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BENTUK GERABAH KARAT DALAM KONTEKS TRADISI GERABAH PLERED Winata, Gita
ATRAT: Jurnal Seni Rupa Vol 3, No 3 (2015): DIALEKTIKA RUPA DALAM KEBUDAYAAN KONTEMPORER
Publisher : Jurusan Seni Rupa STSI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Gerabah Karat (Rusty pottery) is one type of pottery in Plered pottery tradition that has a rust of a metal surface character which gives ancient or antiques impression. The phenomenon of this form indicates a new symptom in the Plered pottery tradition, especially in the ideas related with the material and production process. This research tries to identify the characteristic of rusty pottery form, factors that influence the material usage and production processes, also the connection with Plered pottery tradition. In terms of these purposes, this research uses aesthetical approaches to analyze the visual, technical approaches to analyze the making process and the material, and cultural approach to see the relation within the context of Plered pottery tradition. The result of this analysis shows, with several new kind of materials and different techniques could gives rusty pottery a new unique characteristic in forms, colors, textures, structures, contours and proportions. The achievement of characteristic in rusty pottery form is a result of material exploration and technical experiment in making process. Rusty pottery is an effort to enrich Plered pottery products that stays oriented to the knowledge of pottery making heritage in Plered. Rusty pottery shows an active participation in Plered pottery tradition and gives a positive result in developing personal characteristic and also the economics of people in Plered.Keywords: Forms, Material, Production, Rusty Pottery, Tradition___________________________________________________________________Gerabah karat merupakan salah satu jenis gerabah dalam tradisi gerabah Plered yang memiliki karakteristik permukaan yang menyerupai karat logam yang menimbulkan kesan kuno atau antik. Fenomena bentuk ini menunjukkan adanya gejala yang baru dalam tradisi gerabah Plered secara umum terutama dari segi gagasan yang berkaitan dengan material dan proses produksi. Penelitian ini berupaya untuk mengidentifikasi karakteristik bentuk gerabah karat, faktor-faktor terkait material dan proses produksi, serta bagaimana hubungannya dengan tradisi gerabah Plered. Dalam kerangka tujuan tersebut penelitian ini menggunakan pendekatan estetik untuk menganalisis visual, pendekatan teknis untuk menganalisa material dan proses produksinya, dan pendekatan budaya untuk melihat hubungan secara umum dalam konteks tradisi gerabah Plered. Dari hasil analisis menunjukkan bahwa secara umum gerabah karat memiliki karakteristik bentuk yang khas pada jenis, warna, tekstur, struktur, kontur, dan proporsi, dengan menggunakan beberapa material dan teknik baru dalam proses produksinya. Pencapaian karakteristik bentuk tersebut diperoleh dari hasil eksplorasi material dan eksperimentasi teknik dalam proses produksinya. Bentuk gerabah karat merupakan upaya pengembangan ragam jenis produk gerabah Plered dengan tetap berorientasi pada pengetahuan dari pewarisan tradisi pembuatan gerabah Plered sebelumnya. Gerabah karat menunjukkan partisipasi aktif dalam tradisi gerabah Plered, yang berdampak positif dalam pengembangan karakter personal dan perekonomian masyarakat pengrajin gerabah Plered pada umumnya.Kata Kunci: Bentuk, Material, Produksi, Gerabah Karat, Tradisi
ANALISIS BENTUK PRODUK KERAMIK STUDIO MANDIRI DENGAN TEMA TRADISI LOKAL INDONESIA MELALUI PENDEKATAN ATUMICS Ardini, Sasanti Puri; Winata, Gita
PANGGUNG Vol 33, No 4 (2023): Eksistensi Tradisi dalam Narasi Seni Modern
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v33i4.2930

Abstract

Indonesia, known for its rich cultural diversity and traditional practices, offers a wide range of ceramic products that have a strong basis in tradition. These creations appear from the artistic endeavors of individual artists, independent studios, and craft-based industries. The scope of diversity extends beyond the topic of the field of tradition, which includes a combination of technical abilities and materials used for the creation of a piece, thus implementing a transformation of a local tradition into an innovative and creative product. This article present an exhibition and analysis of independent studio and craftbased industries ceramics products that explore the theme of local Indonesian traditions through the application of the The ATUMICS method is a way of Transformation Tradition that was introduced by Adhi Nugraha. The study using the ATUMICS framework, which refers Artifact (A), Technique (T), Utility (U), Material (M), Icon (I), Concepts (C) and Shape (S). These models were utilized to define the components that were found in ceramics products originating from three different ceramic studio or craft-based industries in Indonesia. The research results provide insight into which elements can be applied and combined through the ATUMICS method to enhance local traditions in ceramics. Keywords: ceramic, craft, product, tradition, atumics
Artistic Expression of Harvest Ceremony Ritual of Wehea Dayak Tribe Sutarya, Abdul Majid; Winata, Gita
Gorga : Jurnal Seni Rupa Vol. 14 No. 1 (2025): Gorga: Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v14i1.65782

Abstract

The Lom Plai harvest ceremony ritual is an essential tradition of the Wehea Dayak tribe in East Kalimantan that combines artistic expression with spiritual and social values. However, in-depth studies on the form and meaning of artistic expression in this ritual are still limited. This study aims to describe how visual elements such as costumes, masks, colours, motifs, musical instruments, and spatial and dance movement patterns play a role in strengthening the cultural and spiritual identity of the Dayak Wehea community. The method used is a descriptive qualitative approach with a visual ethnography model through participatory observation, in-depth interviews, and visual documentation in Nehas Liah Bing Village, East Kutai. Thematic analysis based on symbolic theory and cultural structure was used to interpret the symbolic meaning of artistic expression elements. The results show that artistic expression in the Lom Plai ritual functions as a medium of spiritual communication that strengthens human relationships with nature and ancestors and strengthens social solidarity and preservation of cultural values amid modernization.
Elemen Visual Mitologi Cirebon dalam Perancangan Kerajinan Gerabah Sitiwinangun untuk Produk Interior Almantara, Hatif Adiar; Winata, Gita; Yana, Deni
Serat Rupa: Journal of Design Vol 8 No 1 (2024): SRJD - JANUARI
Publisher : Faculty of Humanities and Creative Industries, Maranatha Christian University (formerly Faculty of Fine Arts and Design)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.28932/srjd.v8i1.6490

Abstract

Since Sitiwinangun has announced as a pottery tourism village in 2016, various pottery development programs in this village have been initiated by several parties, including academics, government, and business entities. This research aims to develop a tradition of making pottery in Sitiwinangun with a focus on the potential of Sitiwinangun pottery, especially sculptures with the theme of Cirebon mythology that applied to the design of pottery products for interiors. The method used in this study is practice-led research through a design approach, a technical approach, and a visual approach with the stages of observation, design development, and design finalization. The results showed that the form of Cirebon's mythological sculptures could be developed through application to interior products. This research is to improve people's appreciation of local traditions, scientific development, product diversification, and the community's living standards and economy, especially in the pottery sector.
ANALISIS BENTUK PRODUK KERAMIK STUDIO MANDIRI DENGAN TEMA TRADISI LOKAL INDONESIA MELALUI PENDEKATAN ‘ATUMICS’ Ardini, Sasanti Puri; Winata, Gita
PANGGUNG Vol 33 No 4 (2023): Eksistensi Tradisi dalam Narasi Seni Modern
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v33i4.2930

Abstract

Indonesia, known for its rich cultural diversity and traditional practices, offers a wide range of ceramic products that have a strong basis in tradition. These creations appear from the artistic endeavors of individual artists, independent studios, and craft-based industries. The scope of diversity extends beyond the topic of the field of tradition, which includes a combination of technical abilities and materials used for the creation of a piece, thus implementing a transformation of a local tradition into an innovative and creative product. This article present an exhibition and analysis of independent studio and craftbased industries ceramics products that explore the theme of local Indonesian traditions through the application of the The ATUMICS method is a way of Transformation Tradition that was introduced by Adhi Nugraha. The study using the ATUMICS framework, which refers Artifact (A), Technique (T), Utility (U), Material (M), Icon (I), Concepts (C) and Shape (S). These models were utilized to define the components that were found in ceramics products originating from three different ceramic studio or craft-based industries in Indonesia. The research results provide insight into which elements can be applied and combined through the ATUMICS method to enhance local traditions in ceramics. Keywords: ceramic, craft, product, tradition, atumics