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REPRESENTATIONS OF FOREIGNERS AND JAPANESE NATIONAL IDENTITY AT THE 1964 OLYMPICS IN IDATEN Pratama, Himawan
International Review of Humanities Studies Vol. 6, No. 1
Publisher : UI Scholars Hub

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Abstract

The 2020 Olympics are not Tokyo's first experience of hosting the Games. Previously, the city hosted the 1964 Olympics. This historical background generated nostalgia for the 1964 Olympics ahead of the 2020 Olympics. The 1964 Olympics are remembered for exposing Japanese society to various interactions with foreigners, which eventually provided the setting for expressions of Japanese national identity through comparisons between "us" (Japanese) and "them" (foreigners). In this sense, representations of foreigners, and their roles as essential elements of Japanese national identity discourse, have been the integral parts of 1964 Olympics nostalgia. Ahead of the 2020 Olympics, numerous popular culture forms depicting the 1964 Olympics were produced in Japan. One notable work was the television drama IDATEN Orimupikku Banashi (hereafter: IDATEN), broadcast by the Japan Broadcasting Corporation (NHK) from January-December 2019. The drama depicted Japan's Olympic movement from the 1912 to 1964 Olympics and featured a wide variety of foreign characters. IDATEN's portrayal of the 1964 Olympics features not only foreign countries widely represented in Japanese popular culture, such as the US, but also less featured countries such as Indonesia and the Republic of the Congo. This article analyzes depictions of these three nations to examine critically the role of representations of foreigners in Japanese national identity discourse within the drama. It argues that as a drama produced ahead of the 2020 Olympics IDATEN signifies the aspirations of 21st century Japan rather than reflecting the actual situation during the 1964 Olympics, especially in how it portrays Japan through the country’s relations with other countries.
PRESERVING CULTURAL MEMORY AND IDENTITY OF EVICTION THROUGH DIGITAL ARCHIVES: A CASE STUDY OF @tamansarimelawan INSTAGRAM ACCOUNT Al Hakim, Zulfi; Pratama, Himawan; Aviandy, Mochamad
International Review of Humanities Studies Vol. 11, No. 1
Publisher : UI Scholars Hub

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Abstract

This study examines how the Instagram account @tamansarimelawan plays a significant role in preserving collective memory and the identity of marginalized groups through digital archives. In the context of the Taman Sari urban village community, which resisted land eviction for the construction of row houses in Bandung, this research explores how Instagram as a social media platform contributes to the formation and maintenance of collective memory and community identity. Using content analysis of the @tamansarimelawan account, the study investigates the mechanisms through which social media functions as a digital repository, a medium for fostering a sense of belonging and continuity, and as a form of resistance among community members. The study employs Halbwach’s (1992) concept of collective memory to emphasize how collective memory is constructed and maintained within a community. Halbwach (1992) argues that memory is not only an individual phenomenon but also a collective one shaped by social context and interactions. This perspective is highly relevant for understanding how the @tamansarimelawan account documents and preserves the collective memory of eviction events experienced by the Taman Sari community. The account is analyzed through its visual content and narrative construction, including the documentation of photos, videos, and hashtags. These elements are examined to understand how digital archives contribute to the formation of a resistance identity and political awareness among both the community and the account’s followers. The posts shared on the account serve not only as records of events occurring during the eviction period but also as a medium to express grievances, aspirations, and collective solidarity among residents. The digital archiving conducted by @tamansarimelawan serves a dual function: it facilitates a voice for resistance and the building of solidarity within the community, while simultaneously documenting and broadcasting eviction events to a broader audience. This demonstrates that social media, through platforms like Instagram, can be a powerful tool for preserving the collective memory and identity of marginalized communities.