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All Journal Indonesian Journal of Applied Linguistics (IJAL) BAHASA DAN SASTRA Paradigma: Jurnal Kajian Budaya Wacana: Journal of the Humanities of Indonesia International Review of Humanities Studies
Tjahjani, Joesana
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Arts Humanities Languange, Linguistic, Communication & Media Library & Information Science Social Sciences

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INTERTEKSTUALITAS JAKARTA SEBAGAI RUANG URBAN DALAM ANTOLOGI ESAI TIADA OJEK DI PARIS Tjahjani, Joesana
Jurnal Pendidikan Bahasa dan Sastra Vol 20, No 1 (2020): APRIL 2020
Publisher : Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/bs_jpbsp.v20i1.25966

Abstract

As a metropolitan city, Jakarta is growing rapidly both physically and demographically. Jakarta's socio-economic dynamics also show significant developments over time. In an essay titled Tiada Ojek di Paris, Seno Gumira Ajidarma discusses Jakarta as an urban space that is filled with modern human problems. This paper aims to show the intertextuality that exists in the collection of essays, as well as the intertextuality resulting from the mention of various other texts in the work. Lucien Goldmann's genetic structuralism approach, Julia Kristeva's intertextuality theory, and the concept of the production of space from Henri Lefebvre are used as analytical frameworks. Analysis of the text structure shows the identification of Jakarta as a problematic urban space and close to everyday life reality. This was told by the narrator as well as the focalizer from an academic perspective, according to the background of the author who is a writer as well as an academic. The intertextual relations that are built from a series of texts that exist in Tiada Ojek di Paris represent the reflection, criticism, and dominant discourse that produces social spaces in urban Jakarta. Meanwhile, the intertextuality that results from the mention of various other texts in the anthology of essays confirms the position of the writer as a writer and academic in constructing arguments.
Teaching French Language Through Films: The Cultural Contents in French and Francophone Films Tjahjani, Joesana; Jinanto, Damar
Indonesian Journal of Applied Linguistics Vol 11, No 2 (2021): Vol. 11, No. 2, September 2021
Publisher : Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/ijal.v11i2.29450

Abstract

Foreign language teaching in the current globalization era needs to compete with technological development. This competition is related to the discovery of digital technology-based methods to motivate learners to provide more interesting cultural content in language classes. For teachers from different cultural backgrounds, authentic documents such as films are considered very effective in delivering cultural content. This research takes a French film, Intouchables, and a Canadian francophone film, Monsieur Lazhar, as a research corpus for their cultural content to be analyzed. The proper understanding of the two films' cultural content can inform a digital technology-based French-language teaching medium. To discover what strategies or formulas are used in teaching French with cultural-laden films as teaching media requires studying the films by dissecting the structure of the text. Examination of the structure of the films was based on the theory of Boggs and Petrie (2008), equipped with in-depth reading to find signs in the text by referring to Buckland (2004); and also the identification of cultural content using the cultural approach by Stern (1992). The construction of a teaching plan with a language teaching approach by Damen (1987) and Byram (1997) will be the last step. This research provides an academic outcome that is a film structural analysis to identify cultural content in the two films. The second outcome is a practical categorization of cultural content utilized as a language teaching material.
Homoseksualitas dalam Lagu-lagu Prancis Tjahjani, Joesana
Wacana, Journal of the Humanities of Indonesia Vol. 6, No. 2
Publisher : UI Scholars Hub

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Abstract

Sexual revolution in France in the decade of the 1970s is characterized by social openness toward sex. There is a change in the pattern of spousal living, including same-sex relation. Homosexuals in France have the courage to declare their sexual orientation. Despite pros and cons within the French society, PACS or the solidarity civil pact, since 1999, allowed homosexual pairs to formalize their commitment outside marriage. French songs with homosexual themes began to appear in the decade of the 1960s. Since then, around 90 songs foreground homosexuality through various themes and perspectives. In the first reading, the lyrics only foreground the emergence of consciousness or confession of a homosexual. The theme of the orientation of homosexual behaviour can be found in most of the songs. Other themes are related to other perspectives. Further discussion shows that these songs are presented in terms of three negative perspectives: negative, positive and neutral. The negative perspective uses homosexuality as an object of joke, the second proposes defense for the homosexual community, and the neutral perspective is completely descriptive and generally portrays sexuality and sensuality among the homosexuals.
PROSUMER BEHAVIOR OF THE ARMY FANDOM OF BTS IN INDONESIA AS A FORM OF NEW CONSUMERIST SOCIETY Nanda, Larassatti Dharma; Tjahjani, Joesana
International Review of Humanities Studies Vol. 9, No. 1
Publisher : UI Scholars Hub

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Abstract

One of the most influential K-pop groups in the world is Bangtan Sonyeondan, abbreviated as BTS. BTS' success can also be determined by their extensive community of fans who create a fandom culture worldwide, including in Indonesia. This paper investigates the BTS fandom consumerism behavior, which is called ARMY, and its relation to Indonesia's participatory fan culture. This research focuses on how BTS's managing company creates a fandom image and how Indonesian fans react. This article is qualitative research using a literature review as the method. Analysis of this paper uses the consumerist society theory by Jean Baudrillard (1986) to explain how the company creates simulacra and hyperreality of BTS as their marketing strategy. Another theory is Jenkins (2012), which states that a prosumer fan culture is used to analyze the fan's resistance to consumerism from the fandom's point of view. This article has several main findings. Big Hit Entertainment uses the creation of hyperreality to make BTS engage with the fans and stimulate consumption. Indonesian fans are doing presumption as a resistance to being submissive customers of Big Hit Entertainment, but in the end, helping it opens a new potential market.
MYTH OF HAPPINESS FROM THE CONSUMERISM PERSPECTIVE IN SIMONE DE BEAUVOIR’S <i> LES BELLES IMAGES</i> Tjahjani, Joesana; Dewantari, Sekar
Paradigma: Jurnal Kajian Budaya Vol. 15, No. 2
Publisher : UI Scholars Hub

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Abstract

France's post-World War II, thirty years of glory, resulted in the growth of purchasing power among the French, which triggered growth in consumerism, notably among the bourgeois— France's upper-middle-class society. People believed in a myth that objects are not solely useful for fulfilling needs but also served as a sign of social status, dignity, andcomfort. They equally believed that if the objects are consumed and the associated social standards fulfilled, they maybecome a way to obtain greater happiness. This article aims to examine the myth that happiness can be attained byconsumption and social standard fulfillment in a French consumer society in the 1960s. To do so, Baudrillard’sconsumerism theory is used, which is juxtaposed with Barthes' theories of structural text analysis, semiotics, and myth.This article, whose scope is limited by the narrative elements of the text, shows that the attachment of the people portrayed in the text with consumer goods and social standards can gradually sink the subjectivity of individuals and even erode the unique and principal characteristic that humans share; humanitarian values, as well as generating greater distance between human and true happiness itself.
Co-Authors Dewantari, Sekar Jinanto, Damar Nanda, Larassatti Dharma