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Murda, Muhammad Ilham Mustain
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Arts Humanities

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Arsip Visual Partisipatif sebagai Praktik Pengarsipan Kota: Studi Kasus Program Tasimpan di Taman Imbi Jayapura: Arsip Visual Partisipatif sebagai Praktik Pengarsipan Kota: Studi Kasus Program Tasimpan di Taman Imbi Jayapura Murda, Muhammad Ilham Mustain
IMAJI Vol. 16 No. 3 (2025): Imaji Visual dalam Ruang, Waktu, dan Memori
Publisher : Fakultas Film dan Televisi - Institut Kesenian Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52290/i.v16i3.366

Abstract

Artikel ini mengkaji praktik arsip visual partisipatif melalui program Tasimpan yang digagas oleh Indonesia Art Movement di Jayapura. Dengan menggunakan pendekatan kualitatif berbasis observasi partisipatif, penelitian ini berupaya memahami keterlibatan komunitas lokal dalam proses pembangunan arsip kolektif. Selain itu, pendekatan ini menghadirkan metode pengarsipan alternatif yang lebih inklusif, dialogis, dan berakar pada konteks perkotaan lokal. Tujuan penelitian adalah mendokumentasikan dinamika ruang publik, memori kolektif, dan interaksi masyarakat melalui kegiatan hunting foto dan workshop sketsa. Penelitian ini menyoroti bagaimana komunitas lokal, seniman, dan pelajar berpartisipasi dalam merekam keberadaan monumen sejarah sekaligus praktik kehidupan sehari-hari di Taman Imbi. Hasil penelitian menunjukkan bahwa arsip visual partisipatif tidak hanya berfungsi sebagai pelestari memori kota, tetapi juga memperkuat identitas budaya serta kesadaran kritis peserta.  
WISISI: TRANSFORMASI TARI-MUSIK PAPUA DARI RITUAL ADAT KE HIBURAN GLOBAL DIGITAL Murda, Muhammad Ilham Mustain
Greget: Jurnal Kreativitas dan Studi Tari Vol. 24 No. 2 (2025): KEBERAGAMAN KARYA TARI SEBAGAI EKSPRESI SIMBOLIK
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v24i2.7681

Abstract

Wisisi, a dance-music form originating from the Dani community in the Papuan Highlands, was traditionally embedded in ritual practices as a medium of social cohesion, entertainment, and collective healing. Over the last decade, Wisisi has undergone a profound shift from ritual performance into popular entertainment, later evolving into digital music production performed on national and international stages. This article aims to examine the transformation of Wisisi from its ritual roots to its position as a global cultural expression. The study applies a qualitative approach, combining literature review, audiovisual documentation, and mini-ethnographic analysis of sources such as traditional performance archives, contemporary recordings, and the documentary Wisisi Nit Meke that won recognition at the Indonesian Film Festival in 2023. The findings reveal three major aspects of transformation: first, the transition of function from ritual practice to public celebration; second, the adaptation of Wisisi into electronic forms by younger musicians using digital production tools; and third, the dissemination of Wisisi across online platforms and international festivals. These changes demonstrate how Wisisi negotiates cultural identity in the digital era while raising concerns regarding commodification and the sustainability of indigenous values.
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