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All Journal Sorai: Jurnal Pengkajian dan Penciptaan Musik GETER : Jurnal Seni Drama, Tari dan Musik Jurnal Kajian Seni
Kapri, Riana
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Arts Humanities Education Social Sciences

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BUDMERGO: MUSIC VIBRATION CONDUCTING DEVICE FOR THE HEARING IMPAIRED Wrahatnala, Bondet; Aji Manggala, Bondan; Sri Kuncoro, Jonet; Kapri, Riana; Nurhadi, Muhamad; Arya Pradipta, Dana Adi; Budiyanto, Agus; El Java, Joi
GETER : Jurnal Seni Drama, Tari dan Musik Vol 8 No 1 (2025): April 2025
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/geter.v8n1.p89-98

Abstract

This article examines performing arts technology in the form of a musical vibration delivery device called Budmergo for deaf people. This activity optimizes the work of the Budmergo tool as an expression tool in the context of intermedia performance art activities. As a result, it hopes to involve deaf people in art performances according to their characteristics and realize a creative space for art that favors their unique abilities and needs. This activity is based on the mindset that each individual can absorb and internalize the phenomena around them through different means and media while also expressing them independently in art. The general objective of this activity is to conduct an art technology study of the Budmergo tool to (1) find knowledge, methods, and art media that can optimize the art activities of deaf people, (2) evaluate the technology of the Budmergo tool (3) socio-psychologically be able to raise the dignity of deaf people, considering that the participatory art creation model is full of human values with participant involvement,  and (4) get recommendations for the development of unique art performance technology for deaf people.  
Invensi Pertunjukan Gerbang Etam Orchestra dalam Erau International Folk Arts Festival Kapri, Riana; Sushartami, Wiwik; Irawati, Eli
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 13 No. 2 (2020)
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v13i2.3363

Abstract

Gerbang Etam Orchestra is a musical group that is always present at the Erau International Folk Arts Festival. Gerbang Etam Orchestra has a characteristic performance by combining Kutai Kartanegara ethnic music with a mass format. The purpose of this research is to identify the form of the Gerbang Etam Orchestra performance to review the use of the term “orchestra” whether it is in accordance with the rules of the music. This study used a qualitative method with an ethnomusicological approach to see the phenomenon of music which is influenced by hybridity and produces invention. This study uses Eric Hobsbawm's theory, the invention of tradition. The data analyzed were the results of observations, interviews, audio and video recordings. Furthermore, the data were analyzed using qualitative data analysis techniques by means of data reduction, data presentation, drawing conclusions and data verification. The results showed that the use of the term orchestra at the Gerbang Etam Orchestra produced a form of performance that had similar characteristics to orchestras in general. Even though it uses the term Western music, Gerbang Etam Orchestra still emphasizes the distinctive characteristics of Kutai Kartanegara ethnic music which is owned as a regional identity. This is manifested in the form of performances presented by the Gerbang Etam Orchestra.Keywords: Gerbang Etam Orchestra, Invention, Ethnic Music, Orchestra
SYMBOLIC INTERACTIONISM IN MUSIC: ANALYSIS OF SOCIAL MEANING AND CULTURAL IDENTITY NEGOTIATION Wrahatnala, Bondet; Luwiga, Abraham Anton Febrindo; Rahman, Ifa Hanifa; Kapri, Riana; Setyanto, Kristoforus Frederic
Jurnal Kajian Seni Vol 12, No 2 (2026): Jurnal Kajian Seni Vol 12 No 2 April 2025
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jksks.112544

Abstract

This study examines musical practice as an arena of symbolic interaction in society, using the theoretical framework of symbolic interactionism. The framework stems from the assumption that social meaning is not inherently attached to objects or actions, but is formed through symbolic exchange between individuals and through processes of reflection and self-interpretation in social interaction. This research explores how music actors (players, listeners, communities) participate in the construction of musical meaning, how musical symbols are interpreted and negotiated, and how music functions as a medium for identity formation and social transformation. Through a descriptive-interpretive approach based on literature review of theories and previous research findings, it was found that symbolic interaction in musical practice encompasses processes of symbol repetition, public negotiation, role internalization, and intergenerational reinterpretation. Music becomes more than sound: it is a vehicle for symbolic communication that actively shapes and is shaped by society. These findings confirm that music analysis in ethnomusicology must consider aspects of symbolic micro-interaction in order to understand how cultural meaning, identity, and social structure are realized and transformed through music.
Co-Authors Abraham Anton Febrindo Luwiga Agus Budiyanto Arya Pradipta, Dana Adi Bondan Aji Manggala El Java, Joi Eli Irawati Nurhadi, Muhamad Rahman, Ifa Hanifa Setyanto, Kristoforus Frederic Sri Kuncoro, Jonet Wiwik Sushartami Wrahatnala, Bondet