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All Journal Catharsis Tonika: Jurnal Penelitian dan Pengkajian Seni Clef: Jurnal Musik dan Pendidikan Musik
Harwanto, Dody Candra
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Journal : Clef: Jurnal Musik dan Pendidikan Musik

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Makna Pasemon dalam Syair-syair Musik Gereja: Kajian Semiotik Menurut Teori Charles Sanders Peirce Kristanto, Alfa; Sasongko, Michael Hari; Harwanto, Dody Candra
Clef : Jurnal Musik dan Pendidikan Musik Vol. 5 No. 2 (2024): Clef: Jurnal Musik dan Pendidikan Musik
Publisher : Program Studi Pendidikan Musik Gereja IAKN Manado

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51667/cjmpm.v5i2.1975

Abstract

Along with the dynamics of development, church music has also experienced extraordinary development. Meeting with many musical genres that are developing in society makes this music continue to be dialectic in such a way that it gives rise to new types of music that are used in Christian worship. In the development of the genre, it is increasingly difficult to distinguish between church music (liturgical music) and secular music, even though essentially, church music is different from secular music. Based on Charles Sanders Pierce's semiotic theory, the writing below attempts to analyze the pasemon in church music lyrics. Although church music and secular music have the same material object, both have different formal objects. This difference in objects is what makes its representation and interpretation different in its pair. This pasemon ultimately makes church music inseparable from the understanding of Christian theology. This is because essentially, in the context of Christian worship, church music is a means and not an end
Co-Authors Azalia, Vania Kristanto, Alfa Purhanudin, MS Viktor Rasimin Rasimin, Rasimin Sasongko, Michael Hari Sunarto Sunarto