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Dartanto, Andreas Sudjud
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Pre Biennale Klaten 2024 Display Design "Environmental Art" Benua, Temanku Lima; Dartanto, Andreas Sudjud; Pangestu, Jangkung Putra
TUMATA: Journal of Cultural and Arts Management Vol 2, No 1 (2024): June 2024
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/tumata.v2i1.13212

Abstract

Klaten is a district with a small city category in Central Java which is located between 2 (two) cultural cities namely Surakarta and Yogyakarta. Therefore, Klaten Regency has the opportunity to become a cultural city. One indicator of the advancement of contemporary art is the organization of the Klaten Biennale, which for the first time was held in 2017. Display design is the main focus in writing the final project with the title “Pre Biennale Klaten 2024 Display Design Environmental Art”. From the observation of the displays that have been carried out at the first to the third Biennale, in terms of the arrangement of the display space, lighting and circulation that has not been organized, and environmental art is the point of view and way of thinking in the design of the Pre Klaten Biennale 2024. From these observations the author raises the problem “How is the process and strategy of Pre Biennale Klaten 2024 Display Design Environmental Art?” which is carried out using a descriptive qualitative approach, with the aim of examining the visual concept process and presentation concept; describing the strategy in carrying out the design and presenting the design construction of the Klaten 2024 Pre Biennale display mockup “Environmental Art”. This design is carried out in the Lima Benua Public Space with three rooms that have different floor, wall and sub-theme characteristics, so that different lighting and arrangement techniques are needed.
Accessibility Of The Exhibition Room For Disability At The Vredeburg Fort Yogyakarta Museum Apriliandari, Citra Dewi; Dartanto, Andreas Sudjud; Kirana, Dian Ajeng
TUMATA: Journal of Cultural and Arts Management Vol 3, No 1 (2025): June 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/tumata.v3i1.15165

Abstract

This research aims to identify accessibility facilities in the permanent exhibition space of diorama 1, diorama 2, diorama 3, and diorama 4 of the Yogyakarta Vredeburg Fort Museum for visitors with physical disabilities and visual impairments. The research method used in this research is descriptive qualitative research methods involving visitors with physical disabilities and sensory impairments who have visited the permanent diorama exhibition room, staff at the Fort Vredeburg Yogyakarta Museum, as well as teachers and art activists in the context of people with disabilities in Yogyakarta. The theoretical approach used in this research is the theory of museums, exhibition spaces, accessibility, people with disabilities, as well as human rights and social inclusion. The research results show that the accessibility facilities in the museum exhibition room meet the standards in the form of the availability of automatic doors, corridors, manuvering areas, rams and guide tiles. However, accessibility facilities do not fully accommodate people with physical disabilities who are physically impaired and who are visually impaired due to the lack of adequate rams with handrails, audio descriptions, braille text and tactile objects. This research suggests that museums can improve accessibility facilities that are not yet available to increase comfort and convenience regarding the narrative they want to convey through the collection layout and information labels presented in accordance with inclusive building design standard regulations for visitors with physical disabilities and sensory impairments when visiting the space. permanent display of dioramas at the Fort Vredeburg Museum in Yogyakarta.