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All Journal KLAUSA (Kajian Linguistik, Pembelajaran Bahasa, dan Sastra) Jurnal bahasa, sastra, seni, dan pengajarannya
Nurhayani, Octaria Putri
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Arts Humanities Education Languange, Linguistic, Communication & Media Library & Information Science Other

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INTERFERENSI BAHASA BETAWI DALAM SINIAR DEDDY CORBUZIER “EMOSI!!! BABE HAIKAL MENJAWAB BUYA ARRAZY!! PALESTINA BUTUH INI!!” Permatasari, Intan Ardila; Nuryatiningsih, Farida; Nurhayani, Octaria Putri
KLAUSA (Kajian Linguistik, Pembelajaran Bahasa, dan Sastra) Vol 8 No 1 (2024): KLAUSA Vol 8 No 1 (2024)
Publisher : Ma Chung Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33479/klausa.v8i1.939

Abstract

Tujuan dari penelitian ini untuk mengetahui wujud-wujud interferensi bahasa Betawi yang terjadi dalam siniar Deddy Corbuzier dengan judul “Emosi!! Babe Haikal Menjawab Buya Arrazy!! Palestina Butuh ini!!”. Penelitian ini menggunakan metode deksriptif kualitatif dengan analisis menggunakan metode padan dan teknik pilah unsur penentu (PUP). Pada siniar Deddy Corbuzier dengan judul “Emosi!! Babe Haikal Menjawab Buya Arrazy!! Palestina Butuh ini!!” ditemukan adanya 32 wujud interferensi bahasa Betawi dalam siniar tersebut. Ditemukan adanya 24 interferensi pada bidang fonologi, 7 interferensi bidang morfologi, dan 1 interferensi bidang sintaksis. Dengan demikian terdapat wujud interferensi bahasa Betawi pada siniar Deddy Corbuzier dengan judul “Emosi!! Babe Haikal Menjawab Buya Arrazy!! Palestina Butuh ini!!” yang didominasi oleh interferensi bidang fonologi dengan temuan 24 data. Interferensi bahasa Betawi yang ditemukan tersebut disebabkan oleh penggunaan bahasa pertama penutur atau narasumber siniar.
Transformasi Sendratari Legenda Kamandaka dalam Upaya Melestarikan Kebudayaan Banyumas Ryolita, Widya Putri; Nurhayani, Octaria Putri
Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Vol. 47, No. 2
Publisher : citeus

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Abstract

Research on the transformation of the forms ballet dance legend Kamandaka in Banyumas is one of the research focuses on the potential of local wisdom. With descriptive analytic method that is supported by the theory of transformation, This research is used to see the changing shape of the Kamandaka legend into a ballet in Banyumas. These changes are in each ballet that consists of five rounds.The first round immediately displays Kamandaka who met the gods and removed the story from the Padjajaran kingdom. Half to two figures Pulebahas king who wants to apply Ciptarasa, whereas in this story in the last parts of the story. Half to three Kamandaka contest that has changed langur unnoticed Ciptarasa, whereas in the story Ciptarasa know. The second round is the figure of Raja Pulebahas who wants to apply for Ciptarasa, while in this story there are the last parts of the story. The third round of the Kamandaka contest has changed langur without Ciptarasa knowing, while in the story Ciptarasa knows. The fourth round of the slapstick mother waistband and “prenes” Kamandaka. On waistband mother slapstick story not depicted and prenes Kamandaka occur before the contest langur. Round five the fight Kamandaka and Pulebahas be the highlight of the story, while the story is still no continuity with the royal attack Pulebahas Nusatembini belonging to Pasir Luhur. This transformation also as an entertainment alternative to the preservation of local wisdom that has potential as a tourist attraction. This transformation also as an entertainment alternative to the preservation of local wisdom that has potential as a tourist attraction.
Co-Authors Nuryatiningsih, Farida Permatasari, Intan Ardila Ryolita, Widya Putri