Achmad Haldani Destiarmand
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KAJIAN VISUAL JAHITAN UTTU PADA TENUN HINGGI DARI KAMBERA, KANATANG, MELOLO DAN RINDI: VISUAL STUDIES OF UTTU STITCHES ON HINGGI WOVEN FROM KAMBERA, KANATANG, MELOLO DAN RINDI Wahyu Perdana Saputra; Achmad Haldani Destiarmand
Jurnal Dimensi Seni Rupa dan Desain Vol. 21 No. 1 (2024): Jurnal Dimensi Seni Rupa dan Desain
Publisher : Fakultas Seni Rupa dan Desain, Universitas Trisakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25105/dim.v21.i1.20228

Abstract

Hinggi is a cultural heritage that come from East Sumba and is one of the woven textiles that can be easily recognized from its distinctive character and ornamentation. In general, hinggi is produced with a warp ikat weaving technique and woven using a backstrap loom. The making hinggi itself requires at least 7 main stages of production, with 42 complicated work steps, including sewing two narrow pieces of fabric to produce a wider sheet of fabric. Besides its major purpose as a jointing stitch, stitches or in the Kambera language referred to as uttu, can be found on a hinggi in a various characteristic and also possess an aesthetic function, However, the presence of uttu stitches often ignored and not noticed because of its tiny size. In fact, the presence of uttu stitches plays an important role in the wholeness of a hinggi fabric and becomes one of the most prominent aspect that highly required in the making of hinggi fabric.
REINTERPRETASI NARASI DAN VISUAL WAYANG RAMAYANA DALAM DESAIN BUSANA KONTEMPORER SEBAGAI UPAYA PELESTARIAN BUDAYA: REINTERPRETATION OF RAMAYANA WAYANG NARRATIVE AND VISUAL ELEMENTS IN CONTEMPORARY FASHION DESIGN AS A CULTURAL PRESERVATION EFFORT Vania Ardelia Putri; Achmad Haldani Destiarmand
Jurnal Seni dan Reka Rancang: Jurnal Ilmiah Magister Desain Vol. 8 No. 2 (2025): Jurnal Seni dan Reka Rancang
Publisher : Universitas Trisakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25105/jsrr.v8i2.23039

Abstract

Reinterpretation of Ramayana Wayang Narative and Visual Elements in Contemporary Fashion Design as a Cultural Preservation Effort, Wayang kulit is a traditional Indonesian art form rich in aesthetic, spiritual, and moral values, yet its relevance is declining due to modernization. This study focuses on reinterpreting the Ramayana particularly the characters of Rama and Sita through contemporary fashion design to preserve cultural heritage. Utilizing a qualitative method, the research includes literature studies, field observations, and interviews with fashion and cultural experts. The outcome is a collection of wearable art pieces integrating wayang kulit visuals, Ramayana motifs, and modern fashion aesthetics. Targeted at younger generations, the designs aim to educate, promote cultural appreciation, and encourage dialogue between tradition and modernity within Indonesia’s creative fashion industry.