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All Journal ISLLAC : Journal of Intensive Studies on Language, Literature, Art, and Culture Journal of English Language and Education SENTRI: Jurnal Riset Ilmiah
Permanaludin, Udayani
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Aerospace Engineering Arts Humanities Computer Science & IT Economics, Econometrics & Finance Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Other

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WOMEN’S LANGUAGE FEATURES OF A TOP WOMAN CELEBRITY Nuha, Yasmin Saffana; Yatmikasari, Ika; Permanaludin, Udayani
ISLLAC : Journal of Intensive Studies on Language, Literature, Art, and Culture Vol 7, No 1 (2023)
Publisher : Jurusan Sastra Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17977/um006v7i12023p73-85

Abstract

This study aims to examine the style of language that is often used by women. This study discusses the features of women’s language used by Lisa Blackpink in her interview on the Zach Sang Show YouTube channel entitled Lisa Talks Lalisa, Money, Blackpink, & More. Data of this study were analyzed using women’s language features theory by Lakoff (1975). The method used to analyze this research is a qualitative method with data taken from Lisa's interview with Zach Sang which have been transcribed. The results showed that Lisa used nine out of ten women’s language features proposed by Lakoff with a total of 167 data with the following details: 120 lexical hedges/fillers, 20 intensifiers, 5 rising intonations, 5 empty adjectives, 5 hypercorrect grammars, 4 emphatic stress, 4 avoidance of strong swear words, 3 super polite forms, and 1 question tag. Meanwhile, women's language feature that are not spoken by Lisa in her interview was precise color terms.
Signs of Verbal Resistance in the Brave Pink and Hero Green Campaign Posters Salsabila, Sherli; Permanaludin, Udayani; Sakinah, R.Myrna Nur
Journal of English Language and Education Vol 11, No 1 (2026)
Publisher : Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/jele.v11i1.1958

Abstract

Language in political campaign posters is increasingly significant as a medium for expressing public resistance and shaping socio-political meaning. This research explores verbal signs in the Brave Pink and Hero Green campaign posters that emerge from the large-scale Indonesian demonstrations in August 2025. During this period, public support for the movement widely appears on social media, not only through the replacement of profile pictures with Brave Pink and Hero Green template, but also through the creation of digital resistance posters. These posters function as a medium for expressing opposition and solidarity through textual elements. Focusing on captions, slogans, and short verbal expressions, this research applies a qualitative descriptive approach. The analysis begins with a descriptive examination of textual elements and proceeds with their classification into Charles Sanders Peirce’s semiotic categories of icon, index, and symbol. The findings indicate that verbal signs play a central role in constructing meanings of resistance within digital campaign media.
The Concept of the Anti-Hero Character in the Movie The Mask (1994) Marwa, Shandina; Permanaludin, Udayani; Sudarisman, Yoga
SENTRI: Jurnal Riset Ilmiah Vol. 5 No. 2 (2026): SENTRI : Jurnal Riset Ilmiah, Februari 2026
Publisher : LPPM Institut Pendidikan Nusantara Global

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55681/sentri.v5i2.5621

Abstract

This study explores the duality of the main character’s persona in The Mask (1994) by applying Christopher Vogler’s narrative framework within the context of film studies. The research aims to investigate the concept of the anti-hero as a recurring character type in modern narrative texts, particularly in cinematic works, where characters are defined by flawed attributes and ethically ambiguous behavior. The relevance of the anti-hero lies in its deviation from conventional heroic archetypes and its function as a representation of shifting public values and beliefs. This study employs a descriptive qualitative method using a narrative structuralism approach. The analysis draws on Christopher Vogler’s concept of the anti-hero and Eaton’s (2012) anti-hero theory to examine narrative elements within the film. The film’s narrative presents the main character through traits such as manipulative, cruel, petty, malicious, selfish, ill-tempered, and duplicitous behavior. Primary data consist of significant character interactions, dialogues, and visual representations in specific scenes, while secondary data are obtained from previous studies and relevant literature on anti-hero representation and heroic film theory. The findings indicate that the main character in The Mask successfully embodies the anti-hero archetype by critiquing everyday identity repression, releasing subconscious impulses, and disrupting social conformity through chaos. This study contributes to academic discussions on anti-hero characters by demonstrating how The Mask, beyond its cartoonish entertainment value, functions as a structural narrative text in which manipulative traits dominate the character’s transformation.
Co-Authors Marwa, Shandina Nuha, Yasmin Saffana Sakinah, R.Myrna Nur Salsabila, Sherli Yatmikasari, Ika Yoga Sudarisman