektur Jawa, yaitu atap tajug yang menjadi penanda tipe masjid Jawa adalah unsur bentuk yang paling dominan, ruang dalem dan pendopo, soko guru, atap tajug tumpang tiga dan atap limasan, serta pajupat dan pancer.
PERAQ API TRADITION N LOMBOK: A BOURDIEU PERSPECTIVE REVIEW Zuhriah, Nur Azizah; Warto, Warto; Pitana, Titis Srimuda
Humaniora Vol 11, No 1 (2020): Humaniora (In Press)
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v11i1.6205

Abstract

The research aimed to dismantle the meaning of peraq api in its social practices involving habitus and the field in Sasak cosmology. Pierre Bourdieu?s social practice theory was used as an analysis to uncover the meanings built in the tradition of the peraq api. The meaning of peraq api in its social practice was discussed using qualitative methods and interpretative descriptive data analysis techniques and using a hermeneutic approach. The results of this research indicate that the tradition of peraq api is a manifestation of life that represents the creation of beings. This happens because the attitude and perspective of Sasak society about nature originated from the monotheism?s cosmology. This perspective gives rise to behavior to maintain the cosmological balance. Tawhid is a general view of reality, truth, the world, space and time, and human history, which is represented through the tradition of the peraq api.
Co-Authors A.A. Ketut Agung Cahyawan W Adi Putra Surya Wardhana Adi Surya Kusumo, Adi Surya Adityaningrum, Dewi Afiliasi Ilafi, Afiliasi Ananda, Wildan Purbo Andrik Purwasito Ari Prasetyo Ariwibowo, Widodo Badriah, Maulida Nabilah Bani Sudardi Deny Tri Ardianto Dody Ariawan Dwi Susanto Ernawati, Nurul Erwin Herlian Faviansyah, Okta Arkana Firmansyah, Yusuf Gunawan Gunawan Hikmawati, Hanifah Kamila, Aisyah Rahma Kirana Wahyu Kinanti, Kirana Wahyu Kriskartika, Septi Anggita Made Suastika Majid, Imam Abdul Mohammad Masykuri Musyawaroh Musyawaroh, Musyawaroh Nandariyah, Nandariyah Nofer, Dolly Nurul Muhayat Paramanandana, Satrya Prasetyo, Alif Datu Pratama, Yuwanda Budi Putri, Salsabila Adinda Rachmawati, Julianne Indah Saputro, Muhammad Handri Aris Slamet Subiyantoro Sri Yuliani Sugara, Badra Sulistyaningati, Endah Susanto Susanto Syamsul Hadi Tri Joko Daryanto Virgie, Arrley Warto - Warto Warto Wiwik Setyaningsih Zuhriah, Nur Azizah