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Garapan Baru Seni Karawitan Bali dalam Bingkai Estetika Postmodern Mawan, I Gede; Wardizal, Wardizal
Journal of Music Science, Technology, and Industry Vol. 8 No. 1 (2025)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Purpose: This short article attempts to conduct a discourse on new works of Balinese karawitan art in the realm of postmodern aesthetic studies, one of the disciplines that is developing quite rapidly today. The main problem studied in this article is the forms of postmodern aesthetics in new works of Balinese karawitan art. Research methods: The main data in this article were obtained through field research (observation) in the form of direct observation of the dynamics of the development of Balinese karawitan art. For the purposes of this writing, a literature study was also conducted in the form of tracking various documents, both written and visual. Results and discussion: In the last decade or 10 years there has been a fairly fundamental change in the process of creating new works in Balinese karawitan art. The process of creating new works that have been based on strong traditions has now undergone changes into contemporary (modern) art, postmodern or contemporary art. Implication: The forms or idioms of postmodern aesthetics found in the process of creating new works in Balinese karawitan art include pastiche, parody, kitsch, camp, and schizfrenia.
The creative process of creating dance accompaniment gendhing Murdanata Dedarining Aringgit: the mascot dance of Nagasepaha Village in Buleleng Regency, Bali Kariasa, I Nyoman; Wardizal, Wardizal; Santosa, Hendra
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol. 18 No. 2 (2023)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v18i2.4904

Abstract

The Gendhing accompaniment for Murdanata Dedarining Aringgit is a newly composed musical piece designed to accompany the Murdanata Dedarining Aringgit dance, which serves as the mascot dance of Nagasepaha village in Buleleng Regency, Bali. Data for creating this piece were gathered through literature studies, observations, interviews, and discography (recordings). The primary question guiding this creation was: 'What is the creative process involved in composing the accompaniment for the Murdanata Dedarining Aringgit dance?' The creative process involved three stages: exploration, improvisation, and formation. The key findings of this creation include: (1) The Gendhing accompaniment for Murdanata Dedarining Aringgit is a novel composition rooted in Balinese karawitan musical concepts, (2) The structural framework of the Gendhing utilizes the Tri Angga concept, comprising Kawitan, Pengawak, and Pengecet, and (3) Both the Gendhing and the Murdanata Dedarining Aringgit dance emerged from a collective desire to establish a new musical language that fulfills the community's evolving cultural needs. This creation underscores the inseparable unity between the Gendhing accompaniment and the Murdanata Dedarining Aringgit dance, thus serving as a cultural representation of the people of Nagasepaha village in Buleleng Regency, Bali.